Weinstein Co. Says It’s Back With Cannes Festival Event
By BROOKS BARNES
After financial troubles and good reviews from “The King’s Speech,” the Weinstein Company is lining up new films.
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The Cannes Film Festival led with Woody Allen’s new movie, “Midnight in Paris”; other early screenings have included Julia Leigh’s “Sleeping Beauty” and Gus Van Sant’s “Restless.”
“Bridesmaids” celebrates the giddy, liberating humor of the writers Kristen Wiig and Annie Mumolo.
A wide assortment of outdoor film series cater to a variety of audiences, from Francophiles to children.
After financial troubles and good reviews from “The King’s Speech,” the Weinstein Company is lining up new films.
“Everything Must Go” adapts and fills in the blanks of the Raymond Carver story “Why Don’t You Dance?”
“L’Amour Fou,” a documentary about Yves Saint Laurent, the French couturier, narrated by Pierre Bergé, his partner in business and in life.
Kimani Ng’ang’a Maruge, a member of the Kikuyu tribe in Kenya who enrolled in a primary school in 2003, at age 84, became an inspiration and a lightning rod.
“The Big Bang” carries film noir parody into particle physics territory to try to solve the mystery to end all mysteries.
“A Serbian Film,” directed by Srdjan Spasojevic, doesn’t just push the envelope of the extreme-cinema niche, it shreds it.
Spencer Susser’s “Hesher” stars Joseph Gordon-Levitt as a tattooed, profanity-spewing, heavy-metal life force. And guess what? He has lessons to teach.
“City of Life and Death” portrays the hundreds of thousands of soldiers and civilians tortured and killed during the mass butchery known as the Rape of Nanjing.
Four college girlfriends hit a North Carolina beach in “Vacation!”
“Make Believe” follows teenagers competing at an international magic contest in Las Vegas.
After a career as an agent and another as a television producer, Tony Krantz, 51, has moved from the business-side of Hollywood to become a feature film director.
To reboot its sagging “Pirates of the Caribbean” franchise, Disney chose Rob Marshall to direct the fourth installment, which will screen at Cannes.
Peter Bart’s new memoir recalls his years as a vice president at Paramount under Robert Evans in the late 1960s and 1970s.
“La Conquête,” or “The Conquest,” is a semifictional film about the rise of Nicolas Sarkozy, the president of France.
A film’s depiction of child rape has resulted in charges of exhibiting child pornography for the director of a film festival in Spain.
Ms. Fuller answered a casting call in the 1950s in an angora sweater that would become memorable to the moviegoing public.
Pierre Bergé, the partner of Yves Saint Laurent, talks about their relationship, the subject of “L’Amour Fou,” a French documentary.
Potential tween stars like China Anne McClain, 12, need not just talent, but the ability to cope with the temptations of fame.
The company took several financial blows but managed to contain the damage.
On the set of “Abraham Lincoln: Vampire Hunter,” history is being both respected and rewritten.
The Taiwan Stories series at the Film Society of Lincoln Center is an attempt to shine some light on this national cinema.
Ms. Wynter was known for the 1956 sci-fi classic but also appeared in numerous television series.
A company called WhoSay — a little-known start-up with a prominent clientele — offers content services for social media, and grants full ownership to the celebrities.
“Thor,” a thundering big-screen debut for the comic-book realm’s god of thunder, was No. 1 at North American theaters over the weekend.
Woody Allen recalls how he might have got an idea for a film set in Paris. The rest is (not) history.
Manohla Dargis, a chief film critic of The New York Times, and Melena Ryzik and Dennis Lim are reporting from the Cannes Film Festival.
A look at some of the stars and filmmakers at the opening night of the Cannes International Film Festival.
A scene from Justin Chadwick’s film about an 84-year-old Kenyan man who attends a grade school to learn how to read.
A. O. Scott discusses how truth and justice are sacrificed as order is brought to a lawless land in John Ford's 1962 film.
The critics' take on girls in action movies, Maria Bello's tough dramas, Michael Fassbender on his rise from bit player to leading man and more.
Five performers from this year’s slate of summer movies find themselves on the verge.
A look at some of the films coming to theaters this season.
Herzog discusses the discovery and artwork of the Cave of Chauvet-Pont-d'Arc, the subject of his latest film, "Cave of Forgotten Dreams."
In this series, directors discuss ideas and techniques behind moments in their films.
This guide includes links to the original reviews from the archives of The New York Times.
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