A Campus Revival for the Great Books
With help from the National Association of Scholars, 11
colleges have started programs
By SCOTT CARLSON
Boredom led Bruce M. Gans to start a
Great Books program at Wilbur Wright College. He had graded too many
student essays on abortion, handguns, and other "hot" topics.
"The student responses were full of cliches -- whatever the
TV guy or their community leaders were babbling," says Mr. Gans, an
associate professor of English at the two-year institution within
the City Colleges of Chicago.
So, two years ago, he created
a certificate program on the Great Books of the Western tradition,
designed to expose students to "the best that's been thought and
said." These days, his students turn in papers with such titles as,
"A Politically Incorrect Defense of the Athenian Empire" and "It's
All About Respect: Social Codes in Beowulf."
Mr. Gans
is among at least 11 faculty members around the country who, in the
past few years, have started courses and programs focusing on
Western culture. What links the 11: They are all members of the
National Association of Scholars, the Princeton, N.J.-based group
that is known for its crusades against multiculturalism and
political correctness.
To the scholars' association, the new
programs represent a grassroots change in academe. And while some
liberal faculty members are suspicious of the association's role,
Stephen H. Balch, president of the group, says there's nothing
sinister about its involvement in the curricular projects.
The organization has not handed out seed money for the
programs. Mostly it has offered moral support and contacts. Four
years ago, when David D. Mulroy created the first of the ventures --
a Great Books program at the University of Wisconsin at Milwaukee --
the association found an anonymous donor who gave the classics
professor $16,000 to help establish the program. In 1997, the
association hosted an invitation-only conference on how to set up
Great Books programs.
Mr. Balch emphasizes that the new
Great Books programs were initiated by individual association
members, not by the group itself. On each of the 11 campuses, people
who are not members of the scholars' association were involved in
the process, he notes. "Our faculty often act as catalysts -- they
get it going, but it's not in any way an N.A.S. program that's being
created."
The mission of the programs, he says, is simple:
to offer undergraduates a solid foundation in Western thought, in
contrast to the scattershot general-education requirements that
students typically fulfill in college.
"The world we live in
today is a world that has been largely shaped by developments that
originated and grew out of what's loosely called the West," Mr.
Balch says. "If you are asking why all these things happened, you
can't even begin to answer those questions without studying the
West."
The programs are different in design and intent. Five
offer a minor on the Great Books or Western culture and three are
certificate programs. The remaining three involve a year-long survey
course for freshmen, a Great Books core curriculum, and an on-line
master's-of-arts program for schoolteachers.
Most of the
programs concentrate on classic texts of the Western world --
written by those much-maligned dead white men. The efforts focus on
teaching the primary texts, based on the belief that students should
rely on their own interpretations rather than on literary criticism
that the professors find to be politically motivated or predictable.
That is exactly what makes some scholars skeptical of the
new programs. A Great Books curriculum itself is hardly free of
political motivations, these critics say. They note that Great Books
programs can lack rigor by venerating the so-called classics and
preventing students from applying modern interpretations.
Pious invocations of the Great Books are just as "brainless
and uncritical" as some extreme forms of multiculturalism, says
Gerald Graff, a professor of English at the University of Chicago.
"I think there's a lot wrong with American education, and it needs
to be made more rigorous. But I don't think it's going to happen if
we follow N.A.S.'s lead."
Undergraduate interest in the new
Great Books programs has varied from campus to campus. Only 40
students are enrolled in Milwaukee's program. But at Wright -- where
most of the 30,000 undergraduates are minority students -- more than
800 are enrolled in 30 courses in the Great Books program. The
courses are linked by a theme chosen every semester -- this fall,
it's "The Quest for Identity."
Mr. Gans, the English
professor who started the program at Wright, thinks the curriculum
at most two-year colleges is too vocational and aims for the lowest
common denominator. "Community colleges are always looked down upon
by four-year institutions," he says. "I wanted to give these kids an
opportunity to say, 'Look, when I went to school, I didn't do my
research paper on the death of Princess Diana' or some ephemeral,
shallow thing. 'I did my research on The History of the
Peloponnesian War, by Thucydides. I didn't take "Literature of
My Neighborhood." I read Beowulf.'"
