Art Review
Messages That Conduct an Electric Charge
By HOLLAND COTTER
Glenn Ligon’s retrospective at the Whitney Museum of American Art is a tight but ample show that refers back to America’s slave-holding past and forward to the Obama present.
Cary Joji Fukunaga’s “Jane Eyre,” starring Mia Wasikowska, is a splendid example of how to tackle the daunting duty of turning a beloved work of classic literature into a movie.
Glenn Ligon’s retrospective at the Whitney Museum of American Art is a tight but ample show that refers back to America’s slave-holding past and forward to the Obama present.
A new documentary, “Conan O’Brien Can’t Stop,” directed by Rodman Flender, shows another side of Mr. O’Brien that his co-workers call “Mean Conan.”
Téa Obreht’s debut novel, “The Tiger’s Wife,” gives an indelible picture of a Balkan country reeling from the fallout of civil war, while exploring the essence of storytelling.
In “nothingtoodoo” at the Mary Boone Gallery, Terence Koh is performing an abject kind of penance: slowly circling a cone of salt on his knee’s for eight hours at a stretch.
The campy musical “Priscilla, Queen of the Desert” has undergone some Americanization as it prepares to open on Broadway.
The pianist Evgeny Kissin presented a virtuosic Liszt program at Carnegie Hall on Wednesday, as part of the commemoration of that composer’s 200th birthday.
Two paintings and seven sculptures by Cy Twombly will be acquired by the Museum of Modern Art.
Catherine Hardwicke’s “Red Riding Hood” is a goofily amusing screen fairy tale that includes bloodshed, but it’s generally tamer than its often-gruesome source.
Producers will cut some of Julie Taymor’s signature touches as they reshape the Broadway show “Spider-Man: Turn Off the Dark.”
One thing you can say for sure about Picasso is that he never got stuck. A viewer-friendly exhibition at the Virginia Museum of Fine Arts, Richmond, captures his infectious fluidity over eight decades.
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The actor Bradley Cooper will be a team player in “The Hangover Part II” and a leading man in “Limitless.”
For its first album in five years — “Angles,” due on March 22 — the Strokes have embraced a newfound sense of group dynamics.
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