| Compositions |
|
 |
For Nothing
for contralto and Baroque string quartet
|
 |
Water Stories
for clarinet, piano, percussion, violin, and cello
Episodes
for Baroque orchestra
|
 |
Snakes and
Ladders
for clarinet, electric guitar, piano, percussion, cello and double
bass
|
 |
Álftanes
for guitar quartet
Save As
for cello and percussion
|
 |
Still/Urban
for saxophone quartet and electric guitar
|
 |
The Right
Angel
for orchestra and electric guitar
The Happy End Problem
for flute, bassoon, gu zheng, percussion, violin & electronics
shading my face it shall be you
for small ensemble
|
 |
sEtaccio
for string quartet, alto saxophone, and samples
For Whom Am I
for 2 violins, guitar, piano, samples
Fell
for string quartet & electric guitar
Allegory
for string quartet & electric guitar
|
 |
Light at the
End of the Tunnel
for small ensemble
Landing for choir, Flamenco singer,
cello, saxophone and samples
|
 |
The Big Picture
for saxophone quartet with two soloists
|
|
|
 |
 |
Weatherwise
or Otherwise
for large ensemble
Centre Moving Out
for voice, clarinet, cello, piano, samples, & percussion
|
 |
Stone, Brick, Glass, Wood, Wire
(with Ikue Mori, Zeena Parkins,
& The International Occasional Ensemble)
Traffic Continues: Gusto
for large ensemble with improvising soloists
|
 |
Pop
Mechanics
(for Sergei Kuryokin) for Disklavier
Back to Life
for trumpet, oboe, cello, marimba
|
 |
Impur
for 100 musicians, large building and mobile audience
Tense Serenity
for trombone and string trio
Doppelganger
for oboe solo
Shortened Suite
for trumpet, oboe, cello, marimba
Traffic Continues
for large ensemble
|
 |
Seven Circles
for piano
|
|
|
|
 |
Pacifica
a meditation for 21 musicians with texts by Pablo Neruda
Portraits d'Inconnus
an installation: thirty fragments of music triggered by movements
of the public through an environment created by painter Béatrice
Turquand d'Auzay
Second Nature
graph composition for 13 electric guitars
|
|
|
Elegy for
Elias
for piano, violin & marimba
22, Rue Lacépède
for solo accordion.
The Previous Evening
a tribute to John Cage for four clarinets, tapes, bass, footsteps,
electric guitars, whirled objects, voice
Freedom in Fragments
a suite of 23 pieces for saxophone quartet
Endurance
for solo double bass
|
 |
Goongerah
& Motormouth
for electric guitar quartet
Stone, Brick, Glass, Wood, Wire
graphic scores for any number of players
|
 |
Lelekovice
(for Iva Bittová) string quartet no. 1
|
 |
Stick Figures
for 6 guitars and two players.
Helter Skelter
for 2 sopranos, contralto, & large electric ensemble
|
 |
In
Memory
for four guitars, four voices, four percussionists and animated
film (by Pierre Hébert), with text by Sara Miles
The As Usual Dance Towards the Other Flight
to What Is Not
for four electric guitars
|
 |
Long
on Logic
for sax quartet
Disinformation Polka for accordion solo
|
| |
|
|
