On a sunny July afternoon in Los Angeles, Chad Allen hovers over his laptop, typing out some last-minute e-mails as its speakers bathe him in a continuous stream of techno-trance and Rufus Wainwright. We’re in the offices of Mythgarden, the production company Allen formed with producer Christopher Racster and Queer as Folk actor Robert Gant, in a converted residential house on a quiet one-way street near the Paramount Studios lot.
Allen is about to debut Third Man Out on Here TV, the first of what he hopes will be several made-for-TV movies based on the popular Donald Strachey detective novels. The eight-book series, penned by Richard Stevenson beginning in 1981, follows an out private detective and his longtime lover in Albany, N.Y. Set to air September 2, Third Man Out gives Allen a chance to flex his star power and honor his politics too.
“Chad is such a positive member of our community,” says Meredith Kadlec, vice president of original programming at Here TV. “He does have that energy that’s a little bit tough and scrappy, but he’s also great-looking and a really fine actor. As soon as we talked to him about the project, we all realized this is a perfect fit.”
Yet Donald Strachey is only the most immediate of the conversation topics on Allen’s crowded plate this afternoon. He is working with all three gay cable channels—Here TV, Viacom’s Logo, and Q Television—in one capacity or another, and Mythgarden is developing feature-film projects with Robert Gant, Judith Light, David Mixner, and David Duchovny. And then there are Allen’s recent—and, he says, profound—experiences in Panama making the film End of the Spear and in the Ecuadoran Amazon after shooting wrapped. Scheduled for a January release, Spear is a $20 million indie based on the true story of a Christian missionary played by the gay Allen, a role that he confides he landed in part thanks to The Advocate.
It has been a busy year for Chad Allen the actor, and it promises to be a busy one for Chad Allen the producer. The former child star’s rapid-fire optimism makes it clear that for Allen, it’s all good.
You’ve said you hadn’t read the books when
you were first approached about Third Man Out. So
what was it that first hooked you into doing it?
I was immediately entranced at the idea of [Donald’s] relationship [with his partner, Timothy Calahan]. It’s a fantastic, real, gay, monogamous, loving relationship. They have their ups and their downs, they’ve been together for a long time, they’re really dependent on each other, and I just love that. And Donald was a great character, a detective in the classic sense of an old-school private eye detective. Gosh, it’s been a long time—to even say “private eye” anymore—you don’t even hear that. And that’s what Donald is—and he’s gay. We get to make this fun movie with all those classic elements, like Columbo or even the noir films from the ’40s, but our character gets to go home and get into bed with a man.
The Strachey books aside, my concept of a “private
eye” is a serial loner who lives to
flirt—and then some—with a continuous
string of femmes fatales. Was that a consideration
when you were making it?
One of our major goals was to create a really powerful, loving gay relationship that hasn’t really been done in television. Donald doesn’t have his life together. I think he’s good at what he does, but without his partner he would probably fall apart. They are a team, in a classic way like the Nick and Nora [detective] series [from the Dashiell Hammett novel The Thin Man and the movie series it spawned] and those old noir detective films.
It was the thing that I liked more than anything else about the series, to be perfectly honest—that relationship is what made me decide ultimately to do it. I’m not entirely certain that it would have been as interesting to me had it just been Donald on his own. I want to bring this relationship to the world. We don’t have enough examples of committed, loving gay relationships that work out there.
You know, you’re sitting in my office at Mythgarden, and our company is entirely dedicated to turning the page on gay and lesbian storytelling in film, television, and theater. We believe that it’s time that our stories can be told fully: good relationships, real relationships, honest characters, in all of the genres of storytelling—fantasy, fiction, fairy tales, great mysteries, adventure films, and honest drama. [See sidebar for a full list of Mythgarden’s upcoming projects.] That’s what I love about acting, what I love about great stories. I think that is what is going to appeal to a lot of people.
The producer of the movie was telling me how great it was
to have an openly gay actor play Donald Strachey.
Was that important to you as well?
Oh, man, I’ve wanted to play a gay character for 10 years. I’ve always been told I wasn’t gay enough, quote-unquote, to play gay, even though there have been a lot of [gay] roles that I would like to play. So, other than theater, this is the first gay character that I’ve ever played. And yeah, it’s really important. Apparently, there was a writers’ panel going on at Outfest the other day, and they were talking about—[sighs]—how difficult it is to get gay actors to play gay roles, and all this crap that sounds like it’s from another decade to me. I think we’re in such a very unique, beautiful time when we can finally tell our stories. We can finally be out of the closet and be successful working actors if we’re all willing just to show up. And it’s happening. [See sidebar for the story on Chad’s role as a Christian missionary—a role he landed in spite of, or perhaps because of, his sexuality.]
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