In Carnegie Crew’s Pay, Union Plays Supporting Role
By DANIEL J. WAKIN
The stagehand salaries at Carnegie Hall outstrip compensation elsewhere and at a time of belt-tightening at Carnegie, they stand out in greater relief.
The stagehand salaries at Carnegie Hall outstrip compensation elsewhere and at a time of belt-tightening at Carnegie, they stand out in greater relief.
Hearing all six of Bach’s sonatas or partitas for unaccompanied violin in an afternoon is a kind of classical music nirvana.
“Ancient Spirits,” a concert presented as part of Carnegie Hall’s Ancient Paths, Modern Voices festival, gave a New York audience the rare opportunity to witness traditional practices from China’s northwestern rural provinces.
Fans make their way steadily to Celia Cruz’s mausoleum at Woodlawn Cemetery in the Bronx, where photographs of the Queen of Salsa are changed regularly.
Bernard Haitink and the London Symphony Orchestra brought Mahler’s Ninth Symphony to Avery Fisher Hall on Sunday.
On Friday evening at Carnegie Hall, the brilliant pianist Murray Perahia offered an entirely unsentimental interpretation of Schumann’s “Kinderszenen.”
Stile Antico, a bright, young early-music vocal ensemble from England, made its New York debut at Corpus Christi Church on Sunday.
J J Grey’s songs chronicle ambiguous truths and unambiguous urges, occasionally lighting on a righteous cause.
Mr. Anthony managed the careers of Peter Frampton, Joe Cocker and others with a blunt, streetwise style that made him a rock power broker in the 1970s.
On Friday night, the Dallas Opera opened its 53rd season — and its new Margot and Bill Winspear Opera House — with a new production of Verdi’s “Otello.”
The 29th annual CMJ Music Marathon, the five-day convention and showcase that brought 1,300 bands to a variety of New York venues, ended in the wee hours of Sunday morning.
Reviews of new releases by Rod Stewart, Brian McKnight, Triple C’s and Stefano Bollani.
Robert Lepage’s technologically groundbreaking production of “La Damnation de Faust,” created for the Metropolitan Opera last season, was revived on Friday night.
“Taste of China,” a program of Chinese traditional music, was performed at Zankel Hall on Friday as part of Ancient Paths, Modern Voices, Carnegie Hall’s festival of Chinese culture.
A spokeswoman for Andrew Lloyd Weber announced on Sunday that Mr. Lloyd Weber, the 61-year-old composer of “Evita” and other musicals, has prostate cancer.
The classical music field is abuzz about the new music directors on opposite American coasts.
New recordings from Renée Fleming and Cecilia Bartoli are like graduate seminars dressed up as recitals.
Kurt Vile’s music is a throwback to indie rock’s scruffier, scrappier past.
Reviews of recordings by Built to Spill, Bell Horses, Pax Nicholas and the Nettey Family, The Dodos, Maps and OOIOO.
In this novel of obsessive fandom, a reclusive singer-songwriter’s new album upends several lives.
Jaap van Zweden, music director of the Dallas Symphony Orchestra, which performed on Thursday night, has been embraced both by concertgoers and the orchestra musicians.
The singer Liz Callaway, who performed at the Metropolitan Room on Thursday evening, radiates the sort of sweetness and light that would be cloying if it didn’t feel entirely genuine.
The country star Brad Paisley performed at Madison Square Garden on Wednesday night.
Stefon Harris performed with his quintet, Blackout, at Dizzy’s Club Coca-Cola on Thursday night.
Despite its central role in the indie rock world, the CMJ Music Marathon has always been less relevant to, and affected by, hip-hop. This year, though, it offered a relative bounty.
Carnegie Hall’s three-week festival celebrating Chinese culture opened with an exhilarating, accessible performance by the Quanzhou Marionette Theater.
In Paramore’s world the girl might still be the heartbreaker, but at least you’re getting her side of the story.
Bernard Haitink’s pairing of Mahler and Schubert in his current concerts with the London Symphony Orchestra seems in some ways a natural.
The wonder of Meredith Monk is that having created a musical language and theatrical style, she has been able to stretch and refine them with just about every work.
Emma Kirkby’s voice is intensely expressive, as demonstrated in a rare New York appearance.
The Grammy-winning rapper will be sentenced to a year in prison under a plea agreement after admitting that a .40-caliber semiautomatic pistol was found on his tour bus.
The Michael Jackson documentary “This is It” reveals footage of a healthy and nimble singer.
The violinist Aaron Rosand has sold his ex-Kochanski Guarneri del Gesù for $10 Million.
Broadcast took the long way around to its songs, via abstract, foreboding, wordless pieces, when it played its CMJ Music Marathon showcase at Le Poisson Rouge on Tuesday.
Rebel, a period-instrument band that performs in various guises, opened the Morgan Library & Museum’s concert season on Tuesday.
On Tuesday, at Feinstein’s at Loews Regency, lightning struck during Victoria Clark and Ted Sperling’s modestly titled “Vicki & Ted Show.”
Opening with a scrupulous fanfare and closing with an outbreak of anarchy, the Brooklyn Big Band Bonanza fulfilled much of its promise at the Bell House on Monday.
Ernest Greene, the blog favorite who makes music in his Georgia bedroom as the one-man band Washed Out, performed his first show in New York on Tuesday.
You had to applaud the chutzpah the Bleecker Street Opera Company displayed in its maiden voyage.
Mr. Mizzy wrote the infernally catchy themes for the 1960s television comedies “The Addams Family” and “Green Acres.”
The Chamber Music Society of Lincoln Center presented the New York premiere of David Del Tredici’s 35-minute “Magyar Madness” at Alice Tully Hall on Sunday.
The delay of R Kelly’s new album either freed or forced him to put more emphasis on his nonmusical life in his show.
No game so far this year delivers a deeper, more fully realized aesthetic experience than Brütal Legend.
New releases from Michael Bublé, Tim McGraw, Buika y Chucho and others.
The conductor John Eliot Gardiner was back in Carnegie Hall for the second of two performances commemorating the bicentenary of Haydn’s death.
Mr. Pizzarelli and his wife, Ms. Molaskey, suggest a pop-jazz Fred Astaire and Ginger Rogers.
Suddenly, it seems, New York has gone Xenakis-mad.
Movie roles brought Glen Hansard and Marketa Irglova of the group, the Swell Season, together. Music keeps them together.
Once both a multiplatinum phenomenon and a much-mocked symbol of rock excess, Creed hits the road again in search of redemption.
The Pacifica Quartet, already in residence in three places, prepares to succeed the Guarneri String Quartet at the Metropolitan Museum.
Anthony Tommasini, classical music critic of The New York Times, demonstrates how Puccini's use of motifs with various characters and elements in "Tosca" enhance the emotional power of the work.
Andrew Kuo charts the effect technology has had on his music-buying habits.
Photographs of the Ukulele Orchestra of Great Britain backstage before their concert at London’s Royal Albert Hall.
Jon Caramanica reviews the "The Twilight Saga: New Moon" soundtrack; Ben Ratliff on Concha Buika and Chucho Valdés's tribute to Chavela Vargas titled "El Último Trago"; and Todd Goldstein of Arms plays live in our studio and discusses his new album and the breakup of his former band, the New York-based Harlem Shakes. Ben Sisario is the host.
Jon Pareles on three days of peace and music, remembered, beloved and commodified 40 years later.
Michael Jackson, the legendary singer, songwriter and dancer, died in Los Angeles on Thursday.