To earn a
certificate in Wright's program, students must complete four Great
Books courses in English, humanities, or philosophy. The program
includes some activities not often seen at community colleges. It
has spawned a journal of literary criticism, Symposium, which
publishes student essays. Last spring, the college held a symposium
in which students delivered papers on the pursuit of happiness as it
relates to ideas from Shakespeare, Plato, and others.
While
many professors have been using issues of race and gender to help
students understand classic works, Mr. Gans is not on that
bandwagon. "Ideologies have no place as a dominant, controlling lens
through which to see literature," he says. "Literature has to do
with the soul, not with political movements."
At least half
of the books assigned in each of the Wright program's courses must
come from a list of about 185 authors approved by the Great Books
Committee, which Mr. Gans leads. The list -- from Aeschylus to Yeats
-- is based on the Encyclopaedia Britannica's "The Great
Conversation: A Reader's Guide to Great Books of the Western World."
The committee requires that an author's work be more than 50 years
old to be included on the list, which contains few women and even
fewer writers of color. Although Mr. Gans is willing to include
non-Western writers, he says he will never include them on the basis
of race or gender. He doesn't mince words about that:
"It
really infuriates me. I'll tell you Calderon is in -- but he's not
in because he's Hispanic. He's in because he's good. Ellison is in
because he's good."
Mr. Gans didn't have much trouble
getting his program approved on the campus, although a few eligible
faculty members have chosen not to participate. They say that's
mainly because they prefer to teach contemporary topics.
Don
Barshis, Wright's dean of instruction, points out that only half of
the texts in a Great Books course have to come from the approved
list, making for a good compromise between the traditional and the
contemporary.
The Great Books programs vary in the degree to
which they limit study to Western works. For example, Michael J.
Neth, an associate professor of English at Middle Tennessee State
University, wants to recruit faculty members to teach more
non-Western writers for the new minor he has created. Laurie P.
Morrow, a professor of English at Louisiana State University at
Shreveport, says the on-line master's program that she is designing
for schoolteachers will feature many Western writers but will also
include works from Africa, East Asia, and South America, such as
Snow Country, by the Japanese writer Kawabata Yasunari, and
Petals of Blood, by the Kenyan author Ngugi wa Thiong'o. The
program, which is still in the proposal stage, has strong support
from some campus officials, she says.
Securing campus
approval for the programs has been relatively easy on
more-conservative campuses, such as Gardner-Webb University, a
Baptist-affiliated institution.
At California Polytechnic
State University at San Luis Obispo, few critics emerged to
challenge a new minor on the "Western Intellectual Tradition" that
was approved by the faculty last month. Kenneth J. Brown, a
professor of English who specializes in minority literature, says he
didn't take much notice when he was handed a proposal for the minor
by his friend George M. Lewis, a mathematics professor. "I'm not
always certain of the agenda of people who are pushing these
canonical perspectives," Mr. Brown says. In California, he adds,
with its increasingly diverse population, the motive behind Great
Books programs seems to be "a kind of fear of being wiped out, and
it's ill-founded." He says he kept quiet, however, because he felt
that his opinion would not find sympathetic ears on what he calls an
"ultraconservative" campus.
Establishing a Great Books
program has not been easy in every case, though. Thomas F. Woods, a
professor of English at the University of Montevallo, met with some
resistance. So did Mark R. Winchell, an English professor at Clemson
University, where critics of the minor in the "Great Works of
Western Civilization" suspected it of being "a Trojan Horse for a
right-wing takeover of the curriculum" two years ago, he says. "I
think the way we got around that was not so much in convincing our
opponents they were wrong than it was building a critical mass of
support, so when it came around for the final approval, we had more
votes than they did."
Many members of the National
Association of Scholars find inspiration in Mr. Mulroy, the classics
professor who started the first Great Books program four years ago
at the University of Wisconsin at Milwaukee, amid heated debate over
its near-exclusive focus on Western works.
The program
includes requirements in history, philosophy, and literature as well
as in mathematics and foreign languages. The math requirement, in
which students must take at least two intermediate-level courses
such as calculus, has been an enrollment-killer, says Mr. Mulroy, by
way of explaining why only 40 students are currently in the program.
So far, it has produced four graduates.
His choice of Great
Books, however, was what caused the most trouble when he presented
the program to faculty committees for approval. All of the courses
that were listed as counting for credit toward the minor featured
texts primarily by white male authors. "We were criticized for being
Eurocentric, and beneath that, between the lines, they were saying
that we were racist," Mr. Mulroy recalls. He dismisses such
resistance as "ideological posturing" by "self-styled liberals" in
the history and English departments, who saw "an opportunity to gain
publicity."
