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Category: Guillermo del Toro

Guillermo del Toro and James Cameron begin to climb the mountains of madness

December 6, 2010 |  2:31 pm

Deltoro
Guillermo del Toro has so much going on these days, what with his animation films and other development projects that fans expectantly waiting for "At the Mountains of Madness," the horror auteur's long-planned adaptation of the H.P. Lovecraft novella , might worry it's taking a back seat.

They shouldn't, the auteur says.

In a conversation with 24 Frames Monday, Del Toro said he's actively engaged with the project and moving ahead with the tale of the mysteries and monsters on an Antarctic expedition. In fact, just last week Del Toro met with studio Universal for the so-called summit meeting in which he walked executives through his concepts and models for the movie. The script is also ready, he said.

So how soon could shooting begin? This summer, he hopes, and possibly as early as June, according to the filmmaker.

And lest you think producer James Cameron is simply putting his name on it while he's off working on "Avatar 2", think again: The "Terminator" director was present for the summit meeting and has been offering Del Toro some notes.

"In his subtle style he said to me, 'I have a few notes, but I have one fatal flaw [that I see in the script],'" Del Toro recalled. "He pointed out one thing that was big. I've been thinking about this for 35 years, and he pointed out something I'd never seen."

-- Steven Zeitchik

twitter.com/ZeitchikLAT

Photo: Guillermo del Toro. Credit: Miguel Villagran / Associated Press

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Guillermo del Toro finds soul with 'Alma'

October 20, 2010 |  6:50 pm

Deltoro

EXCLUSIVE: Guillermo del Toro has been getting involved with a number of animated films since signing a landmark deal with DreamWorks Animation last month.

Now, he has a new one on his plate, and it's decidedly moodier than some of the other movies he's associated himself with. It's called "Alma," and it tells the story of children facing the specter of dark forces.

Sources familiar with the project said Del Toro will produce and godfather the film, which is based on a hot short about dolls and child-snatching from Rodrigo Blaas, a former Pixar employee who has come over to DreamWorks Animation to work on the movie.

Blaas will direct the feature, which will be inspired by but reinvent the short's concept. (You can watch the creepy film, which we had written about back in the spring as one of several shorts that had Hollywood buzzing, just below.)

Blaas is also in negotiations to co-direct, with Del Toro, "Trollhunters," a movie based on a young-adult novel written by Del Toro, the sources said. DreamWorks Animation declined to comment.

There are similarities between "Alma" and "Troll Hunters": Both are fairy tales about good children interacting with, and possibly victimized by, creatures that exist just below the surface of the world we know. (Both have a "Pan's Labyrinth" vibe too.)

Since moving over from Disney, Del Toro has come on as a consultant and executive producer on the "Kung Fu Panda" sequel as well as "Puss in Boots." But "Alma" and "Troll Hunters" take Del Toro in a more characteristically dark direction. [For the record: An earlier version of this post contained the incorrect movie title "Puss n' Boots."]

The news comes, coincidentally, on the same day as "The Hobbit" saw its last hurdle to production lifted. Had events unfolded differently in New Zealand, Del Toro would now have been deep in pre-production on "The Hobbit." As it is, he's getting his animation on.

-- Steven Zeitchik
twitter.com/ZeitchikLAT

Photo: Guillermo del Toro. Credit: Getty Images

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Preview review: 'Don't Be Afraid of the Dark.' Or, be very afraid of the dark.

August 5, 2010 |  2:16 pm

Katie%20Holmes%20in%20DON'T%20BE%20AFRAID%20OF%20THE%20DARK Last month at Comic-Con, Guillermo del Toro said the MPAA felt his new movie "Don't Be Afraid of the Dark" was so bone-chilling that it could only be rated R.

"We originally thought we could shoot it as PG-13 without compromising the scares," Del Toro said. "And then the MPAA came back and gave us a badge of honor. They gave us an R for 'pervasive scariness.' We asked them if there's anything we could do, and they said, 'Why ruin a perfectly scary movie?' "

Having watched the trailer for the film, we understand why.

