• [ccfreud]

    Opera That Bridges the Divide

    Opera companies can't just keep staging the same old productions of "Tosca" and "Carmen—they have to shed their snooty image if they want to thrive. But how? Houston Grand Opera's Anthony Freud thinks he has the answer.

  • [either]

    Russ Gershon's Wide Big-Band World

    It's been 25 years since Russ Gershon formed his Either/Orchstra ensemble, during which time nearly 50 musicians have played in the band. Twenty-seven of those musicians will reunite in New York for an anniversary concert.

  • Cultural Conversations

  • [ccking]

    Been on the Road Since 'Three O'Clock'

    Since he recorded his first hit 60 years ago, B.B. King has kept a lifelong tour schedule that continues to this day.

  • [ccplensa]

    The Man With a Thousand Faces

    How does sculptor Jaume Plensa create works that move beyond size and weight and onto the soul?

  • [cclloyd]

    An Offering of 'Tenderness Sutras'

    Saxophonist Charles Lloyd wants to feed his audience's hunger for beauty and peace.

  • [weiwei]

    The Art of Social Advocacy

    Chinese artist Ai Weiwei spends most of his days fighting for the rights of his fellow citizens, much to the chagrin of the Communist Party.

  • [ccfirth]

    Vulnerability and Fortitude

    Colin Firth's turn as the Duke of York has won him a Golden Globe. As Mr. Firth tells David Mermelstein, it's a pitch-perfect performance driven by a sense of duty.

  • [ccwasfi]

    The Music Chief of Baghdad

    Rebuilding Iraq isn't only a physical endeavor. It's also a cultural one. And that's where Karim Wasfi, director and chief conductor of the Iraqi National Symphony Orchestra, plays an important role.

  • [cckeepnews]

    This Jazz Master Is No Musician

    The National Endowment for the Arts will honor five-time Grammy winner Orrin Keepnews with its Jazz Masters Award. The record producer looks back at a legendary music career built without musical training.

  • [cchampson]

    Parsing Mahler's Poetic Songs

    As he prepares for two performances of Mahler's music in New York, baritone Thomas Hampson discusses the composer's poetic legacy, placing him in the lineage of German Romanticism.

  • [cccarding]

    The Keeper of Curiosities

    The Royal Ontario Museum is in many ways an updating of the earliest types of museums when they were considered cabinets of curiosities. The museum's newest director, Janet Carding, explains.

  • [ccharrison]

    Old School, Cutting Edge

    A fierce defender of New Orleans and its jazz traditions, saxophonist Donald Harrison Jr. embraces the past and future without contradiction.

  • [ccschuller]

    Man of Many Music Careers

    At 85, Gunther Schuller remains a musical Renaissance man and vocal champion of the art.

  • [ccfleisher]

    Music's Obi-Wan Kenobi

    The famed pianist Leon Fleisher on the superiority of German music and the problem with today's classical-music performers.

  • [ccvoigt]

    Voice of Silver and Steel

    Losing 150 pounds through gastric-bypass surgery has changed soprano Deborah Voigt's singing and voice. But how much is the surgery, and how much is maturity?

  • [ccrobertsonC]

    Mustering the Arts

    New York's Park Avenue Armory as a vibrant 21st-century arts center? President Rebecca Robertson has a plan.

  • [ccbrubeck]

    Ranching's Loss, Jazz's Gain

    On the eve of his 90th birthday and the broadcast of a new documentary on his life, Dave Brubeck reflects on seven decades of steering jazz into new directions.

  • [ccalagna]

    The Forthright Tenor

    As Monday's opening night of "Don Carlo" approaches, Roberto Alagna explains the challenges of being a tenor.

  • [ccmay]

    The Stones at the Speedway . . .

    Forty years after Altamont, director Albert Maysles talks about the filming of "Gimme Shelter."

  • [ccbrown]

    Hero of the Silent Screen

    Kevin Brownlow receives an honorary Oscar for his work restoring some of the earliest films ever made.

