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Title: Welcome Back, Kotter: The Complete First Season

Region: One

Genre: Sitcom

Disc One Episodes: The Great Debate, Basket Case, Welcome Back (Pilot), Whodunit?, The Election, No More Mister Nice Guy

Disc Two Episodes: Classroom Marriage, One Of Our Sweathogs Is Missing, Mr. Kotter, Teacher, The Reunion, Barbarino’s Girl, California Dreamin’

Disc Three Episodes: Arrivederci, Arnold, The Longest Weekend, The Sit-In, Follow The Leader Part 1, Follow The Leader Part 2, Dr. Epstein, I Presume

Disc Four Episodes: One Flu Over The Cuckoo’s Nest, The Telethon, Kotter Makes Good, Father Vinnie

Stars: Gabriel Kaplan, John Travolta, Robert Hegyes, Ron Palillo, Lawrence Hilton-Jacobs, Marcia Strassman, and John Sylvester White

Writers: Rick Mittleman, Jerry Ross, Peter Meyerson, Jerry Rannow, Jewel Jaffe Rannow, Eric Cohen, Tiffany York, George Yanok, William Raynor, Myles Wilder, Marilyn Miller, Michael Weinberger, Carl Kleinschmitt, William Bickley, Michael Warren, Ann Gibbs, Joel Kimmel, Pat Proft, and Bo Kaprall

Director: Bob LaHendro

Created By Gabriel Kaplan and Alan Sacks

Executive Producer: James Komack

Feature length: 533 minutes

Extras: Only A Few Degrees From A Sweathog Retrospective Featurette and Actor’s Original Screen Tests

Languages:  English Monaural Sound

Subtitles: English Closed Captions

Packaging: Two 2-Disc Single Size Thinkpacks Within A Cardboard Slipcase

Sound: Monaural Sound

Years of Television Broadcast: 1975-1976/DVD Release: 2007

Home Video Distributor: Warner Home Video

MPAA Rating: Not Rated

Reviewer: Mark A. Rivera

Welcome Back, Kotter premiered in 1975 in a small window of an era that was post-Watergate, pre-Jimmy Carter, pre-bicentennial, pre-Star Wars, and pre-disco since the actual music fad was already in a slow decline before John Travolta, Welcome Back, Kotter’s breakout Star would bring it to the forefront with Saturday Night Fever and have an effect on the Brooklyn neighborhood known as Bensonhurst for over a decade. Coincidentally Welcome Back, Kotter takes place in Bensonhurst, while Saturday Night Fever took place at least in part in the neighborhood next door called Bay Ridge. This is somewhat ironic because having grown up in Bay Ridge, Brooklyn and gone to high school where many of my friends lived in Bensonhurst, I have always thought the disco era had a more profound impact on a generation of people who lived in the largely Italian American neighborhood of Bensonhurst. Bay Ridge tended to be more integrated with Scandinavian and Norwegian immigrants having founded the neighborhood over 150 years ago and up until the Subway extended into Bay Ridge in 1914, the neighborhood was still a combination of farms along with mansions that overlooked a beach that pretty much has disappeared over the years. During the Great Depression Italian, Irish and Jewish immigrants moved into Bay Ridge and in the 1970s Spanish American followed by Arabic immigrants and some Russian immigrants moved into the neighborhood to further diversify it.

Bay Ridge is still a beautiful oasis in Brooklyn that has a somewhat small town feel, but is not too far away from Manhattan to enjoy the benefits of being a part of New York City. Bensonhurst has perhaps a more noteworthy reputation not only because of some of the people who grew up there went on to become famous, like Carl Sagan, but Bensonhurst was the setting of The Honeymooners decades before Welcome Back, Kotter premiered on ABC in 1975. Being familiar with both Bay Ridge and Bensonhurst as well as a proud resident of Brooklyn, (The Center Of The Universe), New York, I find watching films like Saturday Night Fever and the credits in Welcome Back, Kotter as well as the show’s references to certain locales in Bensonhurst, some of which no longer exist, quite nostalgic. While the series notes New Utrecht High School as being one of the nearby competing public schools, I believe the setting of James Buchanan High School is actually inspired by New Utrecht, which is featured in the show’s filmed opening and closing credits along with the legendary 86 street under the elevated train tracks and the sign that greeted drivers coming in from Staten Island and merging into the sea side Belt Parkway. The sign has since changed to something that I think reads “Welcome To Brooklyn” and then quotes Jackie Gleason from The Honeymooners with the words “How Sweet It Is” beneath the welcoming part.

