This weekend: TV on the Radio's Kyp Malone goes solo with Rain Machine
"Hold Your Holy" arrives at the midpoint of the debut album from Malone's solo project, which he has given the moniker Rain Machine. The song uses a gospel-inflected keyboard as a starting point, but its ultimate direction, like many of the 10 songs on the self-titled album, isn't easily mapped. A rhythmic march explodes into a stutter, and guitars dress the verses rather than lead them. Malone dips into a falsetto, but abruptly jumps out of, as if he's caught in a a tug of war with the lustful passion expressed in the lyrics.
"One of those most hackneyed subjects in popular music is wanting to dance with someone you’re attracted to," Malone tells Pop & Hiss. "I don’t think it’s because of any kind of lack of creativity on the part of people who write the songs. I feel like it’s reflecting something that has been integral to the human experience for thousands and thousands and thousands of years.
"Not the romanticized sock-hop version of it," he continues, "but the integration of dance and music is something that kept music as a participatory form ,and kept music integrated into the communities. I’m kind of trying to find my version of that song. I like happy poppy songs. I just don’t always have them in my head."
Those familiar with Malone's resume may not necessarily expect them to be there, either. TV on the Radio's 2008 effort "Dear Science" was one of the best-reviewed albums of the year, but also a bit a paranoid one. There's plenty of melodies on it, but they're shrouded in dense, sometimes foreboding, electronic-laced production.
The mood initially struck by Rain Machine isn't any lighter, but it is a bit more organic, perhaps a bit more primal. The beats on "Give Blood" topple over one another, the sound of jungle rhythms dropped off in a city alleyway, and "Smiling Black Faces" is a four-minute tease, with notes and beats raising the tension by flirting with familiar sounds, but staying just left of them. It's one of the many songs Malone says haven't been easy to replicate live (Rain Machine will be in Los Angeles for two shows this weekend).
"There’s a lot of rhythms happening, and it all happened very loosely and in a messy way," Malone says. "That was actually a song where I was working with an engineer and a mixer, and he really wanted to fix it. It was so rambling and sloppy. At first, I let him try to do what he wanted to do, but it started sucking the life out of it. So we scratched and went back to square one, leaving it as it was.
Malone's day job was also a source of inspiration.