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From the Print Edition

Best in Show: 'Richard Serra Drawing' at the Met Museum Best in Show: 'Richard Serra Drawing' at the Met Museum
By R. C. Baker

The rusty steel in Richard Serra’s towering sculptures undoubtedly contains melted-down steam engines, ocean liners, and other scrap perpetually recycled since the days of Blake’s “dark Satanic mills.” The sculptor’s… More >>

<i>The Intelligent Homosexual's Guide to Capitalism and Socialism, With a Key to the Scriptures</i>--Waiting and Waiting and Waiting for Lefty The Intelligent Homosexual's Guide to Capitalism and Socialism, With a Key to the Scriptures--Waiting and Waiting and Waiting for Lefty
By Michael Feingold

The lengthy title of Tony Kushner’s lengthy (3h40) new play bows in two directions: to Bernard Shaw’s massive economic treatise, The Intelligent Woman’s Guide to Socialism and Capitalism (1928), on… More >>

<i>By the Way, Meet Vera Stark</i>--Lynn Nottage Heads Off to Hollywood By the Way, Meet Vera Stark--Lynn Nottage Heads Off to Hollywood
By Michael Feingold

Lynn Nottage’s Pulitzer Prize–winning Ruined might have misled people into thinking her an inherently somber playwright. If so, By the Way, Meet Vera Stark (Second Stage) should serve as an… More >>

<em>We Couldn't Call It What We Wanted to Call It, So We Called It HOLY CRAP!!</em>: Theater on a Toilet Seat at La MaMa We Couldn't Call It What We Wanted to Call It, So We Called It HOLY CRAP!!: Theater on a Toilet Seat at La MaMa
By Tom Sellar

Holy Crap!!, a solo monologue by Inigo Ramirez de Haro, apparently provoked an audience member to try to torch the set mid-performance when it premiered in Madrid in 2004. Demonstrators… More >>

<i>The School for Lies</i>&mdash;Fake Frenchies Fib Furiously! The School for Lies—Fake Frenchies Fib Furiously!
By Michael Feingold

Reality's a drag. And drag, these days, is a significant reality. Maybe that's what prompted David Ives to write The School for Lies (Classic Stage Company), surely the silliest play… More >>

Thief Goes Gaga&mdash;Armitage Gone! Dance at the Joyce Thief Goes Gaga—Armitage Gone! Dance at the Joyce
By Deborah Jowitt

Let’s face it. Choreographers are thieves. Like magpies, they see the glint of bright bits and grab them to bedeck their nests—er, dances. Someone’s jewel (step, gesture, cultural trait) ends… More >>

Best in Show: Jerry Meyer at Denise Bibro Fine Art Best in Show: Jerry Meyer at Denise Bibro Fine Art
By Robert Shuster

Combining Borscht Belt gags and Woody Allen–ish angst over sex and death, Jerry Meyer has assembled an arcade of wit and quirky nostalgia. Wall-mounted light boxes—bright with Pop colors and… More >>

<em>Urinetown</em> Creators to Return to the Fringe With <em>Yeast Nation</em> Urinetown Creators to Return to the Fringe With Yeast Nation
By Alexis Soloski

The New York International Fringe Festival has just announced its 2011 lineup, and one highly unusual offering nestles alongside the likes of Jersey Shoresical: A Frickin' Rock Opera, Flaccid Penis… More >>

Donmar Warehouse's <em>King Lear</em> Storms Into BAM (No Matter Who Wrote the Damn Thing) Donmar Warehouse's King Lear Storms Into BAM (No Matter Who Wrote the Damn Thing)
By Alexis Soloski

Is there a play more devastating than King Lear? So absolute and unsparing is its tragedy, it can make Endgame appear blithe, the Oresteia positively jaunty. While most Shakespeare downers… More >>

Target Margin Blows Into Here With <em>The Tempest</em> Target Margin Blows Into Here With The Tempest
By Andy Propst

Director David Herskovits throws a 20th birthday for Target Margin Theater by drawing on some five centuries of theatrical traditions with in his joyously overstuffed staging of The Tempest. … More >>


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