by Steve Fritz
Yep. In less than a half hour the first internet troll came out from under his bridge to start screaming how he hated, hated, hated
Ben 10: Alien Force. Within the hour said bottom feeder was joined by a horde of others. They felt it their right to vent and mewl pitifully about the changes to the show. They called it a grand conspiracy by Cartoon Network to sell new lines of action figures. They accused all of even more heinous crimes.
Glen Murakami knew this was coming. He didn’t hide it when I interviewed him the Thursday before the show’s grand debut. Then again, this guy’s resume includes being a key creative force on shows as
Batman Beyond, Teen Titans and
The Batman. It also includes an Annie, two Daytime Emmy’s and a few other accolades…like an Eisner. In his near two decades in animation, don’t think he hasn’t heard it before.
“I hear that all the time,” says the supervising producer. “Always. When we did
Superman people honestly came up to me to say how much it sucked and that we should do more
Batman. When we finished
Superman people griped that we should do more of them. Same thing with
Batman Beyond, Justice League and
Teen Titans. It’s always going to be that way. I think more so because I’m new to the
Ben fans, and I am trying to approach it differently. So I’m expecting some bias with me taking over.”
Fact is, Murakami is probably one of the most daring of Bruce Timm’s proteges. His basic history is the native Californian grew up watching both American and, thanks to a local Japanese-run UHF station, anime at the same time. In early interviews he counted the likes of Leiji Matsumoto and Akira Toriyama as influences along with Chuck Jones, Tex Avery and Friz Freling. After college, he started at Warner Bros. back in 1991, working as a character designer and storyboard artist for the original holy trinity of Dini, Radomski and Timm on
Batman: The Animated Series. He then was a character designer for the first Batman movie
Mask of the Phantasm before going over to work on Jim Lee’s
Gen 13 animated one-off.
He came back to WB Animation soon thereafter, to work as the art director for
Superman: The Animated Series. Then he was tapped to be a producer for
Batman Beyond through
Teen Titans. So after nearly 17 years basically working at one place, Murakami is not only challenging fans, but himself, by actually leaving the WB to go over to Cartoon Network’s production facilities.
“After doing
Titans, I just didn’t want to repeat myself; that style or that approach,” said Murakami. “In a way it was the same situation when I first approached
Titans, where it was decided to do the DC style in a way that wasn’t done before, that’s one of the reasons we went a little bit more anime with that. After that, I didn’t want to do the same thing again. It just didn’t seem appropriate. With
Ben 10, we are deciding to go a little more like
X-Files or
Outer Limits. That was the thinking behind that.”
“I think
Ben 10 is just a really strong concept. It’s a kid with a watch who can turn into ten different superheroes. That’s pretty self-explanatory. The concept is really simple, but that’s what I like about it so much. It’s not a kid who puts on costumes. It’s a kid who becomes ten different aliens. I think the concept is really solid. You can do anything with it.”
It also didn’t hurt that Murakami was soon joined by another WB colleague of his, Dwayne McDuffie, who now carries the title of story editor.
“I kind of worked with Dwayne on
Justice League,” Murakami recalled. “He was kind of coming in while I was moving over to
Titans. We also worked together a little bit on
Titans. So there was a connection. When Dwayne McDuffie joined, he and I came to it like a new creative team working on a new comic. Dwayne and I speak the same language. We’re all big fans of many of the same movies, comics and science fiction. We have the same reference points. It made things easy. It would often go where one of us would say ‘how about this?’ and the other would immediately get the reference point.
“In the beginning, it was like ‘well, this is what we did with the old show.’ But Dwayne and I were talking about when Alan Moore took over
Swamp Thing, he totally reinterpreted it. When Grant Morrison took over
X-Men, he re-envisioned them. So we thought about how similar can we make
Ben 10 but still do it differently.”
From the sounds of things, Cartoon Network did have some contributions to what is now
Alien Force, but at the same time they left the final decisions to Murakami and McDuffie. One example Murakami brings up is the selection of former foe Kevin Levin as a new ally of Ben and Gwen Tennyson.
