BIOGRAPHY

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1971
• Born in Illinois

1993
• Bachelor of Fine Arts, Truman State University, Kirksville, MO

1997
• Master of Fine Arts, Ohio University, Athens, OH

1997
• Skowhegan School of Painting and Sculpture, Skowhegan, ME
• Lives and works in New York City


SOLO EXHIBITIONS

2010
New Installation, The Sculpture Center, Cleveland, OH

2009
Without Ends, Country Club Los Angeles at the Buck House, Country Club, Los Angeles, CA
• James Harris Gallery, Seattle, WA

2008
• Nicole Klagsbrun Gallery, New York, NY
• Social Interactions (Two-person exhibition with Stephen Willats), Seiler + Mosseri-Marlio, Zurich, Switzerland

2007
Following Room, Anne & Joel Ehrenkranz Lobby Gallery, Whitney Museum of American Art, New York, NY
I can't quite place it, Feldman Gallery + Project Space, Pacific Northwest College of Art, Portland, OR
Potential Store Fronts, 125 Maiden Lane storefront, New York, NY, a project of the Public Art Fund program In the Public Realm

2005
How Did We End Up Here?, Nicole Klagsbrun Gallery, New York
Make Belief, Sala Diaz, San Antonio, TX

2004
Statements, Art Basel, Miami Beach, FL
I was thinking (a living room), Nicole Klagsbrun Gallery, New York, NY
Every other day, Art Academy of Cincinnati, OH

2003
Same As Me, Sandroni Rey Gallery, Los Angeles, CA

2002
Same As Me, Roebling Hall, Brooklyn, NY

2000
House (A Standardized Affectation for Telepresence), Roebling Hall, Brooklyn, NY
*White Room, White Columns, New York, NY


SELECTED GROUP EXHIBITIONS

2011
Speculative Futures, curated by Regine Basha, Bloomberg Financial Offices in Conjunction with Sculpture Center, New York
Suspense. Suspended Sculptures, EX3 Centre for Contemporary Art, Florence, Italy

2010
The Every Other Day, Ideobox Art Space, Miami, FL
Natura & Destino, Galleria Riccardo Crespi, Milan, Italy

2009
Seven in One! Seven in One-Third!, Kate Werble Gallery, New York, NY • New Age Riot, Country Club Projects, Los Angeles, CA
CHAPERONE, EFA Project Space, New York, NY • The End, The Andy Warhol Museum, Pittsburgh, PA, Curated by Eric Shiner • Biennale Cuvée: Biennales Yesterday and Today, OK Center, Linz, Austria

2008
The End, The Andy Warhol Museum, Pittsburgh, PA, Curated by Eric Shiner
OK Center, Linz, Austria

2008
Forever Young, Anne+, Paris, France
Manifesta 7, The European Biennial of Contemporary Art, Trento, Italy
Interiors, Hales Gallery, London, UK
The Leisure Suite, LeRoy Neiman Gallery, Columbia University, New York, NY, Curated by Martin Basher
Skipping the Page, The Center for Book Arts, New York, NY, Organized by Graham Parker

2007
The 6th Mercosul Biennial: The Third Bank of the River, Porto Alegre, Brazil, Chief Curator: Gabriel Pérez-Barreiro
Open House: Cincinnati Collects, Contemporary Arts Center Cincinnati, Cincinnati, OH
On Being an Exhibition, Artists Space, New York, NY, Curated by Joseph Del Pesco
Slightly Unbalanced, traveling exhibition organized by Independent Curators International, various locations; Curated by Susan Hapgood
Summer '07 Exhibition, Lower East Side Printshop, New York, NY
Blank, Ke Center for Contemporary Art, Shanghai, China
You are here, Glassel School of Art, Museum of Fine Arts, Houston, TX, Curated by MFA Houston Core Program
I will be alright, Country Club, Cincinnati, OH
Panic Room, Deste Foundation for Contemporary Art, Athens, Greece

2006
Text Formed Drawing, The Contemporary Art Galleries, University of Connecticut, Storrs, CT
Past Imperfect: Future Tense, New Center for Contemporary Art, Louisville, KY
Table Top, Joseé Bienvenu Gallery, New York, NY
Personal Geographies, Hunter College Art Galleries, New York, NY
Table Top, Joseé Bienvenu Gallery, New York, NY
The Time-Based Art Festival (TBA:06), Portland Institute for Contemporary Art (PICA), Portland, OR
Annotations (Bronnen), Expodium, Utrecht, The Netherlands, Presented by Public-Holiday Projects
Slow Revolution, Rotunda Gallery, Brooklyn, NY
Well Read, NutureArt, Brooklyn, NY
And Therefore I Am, The Tang Teaching Museum and Art Gallery, Saratoga Spring, NY