  • [ccdark]

    The Heart of 'Darkness'

    A legal dispute forced Bruce Springsteen into a three-year hiatus after his breakthrough "Born to Run," a period that would have profound influences on his future, beginning with his subsequent album, "Darkness on the Edge of Town." Video: Bruce in the Studio

  • [ccfraser]

    The Lady and the Playwright

    Harold Pinter described their love affair as "joyous, dangerous and unavoidable." And it all started with "Must you go?"

  • [ccfats]

    The Rhythm of Rock 'n' Roll: 'It's All in the 1, 2, 3'

    As the Rock and Roll Hall of Fame prepares to shower him with even more accolades, Fats Domino unlocks the secret of his success.

  • [ccfrisell]

    With a Country Twang

    Jazz guitarist Bill Frisell acknowledges his music's association with the rural life. But he offers another explanation for his distinct sound: pace.

  • [ccharding]

    How He Has Grown

    As a younger conductor, he was always eager to prove himself, to leave his mark on an ensemble. Now, at 35, Daniel Harding has learned that sometimes, it's best just to let an orchestra play.

  • [cckeith]

    With No Ax to Grind

    With his new autobiography, Rolling Stones guitarist Keith Richards reveals himself in far greater detail than any fan could have hoped for. A Cultural Conversation with Mr. Richards, by the Journal's Jim Fusilli.

  • [barnes1]

    The Barnes in a New Light

    The architects commissioned to design the new 93,000-square-foot home of the Barnes Foundation collection in Philadelphia discuss the challenges of abiding by the legal constraints of the project.

  • Masterpiece

  • [MASTERPIECE tel]

    The Splendid Start to a Farewell to Opera

    Rossini's 38th and final opera, "William Tell," was finished when the composer was 37 years old. It's Rossini's longest and most architecturally ambitious overture, an extremely popular concert piece long before it was harnessed by popular culture.

  • [MASTERPIECE dow]

    Portrait of a Silver-Tongued Deceiver

    Among his most outlandish tales, the charlatan-subject of "Hermit of Peking" claimed to have been the lover of a 69-year-old Chinese empress.

  • [MASTERPIECE]

    A Great Bronze Tarnished by Neglect

    The Grant Memorial in Washington celebrates its namesake as well as those who carried out his orders. Sadly, most visitors who linger there today do so to photograph the Capitol.

  • [FELTON2]

    A War on Good Taste

    There are those who would not only vilify foods considered less than salubrious, but prohibit them. And what a ridiculous spectacle that is, says Eric Felten.

  • [MASTERPIECE bkm]

    An Artist at the Height of His Powers

    In his signature work, "Self-Portrait in Tuxedo," Max Beckmann exudes self-confidence, control, singularity and even arrogance.

  • [MASTERPIECE]

    Snapshot of a Civilization in the Making

    The Qusayr Amra bathhouse in Jordan, a perfect expression of Prince al-Walid's alleged love for debauchery and power.

  • [masterpiece]

    A Naturalist's Feast for the Eyes

    What is it about turkeys that sparked the special admiration in John James Audubon?

  • [MASTERPIECE]

    The Impassioned Journey of 'Grand Central'

    Elizabeth Smart's prose poem powerfully chronicles an adulterous obsession.

  • [MASTERPIECE]

    Does Her Face Foretell Her Fate?

    Walker Evans was assigned to document the effects of the Depression when he captured "Lucille Burroughs, Daughter of a Cotton Sharecropper, Hale County, Alabama" in 1936.

  • [MASTERPIECE]

    Time and the Timeless Intersect in 'Four Quartets'

    Considered his magnum opus, in "Four Quartets" T.S. Eliot addressed in greater depth and coherence themes that had been essential to his earlier works.

  • [MASTERPIECE]

    He Captured Unfettered Illusionism

    A tiny painted panel of a goldfinch suggests the magnitude of what we lost when Dutch artist Carel Fabritius perished in an explosion at age 32.

  • [MASTERPIECE]

    Portrait of Power: 'The Memoirs of Hadrian'

    Marguerite Yourcenar's novel "The Memoirs of Hadrian" is a plotless masterpiece that captivates readers with the quality of the emperor's thought and powers of observation.