The movie, co-written and produced by Del Toro and directed by Troy Nixey, is a remake of a little-known 1970s horror film. At its center is Sally Hurst (Bailee Madison), a young child who moves in with her dad (Guy Pearce) and his new girlfriend (Katie Holmes). They're living in an ominous-looking 19th century mansion on Rhode Island, where Sally discovers a secret basement. The hidden space has remained untouched since the man who built the mansion mysteriously vanished 100 years prior. When she goes into the basement, Sally unwittingly awakens a group of creepy creatures, who then begin to threaten the entire family.

The new teaser trailer for the film is pretty short -- far shorter than the roughly 10 minutes of expository footage shown in San Diego -- and includes few shots from the actual movie. Instead, most of the preview features a black screen accompanied by a sinister-sounding voice-over warning us that there's "nothing to be afraid of." Yeah, right. Cut to a montage of dim shots: There are creatures trying to enter the house through a metal vent, glass is breaking, there's lots of screaming.

Even more affecting, though, is the final image of Sally crawling through sheets with only a flashlight until she lets out a bloodcurdling scream. The effect is frightening and leads us to believe that horror fans aren't going to be let down.

In any case, we'll be sleeping with the lights on tonight.


Don't Be Afraid of the Dark in HD

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-- Amy Kaufman

Twitter.com/AmyKinLA

Photo: Katie Holmes stars in "Don't Be Afraid of the Dark." Credit: Miramax

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The logic behind Guillermo del Toro's madness

July 28, 2010 |  8:07 pm

Deltoro

Guillermo del Toro all but winked at us the other day that he'll make his adaptation of H.P. Lovecraft's 1931 novella "At the Mountains of Madness" his first movie since things went awry with "The Hobbit." When we asked him in an interview on Friday whether it would indeed be his next film, as we were hearing, he flashed an impish grin and said, "We'll see."

This morning sources tipped that "Madness" would indeed be his next movie, and it's been something of an open secret in Universal circles that this is the one the auteur would go with. Now Deadline is reporting that it is, and, in something of a surprise, that James Cameron will produce, and that it will be in 3-D.

Fans have been calling for "Madness" for years, and in a way it's a perfect move at this moment. With the director losing two years on "The Hobbit," it's now four years and counting since he last directed a picture. [Update -- Make that a non-sequel or new picture; he did of course direct "Hellboy 2" in 2008.] His fans — and no doubt Del Toro himself — don't want to keep waiting. "Madness" is difficult material to shoot, both narratively and logistically — it's basically a monster movie set in Antarctica — but it is a movie that could be made with relative ease in other respects. Del Toro has a script that's basically ready, and a studio in Universal that's hungry for a hit. And given that the stars of his films are the creatures, casting shouldn't be the usual logjam either.

So the director, who is currently in post on "Don't Be Afraid of the Dark,"  could get going on this pretty much right afterward. (He had told us he could shoot as early as the first quarter of 2011.)

But there's also a more specific Hollywood reason to choosing this over, say, "Frankenstein," another Universal project he'd flirted with. When you have a chance to make a risky passion project, you don't wait.

Christopher Nolan did just that after "The Dark Knight" by getting Warner Bros. to fast-track "Inception." Now Del Toro is doing the same with his own beloved film. He once told the L.A. Times that "Madness" was "my obsession," and there's little doubt it's the one closest to his heart — and also, given the subject matter, the kind of film that's extremely hard to make unless your stock is at Google levels.

And it is that high. Del Toro continues to have insane amounts of fan credibility, and he and agent Robert Newman have been wooed by pretty much every studio in town since the director landed back in Los Angeles last month.

Like most filmgoers, we're excited to see what Del Toro does with the material — but not half as excited, we bet, as the filmmaker is to get moving on his dream after his last project became such a nightmare.