2005
Looking at Words: The Formal Presence of Text in Modern and Contemporary Works on Paper, Andrea Rosen Gallery, New York, NY
Sounds Like Drawing, The Drawing Room, London, England, curated by Anthony Huberman
Untitled, Santa Barbara Contemporary Arts Forum, Santa Barbara, CA, curated by Kristin Chambers
Wordplay, Julie Saul Gallery, New York, NY
Video Salon 3, Brooklyn, NY
Dating Data, Josee Bienvenu Gallery, New York, NY
Paper, Nicole Klagsbrun Gallery, New York, NY
Paper Deviations, The Proposition, New York, NY
Life Drawings, Arthouse at the Jones Center, Austin, Texas, curated by Regina Basha

2004
Happy Art for a Sad World, Spike Gallery, NY, curated by Helianthe Bourdeaux-Maurin
*Open House: Working in Brooklyn, Brooklyn Museum of Art, NY
*Home Extension, University Art Museum, State University of New York at Albany curated by Gregory Volk and Sabine Russ
Drift:shift, Linda Schwartz Gallery, Cincinnati, OH

2003
Fresh Meat, CEPA Gallery, Buffalo, NY, curated by Stephen Apicella-Hitchcock.
Online, Feigen Contemporary, New York, NY, curated by Robert Storr, George Negroponte & Charlie Finch
*High & Inside, Marlborough Chelsea, New York, NY, curated by Maurice Tuchman
*B-List, Hallwalls, Buffalo, NY
All About Me, Spike Gallery, New York, NY
Same As Me, Visual Studies Workshop, Rochester, NY
Cracker Jack, Joseph Helman, New York, NY

2002
Hello, My Name Is, Carnegie Museum of Art, Pittsburgh, PA
Art Omi at 9W, Paul Rodgers/9W Gallery, New York, NY
Unbecoming, Philadelphia Art Alliance, Philadelphia, PA
27 Emerging Artists, Spike Gallery, New York, NY
Common Culture, Print Exchange, Spruill Gallery, Atlanta, GA

2001
*Temporary Residents, Organized by the Public Art Fund
New Commissions for the Commons at Metrotech Center, Brooklyn, NY.
*Brooklyn!, Palm Beach Institute of Contemporary Art, Palm Beach, FL, curated by Dominique Nahas
Platypus, Lawrence Rubin-Greenberg Van Doren Fine Art, New York NY
Breathless, Lombard-Fried Fine Arts, New York, NY
Another Cusp, The Clifford Gallery, Colgate University, Hamilton, NY
*Artext, Jamaica Center for Arts & Learning, Jamaica, NY
Drawings by Three Artists, Gallery Joe, Philadelphia, PA
Fresh: The Altoids Curiously Strong Collection, New Museum of Contemporary Art. New York, NY; Travels to: Consolidated Works, Seattle, WA; The LAB Gallery, San Francisco, CA; Los Angeles Contemporary Exhibitions, Los Angeles, CA; Art Center/South Florida, Miami, FL; DiverseWorks, Houston, TX

2000
To Be Continued, Art in General, Bellwether and Parlour Projects, New York, NY
*Collector’s Choice II, Orlando Museum of Art, Orlando, FL
*Artist in the Marketplace: 20th Annual Exhibition, Bronx Museum, Bronx, NY
The Space Around the Architect, Socrates Sculpture Park, Queens, NY
*Tomorrow, Rare, New York, NY
*Greater New York, PS1 Contemporary Art Center, New York, NY
Three Piece, Tower Fine Arts Gallery, SUNY Brockport, Brockport, NY

1999
Outer Boroughs, White Columns, New York, NY
Friendly Strangers, Galapagos, Brooklyn, NY
Moving into Outside, Holland Tunnel Gallery, Brooklyn, NY

1998
Skowhegan Alumni Exhibition/Auction, David Bietzel Gallery, New York, NY
98 Alternatives, Ohio University Gallery, Athens, OH

1997
Chaperon Exhibition, Dileia Contemporary, Cincinnati, OH
Redundant Redundant, Dileia Contemporary, Cincinnati, OH


BIBLIOGRAPHY

2008
• Snyder, Stephanie, "The City, Naked," Art Lies: A Contemporary Art Quarterly
• "Beth Campbell," Daily Serving.com, November
• "FW Exclusive: Beth Campbell Lets it All Hang Out," Flavorpill, November 11
• Rabinowitz, Cay Sophie, "Slippery Slopes in the Dolomites," Art in America, November
• Bertelè , Eugenia, "The Armory Show 2008," Exibart.com, April