  • [MASTERPIECE]

    The Waltz That Defines Vienna

    To this day, Strauss's magnificent "Blue Danube" waltz is the veritable anthem of Vienna.

  • Culture

  • [egypt]

    Egypt's Antiquities Fall Victim to the Mob

    The chaos in Cairo helps make the case that artifacts held legally in the U.S. and Europe should stay where they're safer and not be returned.

  • [bullitt2]

    Chasing the Ghosts of 'Bullitt'

    Two weeks after the death of Peter Yates, Marc Myers and stuntman Loren Janes set out to honor the director of "Bullitt" by driving the film's famous chase route—cautiously.

  • [prezhouse]

    All the President's Men

    A new monument in Philadelphia remembers the nine slaves kept by George Washington at the President's House.

  • [chinamusical]

    Resurrected Pop Icon Gives Voice to Criticism

    A slick new musical with Broadway-style production values is poised to test China's sensitivity to criticism.

  • [shoah]

    Epic History of the Holocaust Returns

    The voices of "Shoah"—the survivors, the eyewitnesses, the Nazi perpetrators—keep reverberating. To mark its 25th anniversary, Claude Lanzmann's cinematic oral history will be rereleased in cinemas.

  • [SIGHTINGS]

    The Cowardly Lion Waits for Godot

    How a baggy-pants comedian did justice to a stage masterpiece.

  • Each Time They Roam, Chicago Calls Them Home

    Why Tony-winning directors Robert Falls and Mary Zimmerman remain rooted in the Chicago theater community, despite being the toast of New York.

  • Marching to an Edgy Beat

    Levitating women and journeys to the hereafter: Today's high-school marching-band routines are far removed from their martial roots.

  • [FELTEN]

    When Rights Get Squeezed

    Understanding the outrage that is the TSA's new airport security procedure.

  • [SHAME]

    Ain't That a Shame?

    The ancient fear of public humiliation and ostracism has become a high-tech tool to motivate and incentivize, says Eric Felten.

  • [Hitler]

    Why Did Germans Embrace Him?

    An exhibition makes the case that Germans invested Hitler with their hopes and dreams and explores the fascination that the dictator continues to exert on the German public today.

  • [gulag]

    Gulag a Go-Go

    The only remaining Soviet labor camp has been converted into a museum and public-performance space. Is it ever OK to have fun at the Gulag?

  • [SIGHTINGS2]

    Relishing a Lost Production

    "Me and Orson Welles," recently released on DVD, brings a much-praised "Caesar" back to life.

  • The Lure of Fishing in Central Park

    Angling on Loeb Lake, the rules are simple: catch and release only; no barbed hooks; and no lead sinkers. Photo-ops optional.

  • Dance

  • [abtnut]

    Mouse Gives 'Nutcracker' New Life

    Alexei Ratmansky has given American Ballet Theatre a new take on "The Nutcracker."

  • [hardnut]

    A Suite That Cracks the Tchaikovsky Code

    Despite its popularity, 'The Nutcracker' can be a difficult tale to follow. Choreographer Mark Morris's retelling in 'The Hard Nut,' however, helps clear things up.

  • [Butoh]

    Japanese Butoh's Ashes to Ashes

    Sankai Juku tempers the grim qualities of traditional Japanese Butoh dancing with the theme of rebirth. They perform in Stanford and San Francisco this week.

  • [NYSUTRA]

    Moving Toward the Modern

    For his new dance work, "Sutra," choreographer Sidi Larbi Cherkaoui combined the ancient movements of Chinese king fu and the buddhist embrace of modernity and open-mindedness.

  • [swan]

    Fair Feathered Friends

    What began as an inverted variation on the classic Russian ballet, "Matthew Bourne's Swan Lake" has come into its own, and in the process shed some of its controversial baggage.

  • [nycb2]

    So You Think You Can Chat?

    In a fall season burdened by numerous preshow remarks, New York City Ballet's dancers showed that they can still shine when it counts.