— Steven Zeitchik

http://twitter.com/ZeitchikLAT

Photo: Guillermo del Toro. Credit: Miguel Villagran/Associated Press

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Guillermo del Toro opens up on 'The Hobbit': 'It wasn't just MGM'

July 27, 2010 |  7:30 am

Deltoro

As Peter Jackson makes progress -- in theory -- on getting "The Hobbit" moving forward again, Guillermo del Toro has a few things to say about the movie he spent two years developing.

The genre auteur says he has no regrets about departing the New Zealand production, but says that anyone who think that MGM's financial mess was the main culprit for his departure is oversimplifying the issue.

"People kept misconstruing that it was MGM. It came from many factors," Del Toro told 24 Frames in an interview at Comic-Con. "It wasn't just MGM. These are very complicated movies, economically and politically. You have to get the blessing from three studios."
 
Instead, he said, it was the cumulative effect of all of these problems that began to wear him down. "It was really the fact that every six months we thought we were beginning, and every six months we got pushed [back]. And before you could blink, it was a year, and then it was two years."

So was there was a last straw in this bundle of woes? Some insiders have said that Del Toro and Jackson clashed over creative-control issues. The director said that in all their time working on the movie, he and the "Lord of the Rings" filmmaker were nothing but copacetic, though Del Toro didn't entirely rule out that it one day could have become fraught. "We were at the stage where the collaboration was good. If there were going to be any issues, we never got to that stage [in development]," he said.

Del Toro was in San Diego to tout two Disney projects -- a newly announced reboot of "Haunted Mansion," based on the theme-park attraction, and his latest godfather/producer/co-writer project, the Gothic scare-fest "Don't Be Afraid of the Dark," which the studio will release in January.

"Dark," which stars Katie Holmes and remakes a little-known 1973 movie, tells of a young girl who moves into a house with her mother and stepfather and begins to realize there are supernatural beings in the basement who want to pull her down with them. It fits with the themes of Del Toro's "Pan's Labyrinth" and "The Orphanage" (which the filmmaker also godfathered), in which supernatural events reflect more subtle emotional truths.

"We're combining the dark European fairy tales of creatures who would substitute babies, creatures from a world older than ours, and we also borrowed what I think it a very interesting idea from 'The Birds,' where the monsters are a manifestation of the tensions in the family," Del Toro said.  "It's a classic tale with a modern level of intensity."

The genre community has played the game of 'What will Guillermo do (next)?' practically since the moment the auteur left "The Hobbit." While Comic-Con shed light on some of his longer-term projects -- he could eventually direct "Haunted Mansion," he said, but it's not his next movie (Matthew Robbins and he need to write the script first) -- it still left tantalizingly open what he will tackle in the immediate future.

And that future is indeed not far off. In the interview, Del Toro said he would shoot a movie in the first quarter of 2011. The film, he said, was a big movie he'd been writing and developing (so anyone hoping he'd jump on, you know, "Superman: The Man of the Steel" might be disappointed). "It's something that has been with me for a while," he said.

Of course, that still leaves the possibilities pretty open, and gives fans even more to chew on. The new movie could be anything from a new "Dr. Jekyll and Mr. Hyde "to a "Van Helsing" reboot to the Roald Dahl adaptation "The Witches" --  but it particularly could be his long-gestating "At the Mountains of Madness," based on the H.P. Lovecraft novella for which he's long professed enthusiasm. We mentioned that title, and Del Toro flashed an impish grin and said, "We'll see."

As for the film he left behind, Del Toro threw his support to the man whom fans have been calling for. "I would love for Peter to direct it." But couldn't that be difficult for Del Toro to watch, knowing it could well have been his own creation? "Parts of it would be, but I'll be really happy to see the designs we did come to life," he said.

Del Toro did still sound a rueful note about his decision to pack his bags and return to Los Angeles without seeing "The Hobbit" through. "It is the hardest professional decision of my life," he said. "I still feel very emotional about it."

