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The devil and Daniel Ellsberg: From archetype to anachronism. - Wild Man: The Life and Times of Daniel Ellsberg - book review

Reason, June, 2002 by Michael Young

Wild Man: The Life and Times of Daniel Ellsberg, by Tom Wells, New York: Palgrave, 692 pages, $32.50

IN 1973, AS his world began falling apart, Richard Nixon demonstrated his rhetorical prowess to his press secretary, Ron Ziegler. The topic was a break-in at the office of Lewis Fielding, Daniel Ellsberg's psychiatrist. Ellsberg was a former consultant at the RAND Corporation who had leaked the Pentagon Papers, a top-secret Defense Department history of the Vietnam War.

Nixon wanted dirt on Ellsberg, so his men dispatched a ham-fisted outfit to Los Angeles to see what Fielding had. When the White House came under suspicion, Nixon complained to Ziegler, "The president knows a hell of a lot of things, but does he know what the Christ some dumb assholes are going to do?... Goddamn to hell, I didn't tell them to go flick up the goddamn Ellsberg place." As Tom Wells notes in Wild Man: The Life and Times of Daniel Ellsberg, the president not only knew about the Fielding break-in but was probably the one who ordered it in the first place.

It was arguably Ellsberg's greatest triumph: He had roused the self-destructive impulses of a president and an administration that he felt had betrayed the American people by allowing the war in Vietnam to continue. Some would nominate Ellsberg's role in exposing the Pentagon Papers as his finest moment, but despite the furor that their release provoked they largely disappeared into the sludge of post-Vietnam skepticism in the U.S. They were a valuable confirmation of the worst fears of those opposed to the war, but they were too bulky and intricate a collection of documents to affect most of the public. Indeed, the difficulty of Wells' book is that he describes a man and an event that, while interesting, have left virtually no enduring impact on American society.

What's more, he does so in a book that goes on forever. Wells strives to emulate the epic quality of other Vietnam-period biography-cum-Zeitgeist-accounts, such as Neil Sheehan's A Bright Shining Lie or David Halberstam's The Best and the Brightest, but Wells has neither author's talent, nor does he much care for the man at the center of his research. Besides, Ellsberg does not rate a 600-page book, particularly from an author who tends to confuse perspiration and inspiration: Wild Man is overloaded with other people's quotes, doggedly hunted down, so that one is never sure whether Wells' discomfort with Ellsberg springs from his own misgivings or from those of the myriad sources he cites.

There was a time when biography produced art, not phone books. Uncertainty was part of the bargain, so that the great biographers were-are--those tolerant of their subject's complexities and flaws. Wells is not, which leads him into a stifling form of deconstruction as he vainly hunts for clarity in Ellsberg through an unfiltered inventory of detail. To see how biography should be done, one might read Rene Grousset, the great French historian, whose description of Pompey in his Figures de Proue (1949) is both a tribute to brevity and a remarkably apt description of Daniel Ellsberg: "What was it his ambition to attain in the Republic? A sort of moral presidency to which, after the services he had rendered, he had some right? To rule, with or without a formal title? Especially to accumulate honors, many honors, which would have satisfied his vanity and his irresolution, but which his secret mediocrity would have prevented him from turning into something redoubtable?"

This is more or less the Ellsberg of Wild Man. Wells describes someone who is an egotist and a megalomaniac, with writer's block and a taste for sex. But that description fits many people. What makes Ellsberg relevant is that he is an archetype of a particular era--the late 1960s--whose values have aged badly in America's collective memory. The motives that led to the release of the Pentagon Papers would be ridiculed in this post-September II climate, where compliant loyalty to the state is commonly regarded as an obligation.

Daniel Ellsberg was born in Chicago in 1931, to Jewish parents with a passion for Christian Science. The young Daniel was acknowledged as brilliant, a quality his mother, Adele, sought to exploit by channeling the boy into piano playing. Harry, the father, was an aloof engineer, disliked by Adele's family and apparently indifferent to the piano. Wells follows a hackneyed route in recording the psychological influences on Ellsberg: an ambitious mother who "was not, it seems, a nurturing sort," and a detached father who would interrupt this convenient Freudian tableau by having a car accident that killed Adele and their daughter. Afterward, the young Daniel, no longer manacled to the keyboard, would feel a sense of release. Though he plainly loved his mother, he later said that he never cried at her death.

Ellsberg's reserve showed, if nothing else, that he was policy analyst material. In 1958 he was invited to join the RAND Corporation, the private, nonprofit research institution in Southern California founded after World War II by the Air Force to advise the government on military issues. This came after a dazzling romp through Harvard, where Ellsberg was invited to join the university's select Society of Fellows. He later earned a doctorate on the subject of decision making under uncertainty, at a time when game theory was all the rage. Revealingly, Ellsberg had earlier enlisted in the Marine Corps, a move that would raise eyebrows from acquaintances in academe. He would describe himself as being "a liberal on domestic matters and, on foreign policy, a tough guy."

 

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