His association with the scholars' group didn't
help his credibility, he says. "I think my critics saw it as an
opportunity to expose what they saw as the evil machinations of
conservative groups like N.A.S." Eventually -- and with strong
public support -- the minor was approved in 1995.
Gregory S.
Jay, a professor of English at Milwaukee, led the opposition. The
Eurocentrism of the program was a concern, he says, adding that Mr.
Mulroy responded by offering a more eclectic reading list. Mr.
Mulroy notes that one of the first Great Books courses in the
program was on the Koran -- contrary to the wishes of one of the
program's donors.
Mr. Jay says his side made a strategic
error when it got caught up in a debate over whether anyone could
adequately define a Great Book. "The public is not interested in
that debate, and they think it's silly," he says.
The
program gained approval, he believes, because professors did not
want to balkanize the Faculty Senate and put other certificate
programs -- such as those on gay-and-lesbian studies -- in jeopardy.
But Mr. Jay continues to have concerns about the Great Books
minor. He and other faculty members question whether the program,
designed to bring rigor back to higher education, is itself rigorous
enough.
Mr. Mulroy advocates a teaching method in which
students discuss the assigned work solely on the basis of the work,
with little interference from the professor and no outside criticism
that breaks down the text. Mr. Mulroy says he prefers this method
because it does not give the students a party line. It prevents them
from simply skimming the book and regurgitating the professor's
analysis on the exams.
Mr. Mulroy borrowed the method from
the Great Books program at St. John's College in Maryland and New
Mexico, and it has been borrowed in turn by other members of the
scholars' association.
To Mr. Jay, the method is
anti-intellectual and has the danger of producing dilettantes. "This
is basically the method that was advocated by Allan Bloom in The
Closing of the American Mind: Sit down in front of Plato and
emote, but don't ask questions about the structure of slave society
in ancient Greece."
The National Association of Scholars may
think it is bringing rigor back to the classroom, but that is a
"bogus claim," says Mr. Jay, who co-founded Teachers for a
Democratic Culture, a liberal counterpart to the N.A.S. that has had
an on-again, off-again existence and is now on again, based at
Temple University. In fact, he says, some of the Great Books
programs are limiting students' access to dissenting views.
In the end, Mr. Jay fears, both sides have lost to the
increased vocationalism dominating higher education. "To debate
about whether the books on the N.A.S. list are better than the books
on my list," he says, "is to mistake the fact that for many
students, there is no book list at all."
In any debate over
the rigor of the curriculum at Milwaukee, Mr. Mulroy has no doubt
about who would prevail. His program requires students to take at
least two college-level courses in a foreign language, while the
foreign-language requirement for all undergraduates can be satisfied
by courses taken in high school.
Professors in the program
are allowed to teach the works as they see fit, he argues. Jane
Gallop, the well-known feminist critic and a professor of English at
Milwaukee, has taught a course on Freud in the program using
deconstructionist methods.
But such debates are entirely
academic for some students. For them, a list of Great Books is
indeed a new concept -- and nothing short of a revelation. At 31,
Keith R. Morgan is enrolled in Mr. Gans' program at Wright for the
first time, after serving 10 years in the Army. The term "culture
wars" doesn't mean much to him, and he has never heard of the
National Association of Scholars, but he likes what he has found at
Wright.
"I'm not a reader," he says, but he has become one.
Mr. Morgan, who is black, sees universal themes in the Great Books,
regardless of the race of the writer or the characters. "I mean,
The Great Gatsby -- what inner-city child can't relate to
looking across the tracks and seeing things that they want to
become, and wonder if they're willing to compromise who they are to
be what they think they want to be? I think these books, if they're
taught the right way, can relate to everyone."
WILBUR WRIGHT COLLEGE OF THE CITY COLLEGES OF
CHICAGO
Organizer: Bruce M. Gans, associate
professor of English
Program: Certificate program involves
completing four Great Books courses from an approved list. At least
half of the primary texts assigned are selected from the
Encyclopaedia Britannica's Great Books list.
SOURCE: CHRONICLE
REPORTING
http://chronicle.com Section: The Faculty
Page: A18