-- Steven Zeitchik
twitter.com/ZeitchikLAT

Photo: Guillermo del Toro. Credit: Miguel Villagran / Associated Press

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Del Toro's labyrinth: Where does the director go from here? -- UPDATED

June 1, 2010 |  5:25 pm

Labyri
Two days after Guillermo del Toro walked away from "The Hobbit," Hollywood remains abuzz over what the filmmaker will do next. Almost every studio is champing at the bit to get at Del Toro, a director with a proven touch and a strong track record at the box office (and one who, not insignificantly, can give any project instant fanboy credibility). Champing hardest is Universal, which signed a lucrative producer deal with the Mexican auteur not long before he decided to spend years on "The Hobbit," and which wants to start seeing some fruit from that deal.

 Now that Del Toro is coming back to Southern California -- and now that his representatives are eager to put him in a new film -- it likely won't be long before he signs on to make a movie (and, in all probability, a movie that won't spend years languishing in development).  He'll also, of course, continue keeping several plates spinning as a mentor and producer, as he refines an incubator role that he and a select few other director brands (Judd Apatow comes to mind) have practiced.

Here's a breakdown of some of the projects Del Toro is developing as a producer and director -- and his prospects for working on them.

"The Witches" -- The animated take on the Roald Dahl classic has plenty of Del Toro hallmarks. Like his landmark "Pan's Labyrinth," it puts a young child at the center of some evil supernatural forces. And because it's animated, it will allow Del Toro to play with technology that wasn't around when he last directed a movie four years ago. The snag: It's set up at Warner Bros., where Del Toro doesn't have his deal, and where there may be less incentive to make a film.

"The Orphanage" -- The remake of chilling 2007 J.A. Bayona ghost story, which Del Toro godfathered, is moving forward, with indie director Mark Pellington at the reins. Del Toro, as a producer, could now take a more active role, though with the script said to be a near-verbatim repeat of the Spanish-language film, it's hard to imagine why the director would have any reason to get more involved (or, for that matter, why there'd be any reason for the movie to get made in the first place). "Hater," Bayona's next movie, could be of renewed interest to Del Toro too, but again in a likely producing/godfathering role.

[UPDATED: "Hellboy 3" -- As a few commenters have pointed out, del Toro could make his return with the third film in the "Hellboy" series, about the title character's fight against the Archangel and other Nazi foes, as well as his learning curve as a father. We initially omitted the superhero hybrid because del Toro has said he believes any new Hellboy film is several years away -- but of course that was when he was going to spend the next several years on "Hobbit." So we'll toss that on to the list. We'll also mention "At the Mountains of Madness," the epic passion project based on H.P. Lovecraft's short novel, though the idea here is to handicap his next movie, and given the long-term nature of the "Madness" development, it seems hard to believe he'll be shooting that any time soon.]

"Saturn and the End of Days" -- Another story about a young person facing disaster (this time a boy bracing for the end of the world). This is a movie that Del Toro is attached to direct, and that's part of Cha Cha Cha, that rich film-financing deal Del Toro has with filmmakers Alejandro Gonzáles Iñárritu and Alfonso Cuarón. The deal was for five pictures and only two have been made, so there's money sitting there ....

"Mama" -- A Universal movie based on an acclaimed Spanish-language short. Del Toro finished writing a draft of the script just about a week ago, as he perhaps knew he was walking away from "The Hobbit." The film already has directors -- Barbara and Andy Muschietti, who directed the short. But expect Del Toro to keep his hand on the project as it moves forward into casting and beyond.

"Champions" -- A promising story about superheroes, government agents and an advanced civilization. And the script has a serious pedigree -- it's written by "The Usual Suspects" writer Christopher McQuarrie. The problem: It's set up at United Artists, part of MGM, the same company whose troubles caused Del Toro to walk away from "The Hobbit." So you can pretty much scratch it.