  • [vollmond]

    'Vollmond' Pulls Tides of Memory

    In their first appearance at the Brooklyn Academy of Music since the death of their namesake, Tanztheater Wuppertal Pina Bausch presented "Vollmond (Full Moon)"—a evocative work filled with powerful metaphoric waves of association.

  • [batsheva1]

    High-Style Highlights

    The Joyce Theater in New York opens its new season with Batsheva Dance Company's "Project 5," a four-part program that presents excerpts of works by choreographer Ohad Naharin.

  • Sports

  • An NFL Lockout the Players Could Support

    They've tried to avoid letting work stoppages interrupt their already-brief careers. But this time the galvanizing issue is their long-term health.

  • [stadiums]

    The Price of Football That Even Nonfans Pay

    This weekend, you may be paying for the game even if your team's not in the Super Bowl.

  • [bcs]

    Wetzel's Playoff Plan Could Be a Winner

    A recent book makes a convincing case for abolishing the Bowl Championship Series and installing a playoff system.

  • [banff]

    A Nature for the Great Outdoors

    The Journal's extreme-sports correspondent Michael J. Ybarra visits the Banff Mountain Festival, the biggest film and book festival devoted to the outdoors and those who play in it.

  • A $60 Million High-School Football Stadium?

    Allen, Texas is getting an 18,000-seat high-school football stadium, complete with giant high-definition video-replay screen. Is this another sign of the excesses of youth sports in America? Not in Allen.

  • [ncaa]

    Whose Best Interests Does the NCAA Serve?

    College players are being deprived of some basic American labor rights.

  • [reggie]

    Schools for Football Scandals

    An investigation has found that New Orleans Saints running back Reggie Bush violated NCAA rules. But Mark Yost says student athletes can't be expected to shoulder all of the responsibility.

  • [tibet]

    On the Road, Kathmandu to Lhasa

    When people find out I climb, they usually ask me two questions: Have I ever climbed Everest? Do I want to? No, I say. Still, I was keen on seeing Everest—from a distance.

  • [FILM1]

    Cave-Dive 'Sanctum': 3-D Awe, Flat Script

    A powerful James Cameron production is almost drowned by weak dialogue and direction, says Joe Morgenstern. Meanwhile, Natalie Portman is betrayed by "The Other Woman."

  • [SIGHTINGS]

    Neither Does He Spin

    Wilfred Sheed managed to make a drama critic look quite a bit like a human being.

  • [THEATER1]

    Dude, Who Moved My Samovar?

    How do you make a play written in pre-Revolutionary Russia in 1900 work in America in 2011?

  • [TV_REVIEW]

    Men Fighting for Air

    At last, a comedy series about couples that confounds expectations.

  • [FILM1]

    Hopkins Can't Right 'Rite'

    How much longer can Anthony Hopkins trade on Hannibal Lecter's special zest, Joe Morgenstern asks. Meanwhile, "The Mechanic" is beyond repair. Also: Reflections on the Oscar nominations—the good, the bad and the unforgivable.

  • [TV_REVIEW]

    Weird and Wonderful

    The small-town oddballs of NBC's "Parks and Recreation" make us all look nice but nuts.

  • [THEATER1]

    To Believe, or Not to Believe?

    Palm Beach Dramaworks' production of "Freud's Last Session" makes you feel as though you're part of the conversation with two intellectual giants, Freud and C.S. Lewis. It's one of the most stimulating plays to come his way, says Terry Teachout.

  • [FELTEN]

    'Fake Authenticity' for Sale

    Brooks Brothers now sells Levi's 501s, to help shoppers complete the classic American ensemble of oxford button-down, jeans and loafers. What's the message here?

  • [SIGHTINGS]

    Unpleasant Truths

    In an age of political correctness run amok, defenders of free speech can never let their guard down, says Terry Teachout. Mark Twain, Dire Straits and August Wilson are only the latest examples.

  • [FILM1]

    This 'Hornet' Will Hurt a Lot

    Seth Rogen writes, acts and gets stung in the new film version of "The Green Hornet."