It’s interesting to note that in the mid 1980s ABC had a sitcom called Head Of The Class, which took place in a Manhattan high school with a history teacher who instructs a class of the school’s brightest in using their minds for more than just remembering what’s in the books, which is not at all dissimilar to Gabriel Kaplan portraying Gabriel Kotter, a social studies teacher and former academic underachiever, who returns to teach a class of academic underachievers to do same thing the history teacher in Head Of The Class did. The difference perhaps may be the state of American TV viewers’ conscious between the recession filled Ford and Carter Era and the more materialistic and somewhat more conservative Regan era, where for a brief decade, everyone was in blissful denial of domestic and international events and were easily placated by Regan’s charm and the glossier 80’s image that idolized the wealthy and powerful without regard for the poor. To a certain extent I would say America is still a country in denial, but hindsight tells me the 1980s was truly the era where it was “Better to look marvelous than to feel marvelous.”  Welcome Back, Kotter was inspired by Kaplan’s own standup routine, which he based on his own public school experiences.

The underachievers are known as The Sweathogs and are the bane of Vice Principal Woodman (John Sylvester White), who once taught the remedial class Kotter was a part of and Kotter now teaches while scheming for a way to have it disbanded because he feels it is a waste of school resources. Among Kotter’s Sweathogs are Vinnie Barbarino (John Travolta), the groups self appointed leader, Juan Luis Pedro Phillipo de Huevos Epstein (Robert Hegyes), a Puerto Rican Jew voted most likely to kill somebody in the yearbook, Freddie “Boom Boom” Washington (Lawrence Hilton-Jacobs), an African American student who dreams of being in the NBA, and Ron Palillo as Arnold Horshack, a peppy and sweet hearted student who will beg for attention even when he’s the only student raising his hand and has a nasal wheezing laugh. For Palillo the character of Arnold Horshack would be a claim to television fame he would forever be associated with. Many catch phrases from the show ranging from rank outs like “Get off my case, toilet face” or “Up your nose with a rubber hose” are a part of contemporary television pop culture as are the fake excuse letter Kotter frequently receives from Epstein signed Juan Epstein’s Mother… James Woods has a guest-starring role in “The Great Debate.”

Gabriel Kaplan’s signature hair and mustache also became a part of pop culture frequently parodied in modern sitcoms that attempt to point a finger back at 1970s television. The famous scene where a paper plane lands right in Kotter’s hair was actually something that just happened by accident, but the audience at the live taping roared out with so much laughter, it was the take used for the pilot’s TV premiere. Kaplan’s jokes at times show a sweetness in his character that makes the viewer like him more and also sells his relationship with his wife played by Marcia Strassman. The casting of the ensemble works so well that at times it takes the edge away from the series a little too much. The screen tests included on the DVD for John Travolta, Robert Hegyes, Ron Palillo, Lawrence Hilton-Jacobs, and Marcia Strassman, which can be viewed individually or as one reel (11:23) give an idea of how certain characters were developed between the casting phase and the actual production of the series. Robert Hegyes is shown actually trying to get the role that went to John Travolta. A retrospective featurette hosted by Marcia Strassman (23:25) and featuring new interview clips with cast members with the exception of John Travolta and the series producers offers some interesting insights into the development of the show’s first season.

I was quite impressed by the quality of both the video and film elements from the show as well the clear English Monaural Soundtrack especially when compared to other shows shot on video for the mid 1970s available on DVD. I’m not sure if it’s all in the authoring or if the tapes were just well preserved, but whatever the case may be, Welcome Back Kotter looks and sounds terrific and arguably better than most people have ever seen and heard it too. Optional English Closed Captions for the Deaf and Hearing Impaired are encoded onto all four discs and the menus are all standard interactive still frames that easy to navigate. Episodes can be viewed individually or through a “Play All” feature. The episodes are presented according to their original premiere airdates on ABC and some of the shows are clearly not in proper order. For example a character will appear in one episode and then another episode afterwards will address the character as if it were his or her first introduction to the show. Even the pilot was aired as the third episode instead of the first.

I really enjoyed watching Welcome Back, Kotter again after all these years and highly recommend those fond of the series pick up Welcome Back, Kotter: The Complete First Season when it debuts on DVD-Video at retailers on and offline on Tuesday, June 12, 2007 courtesy of Warner Home Video.

© Copyright 2007 By Mark A. Rivera
All Rights Reserved.

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