Broadway: Take ’Em Early, Take ’Em Often
By ROBIN POGREBIN
My children are immersed in a world of iPads and text messages, but I was pleased that my teenage son and preteen daughter could nevertheless be charmed by “Anything Goes.”
“Thor,” directed by Kenneth Branagh, is a programmed triumph of commercial calculation over imagination.
My children are immersed in a world of iPads and text messages, but I was pleased that my teenage son and preteen daughter could nevertheless be charmed by “Anything Goes.”
The long-awaited new play by Tony Kushner is a densely textured portrait of a Brooklyn family losing its (strictly secular) religion.
The Manhattan Waterfront Greenway beckons cyclists to discover an island.
In “Jumping the Broom” a nuptial weekend is the backdrop for a trousseau full of revelations revolving around class conflict between the two bridal families.
Nature is wild but proportioned at the new Azalea Garden, which reflects a particular philosophy of garden display, at the New York Botanical Garden.
A Schiele is for sale, Storm King plans an exhibition on Governors Island, and a BMW Guggenheim Lab is going up on East First Street.
At the Jewish Museum “Collecting Matisse and Modern Masters” presents a selection of works from the collection of the Baltimore sisters Etta and Claribel Cone.
“Octubre,” a Peruvian film, shows how life changes for a shabby moneylender in Lima when an infant is left on his bed.
In his autobiographical show at Feinstein’s, Peter Asher, the Peter of Peter and Gordon, tells tales of his life at the center of the British music scene in the 1960s.
The Radical Light series at Anthology Film Archives and MoMA looks at the San Francisco Bay Area as humming hub for great avant-garde film and video makers.
Mr. Laurents was a playwright, screenwriter and director who wrote and ultimately transformed two of Broadway’s landmark shows, “Gypsy” and “West Side Story.”
“Francis Alÿs: A Story of Deception” is a survey split between the Museum of Modern Art and MoMA P.S. 1.
Angus MacLise, an original member of the Velvet Underground, didn’t achieve the prominence of others in that group, but a new exhibition suggests he was an influential force in the 1960s.
“Carson McCullers Talks About Love,” Suzanne Vega’s mixture of nightclub act and theater piece at the Rattlestick Playwrights Theater, is a funky ramble through McCullers’s life.
A depressed toy manufacturer fails to commit suicide and begins communicating through a hand puppet. Nasty and brutish, the beaver owns the film.
The latest story collection from Julian Barnes is filled with both gems and should-have-been discards.
“Something Borrowed” is a comedy of marriage and a love triangle made up of Ginnifer Goodwin, Kate Hudson and Colin Egglesfield.
News, photos, analysis and more on the nominees for the 65th annual Tony Awards.
This week: the serenity and anxiety of Fleet Foxes; Gerald Clayton and the state of the piano trio in jazz; and a eulogy for Poly Styrene. Ben Ratliff is the host.
Get a selection of the listings on your iPhone with The Scoop, The Times’s guide to what to eat, see and do in New York.
A Metropolitan Museum exhibition of work by Alexander McQueen, who committed suicide last year, surveys the career of a designer who used shock to challenge preconceptions.
Woody Allen recalls how he might have got an idea for a film set in Paris. The rest is (not) history.
Critics for The New York Times report on their art-world spring awakenings in four Manhattan neighborhoods.
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