“That was a concept they (Cartoon Network—ED) were toying around with before I came in,” says Murakami. “Actually, they had a different character in mind, but Dwayne and I decided to do it a little different. They had a bunch of different ideas; a slightly different
Ben 10 concept. One they talked about was Ben, Gwen and Kevin are much older, and they would team up with one of the villains. Then Dwayne and I took the idea and took it in our own direction.”
Not that Murakami and McDuffie are the only WB vets to have moved over to this project. Among those who have joined the 2 M’s are longtime WB episode directors Dan Riba--which, considering their history is making me start to wonder if they’re joined at the hip—and Butch Lukic. Also moving over are voice actors Yuri Lowenthal (Superman on
Legion), Ashley Johnson and Greg Cipes (Terra and Beast Boy from
Titans).
As far as Murakami is concerned, this has nothing to do with old school ties. Cast and crew were picked because they earned the right to be there. For instance, consider the voice cast.
“It wasn’t a direct thing, you know?” says Murakami. “We auditioned a lot of people for the roles. It was also trying to find the right combination of people as a group. For instance, Yuri Lowenthal just fit in the role of Ben. Same thing for everyone else. You try not to typecast, too. When we cast for Kevin, I never would have imagined Greg for the role based on his work on
Titans. That’s the same way with me. Just because I did
Titans, it doesn’t mean I’m going to do the same thing on the next project. Greg is an actor. He should be able to do multiple roles, different parts, embody different characters. That’s his skill.”
Another thing was coming up with Ben’s new transformations.
“It was a challenge because they covered so many powers in the first series,” says Murakami. “When Dwayne and I started talking about this, it ended up being that we couldn’t just have another fire guy. We had to do something different. So Dwayne and I thought about all the different powers we could, and then pinned them up on a wall. Then we thought, ‘well, what if started combining them?’
“So, for example, Swampfire, we thought it would kind of cool to combine the plant guy with the fire guy and make that a character. In the old show, they had a fire guy and a plant guy. That’s when we started thinking let’s scramble them up.”
Not that all the aliens were thought up that way. A good example of another approach was with Humongasaur.
“It was more like it would be neat to have a big strong guy,” says Murakami. “Then we thought what is a big strong creature and we thought of dinosaurs. That’s what I mean when I say we are trying to think of things a little bit different. Also, kids like dinosaurs.”
As for the future of the series? At the moment Murakami is too busy trying to get the first 26 episodes finished before he really thinks about it.
“We’re pretty much all the way through all 26 episodes on the script and voice side,” he admitted. “We’re in post-production about half-way through. It’s kind of like working on the beginning, middle and end at the same time. It’s rough. I definitely feel like I’m working harder than I ever had before. Definitely it’s challenging working on something that’s such a new property. I mean
Batman how many years of continuity? Nearly 70.”
Thing is in its short period of existence, the series has already established a tight continuity of its own. Yes, the future is open ended as to whether Ben will mature into Ben 10,000 or Eon, but Murakami is not letting that restrict him either.
“That’s because in animation you never know what order the episodes are going to air,” he noted. “You also have to think from the point of view of a person who has never seen the show. What happens when they sit down and watch the show. Will it make sense to them? That means you try not to make it too tightly woven. If you do, you don’t create any openings for a new audience. Then it’s too much like a soap opera. They exclude people.”
In the meantime, when all is said and done, if Murakami sounds confident that he’s on to his next hit series, one can’t blame him. After all, he’s faced the criticism of the trolls for nearly a decade, and every time converted them into fans.
“I remember walking around San Diego Comic-Con and people walking up to me and saying, ‘you know, I thought
Titans was going to suck, but I like it.’ Right now, I can’t worry about it. It’s going to take people a little bit of time to get used to it. It’s new and different.”
So crawl back under the bridge, warts and all. You’re going to end up liking this show. You will.
NEXT COLUMN: We talk to Lisa Henson about her little family enterprise and some unstable fables.