  • [TV_REVIEW]

    Domestic Disturbances

    The supernatural creatures in "Being Human" and the polygamists in "Big Love" may sound like monsters, but all they want is affection and understanding.

  • [MASTERPIECE]

    A POW's Awe-Inspiring Act of Faith

    Olivier Messiaen's "Quartet for the End of Time" is a work of transcending beauty, with moments of archangel-like severity, composed under the harshest of circumstances.

  • [THEATER1]

    A Real Tail-Wagger

    A.R. Gurney's "Sylvia," which is being performed with terrific comic energy by the Florida Repertory Theatre, is both clever and cute in all the right ways.

  • [PostModern Time]

    Courtesy's Sad Substitute

    What does it say about the state of civility in our society that we need special roped-off spaces in order to contain discourteous behavior?

  • [FILM1]

    'Witch': Toil and Trouble

    The makers of "Season of the Witch" work hard to avoid accusations of lightheartedness, says Joe Morgenstern. Meanwhile, "Country Strong" covers an oft-told music tale.

  • [THEATER1]

    The Kids Are All Wrong

    Vampire stories have been done to undeath in Hollywood and on TV, raising the stakes for anyone putting Count Dracula's original story back on stage.

  • [SIGHTINGS]

    Head of the Nice Guys Club

    To learn an artist's opinions is to understand something important about him.

  • [TV_REVIEW]

    Pride and Privilege

    "Downton Abbey" successfully reflects the tradition-bound world of pre-World War I British aristocrats and its religiously observed rules of dress and behavior with a forcefulness impossible to resist.

  • [FILM2]

    I Love You, 'Blue Valentine'

    Starring Ryan Gosling and Michelle Williams, the film can be crushing in its portrayal of how two people in love come to lacerate and devastate each other, says Joe Morgenstern.

  • [THEATER1]

    Deep Down in Their Private Lives

    Three things are needed to make Edward Albee's "Who's Afraid of Virginia Woolf?" work. Chicago's Steppenwolf Theatre Company gets it all just right.

  • [TV_REVIEW]

    The One That Got Away

    "Southland," a police drama dropped by NBC after just one season, returns for what promises to be a third season of exceptional writing and superb acting on TNT.

  • [FELTON2]

    A War on Good Taste

    There are those who would not only vilify foods considered less than salubrious, but prohibit them. And what a ridiculous spectacle that is, says Eric Felten.

  • [Film_Grit]

    New 'Grit': Precocious Kid, Repurposed Style

    Jeff Bridges wears the Duke's eye patch well in "True Grit," says Joe Morgenstern. Meanwhile, a touching "The Illusionist" honors the memory of Jacques Tati.

  • [Sightings]

    The Fisk Jubilee Quartet's Lovely Sounds of Sorrow

    Fisk University is one of America's oldest historically black colleges. It is also known to scholars of music as the home of the Fisk Jubilee Singers, an ensemble founded in 1871 that introduced concertgoers around the world to deathless songs of sorrow and hope.

  • [FILM6]

    Film: Kings (Real, Virtual) Rule

    "The Social Network," "The King's Speech' and "Toy Story 3" lead the pack in a modest movie year.

  • [BOOK_REV1]

    Books: What Our Critics Loved

    A roundup of the most lauded books of 2010, featuring gripping tales of Prohibition, revolution and finance.

  • [ART4]

    Art: Matisse

    International contenders for outstanding exhibition of the past year include "Matisse/Rodin" and "Henry Moore."

  • [ARCHITECTURE]

    Architecture: Public Options

    For architects, 2010 has been another difficult year, with many projects killed or stalled, making the year's highlights all the more noteworthy.

  • [TV]

    TV: Wars at Work, Overseas

    Returning television shows like "In Treatment" and "Mad Men" came back strong; a searing "Pacific" on HBO.

  • [YE_Music]

    Music: Return of the Album

    It's said the long-playing album is no longer a viable medium for contemporary music. But that was wrong in 2010.

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