"Dr. Jekyll and Mr. Hyde" -- There have been numerous attempts to take the Robert Louis Stevenson classic to the big screen, most of them failures. The one appealing aspect here: It's at Universal, which would be highly eager to get a movie with built-in adventure story off the ground. Ditto for a new "Frankenstein," also set up at Universal with Del Toro loosely attached to direct (and which Del Toro has spoken of as an area of interest, as our colleague Geoff Boucher reports).

"Shadow of the Colossus" -- It's a long shot -- as far as we know, Del Toro has never had a single meeting on the Sony project. But the film, based on the hit video game, is a known favorite for Del Toro -- he once called it the "Citizen Kane of video games," and the movie, which will likely be in 3-D, could be the right vehicle for a director looking to make a big adventure with art house touches.

-- Steven Zeitchik

http://twitter.com/ZeitchikLAT


Photo: "Pan's Labyrinth." Credit: Picturehouse



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Finance and fan boys: How the Wall Street crisis hit Guillermo del Toro's 'The Hobbit'

May 31, 2010 |  9:35 am

Deltoro
If there's one message that "Inside Job," Charles Ferguson's new documentary about the financial crisis, imparts to audiences, it's that even the most far-flung factors can give rise to serious real-world consequences.

On Sunday an object lesson in that truism hit the film world, as fan boys and the rest of us suddenly found ourselves the unexpected victims of Wall Street woolliness.

For the last two years, Guillermo del Toro had been keen to direct "The Hobbit," the much salivated-over two-picture adaptation of J.R.R. Tolkien's mystical epic -- so keen that he uprooted his family and life for it. Del Toro turned down every other film and spent nearly two years prepping a shoot that was to begin later in 2010, for a pair of movies that would be released over the holidays in 2012 and 2013.

On Sunday, that all changed -- or, rather, a change that had been brewing for months finally bubbled to the surface. What seemed like so much doomsday speculation last year, back when it first became apparent that co-financier/co-producer MGM was hitting the rocks, became a very tangible reality. It didn't happen with high drama -- MGM didn't pull the plug on a "Hobbit" movie the way venture-capital projects were suddenly stopped in their tracks by the credit and investment freeze. It didn't have to.

The current incarnation of MGM was formed six years ago thanks to an influx of Wall Street money and lending that was rampant at the time. Several private equity groups, along with Sony and Comcast, sank in hundreds of millions of dollars, and rich credit facilities with the likes of J.P. Morgan Chase were set up.

But six years later, MGM now labors under nearly $4 billion in debt, which has both hampered its ability to finance new productions as well as made the company unattractive to prospective buyers. (For a complete examination of where the situation at MGM currently stands, check out this excellent story from my colleagues Claudia Eller and Ben Fritz.) So deep is the uncertainty (and the debt) that the studio's production schedule has been significantly slowed -- so much so that, on Sunday, it finally caused del Toro to walk away.

“In light of ongoing delays in the setting of a start date for filming ‘The Hobbit,’ I am faced with the hardest decision of my life. After nearly two years of living, breathing and designing a world as rich as Tolkien’s Middle Earth, I must, with great regret, take leave from helming these wonderful pictures," del Toro said in a posting on Tolkien fan site TheOneRing.net.

It shouldn't have been a complete surprise. MGM has been clinging to "The Hobbit" like a last-ditch lifeline even as its other projects have skittered away. The 23rd James Bond movie went from an MGM-centric enterprise with a big directorial name (Sam Mendes) to a film that was indefinitely on ice. A movie that had already been completed and earning high test scores, "The Zookeeper," was handed over to Sony. Several other development projects were frozen in place. It was only a matter of time before some kind of unfortunate fate hit "The Hobbit." And while technically neither MGM nor co-financier and co-producer New Line was shutting down production, few could blame del Toro, watching all of this happen and feeling like his own production schedule was clouding up to the point of murkiness.

The world of independent-film financing has until now born the brunt of the crisis, as those less expensive, one-off pictures are, paradoxically, the ones that needed the cash from this more slippery world. With this news, one of the most anticipated and reliable franchises -- a Tolkien adaptation from an A-list group of creators -- is getting hit too.

Some would say that it's all a little unfair. MGM's business plan was a long-term one, a plan that required the development of franchises; the "Hot Tub Time Machine's" and "Valkyrie's" of the world were never going to be enough. If it was to succeed, it would need to take control of James Bond and, especially, "The Hobbit." There's truth to that, but there's also a kind of karmic fairness to how this all has gone down. MGM was created as part of the financial froth of the mid-2000s. And if there's one thing the last sobering 18 months has taught us, it's that if you live by the bubble, you die by the bubble.

No one knows what kind of "Hobbit" del Toro would have made, or if the years the eminently talented director dedicated to it would have been worth the films he wasn't working on during this time. What we do know now is that we'll get a chance to see the other side of that coin. There could be some significant del Toro output over the next few years. The "Hellboy" and "Pan's Labyrinth" director, after all, has plenty of options -- he's kept some development irons in the fire and pretty much every studio is chomping to get him. (More on his possible new directions in a later post.)

Meanwhile, Peter Jackson and the others developing the tale of Bilbo Baggins say that it will continue to move forward. It's hard to imagine how that happens with the same intensity. Even if the financial and scheduling issues somehow begin to clear up -- almost overnight, like a mystery rash -- there's still the small matter of getting a top-flight director who isn't spooked by the same things that scared del Toro. And then there's the question of whether said director picks up where del Toro left off (unlikely for anyone of a certain stature) or starts over from scratch. That could take even more time, enough time for MGM to have found its way out of trouble -- or for a new bubble to burst.

-- Steven Zeitchik

http://twitter.com/ZeitchikLAT

Photo: Guillermo del Toro. Credit: Miguel Villagran / Associated Press



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Can shorts save Hollywood?

May 10, 2010 |  7:05 am

If there's one filmmaker who truly knows how to shape and gauge film-goer interest, it's Guillermo del Toro, who with genre crossbreeds such as "Hellboy" and "Pan's Labyrinth" has found a sizable audience where few would have dreamed one could exist.

So we take it to heart when Del Toro says, as he did in an e-mail to us, that a few viral-video shorts making the rounds these past few months could form the basis of some pretty solid and successful movies. "I think that a short film is a perfect nugget of a film. A seed. The perfect pitch that a producer can promote and push for people to 'get a glimpse' of the film that lies there." he wrote.

Certainly some big Hollywood types are taking chances on shorts -- and not just as a way to discover a filmmaker, but as the basis for full-on features.

As we discovered in reporting a story for Sunday's Calendar section, shorts have become all the rage in Hollywood, as top producers like Sam Raimi seek and pursue shorts from people with little more name recognition, or financial backing, than most of us. There's the gem of a horror movie "Mama" (shown below), which Del Toro is producing as a feature at Universal, and the au courant hot material "The Raven" (the second film below) and the likely soon-to-be-buzzed dark animated film "Alma" (the film above), a personal favorite because of its ominous suggestiveness.

There's already been talk of a backlash, as some wonder if the vogue for these shorts is evidence not of a new creativity but of the old hysteria, the kind where a semi-interesting idea is pursued and ridden into the ground like a beleaguered groundhog.

But those who lament a creative bankruptcy in the feature world might want to take note. Whether these movies sprout into full-blown films of matching quality -- and whether filmmakers are allowed to help them grow into that -- one can't really say at this point. But in a remake-thick landscape often lamented as depressingly barren and lacking in new ideas, it's encouraging when one can find some little vibrant green shoots.

-- Steven Zeitchik (follow me on Twitter at @ZeitchikLAT)



Clicking on Green Links will take you to a third-party e-commerce site. These sites are not operated by the Los Angeles Times. The Times Editorial staff is not involved in any way with Green Links or with these third-party sites.



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