2007
• Bischoff, Dan, "Illusions of Grandeur," The New Jersey Star-Ledger, December 14
• Schwendener, Martha, "Art in Review: Beth Campbell," The New York Times, December 14
• Jahn, Jeff, "Beth Campbell at PNCA's Feldman Gallery," PORT (www.portlandarts.net), November 10
• Stein Greben, Deirdre, "25 Trendsetters: Beth Campbell" ARTnews, September
• "Visual Arts Top Ten," The Oregonian (nyfa.org), September 7
• Campbell, Beth, "Where the façades are façades," NYFA Current (nyfa.org), June
• Saltz, Jerry "Four good temporary public sculptures in New York," Artnet.com, June 21
• Saltz, Jerry "Beyond Serra: A critic's five favorite public artworks, all on view for free," New York Magazine, June 18
• Delgado, Lisa, "A Wrinkle in Space," The Architect's Newspaper, June 6
• Kennedy, Randy, "What's on Sale There? Confusion, But It's Cheap," The New York Times, May 15
• Saltz, Jerry, "The Biggest Picture," Artnet.com, February 12
• "Beth Campbell," Beijing Youth Weekly, July

2006
• Schmerler, Sarah, "Slow Revolution," Time Out New York, May 11-17
• McAdams, Shane , “ArtSeen: Well Read,” The Brooklyn Rail, April
• Maine, Steven, "Looking at Words," Art on Paper, January
• Wechsler, Lawrence, Everything That Rises: A Book of Convergences, San Francisco: McSweeney's Books

2005
• Finch, Charlie, “Small is Beautiful,” Artnet.com, October 19
• Schillingburg, Don, “Artist on Art,” BOMB, Summer 2005
• Ross, Lauren, “Dating Data,” Art on Paper, May/June
• Finch, Charlie, “Time and Change,” Artnet, April 5
• Anspon, Catherine D., “Our Muses,” Papercity, March
• Levin, Kim, “Voice Choices: ‘Paper,’ Nicole Klagsbrun Gallery,” The Village Voice, February 16-22
• Zivadinovic, Stevan , Beth Campbell: Make Belief,” GlassTire.com, February
• Matthews, Heather, “Life Drawings: Beth Campbell, Danica Phelps and Eric Schell,” GlassTire.com, February
• Keegan, Matt and Sara Greenberger-Rafferty, Eds., North Drive Press #2 New York, NY

2004
• Kocache, Mouktr and Erin Sheriff, eds., Site Matters: The Lower Manhattan Cultural Council’s World Trade Center Artists Residency, 1997-2001 New York: Lower Manhattan Cultural Council
• Miller, Donald, “A bizarre bazaar: Contemporary art takes leading role at this year’s dizzying Art Basel Miami,” Naples Daily News, December 3
• Sjostrom, Jan, “Giant Art Basel fields top dealers,” Palm Beach Daily News, December 3
• Meyer, Ruth K., “drift: shift: Confirms a Change in Direction at Linda Schwartz Gallery,” iRhine.com, February 1
• McCoy, Tabari, “drift: shift: Local, National Artists Featured in Visual Concept exhibition,” Cincinnati.com, Jan 28

2003
• Lippy, Todd, ed. Esopus, The Esopus Foundation Ltd. New York, No. 1, Fall
• Johnson, Ken, “Online,” The New York Times, August 8
The New Yorker, Goings on About Town, August, 8
• Levin, Kim, “Online,” The Village Voice, August 6-12
• Weschler, Lawrence, “Convergences,” David Eggers, ed. McSweeney’s Quarterly, No.11, San Francisco
• Johnson, Ken, “Online,” The New York Times, June 13
• Huntington, Richard, “B-List: Brookyn, Angst and Desire,” Buffalo News, May 2
• Ollman, Leah, “So now let’ talk about me,” Los Angeles Times, April 4
• Volk, Gregory, “Beth Campbell at Roebling Hall,” Art in America, February

2002
• Saltz, Jerry, “Repeat Performance,” Village Voice, October 9-15, p. 52
• Hoffman, Leslie, “Busting Out all Over,” Pitt News, August 22
• Hughes, Robert J, “Futures & Options,” Wall Street Journal, August 23
Charley 01, Les Presses Du Reel/Janvier. Italy: FBM
• Shaw, Kurt, “Saying ‘Hello’,” Pittsburgh Tribune Review, July
• Thomas, Mary, “Hello My Name Is” Post Gazette, July 13
• Figuras, Spain

2001
• Vogel, Carol, “Inside Art: For Public Art a New Scrutiny,” The New York Times
• Reid, Calvin, “Guy Richard Smit and Beth Campbell at Roebling Hall,” Art in America, September: 154-155
• Goodman, Jonathan, “Socrates Sculpture Park. A Blend of Art and Community,” Sculpture, Vol. 20, No. 3, April
• Humphrey, David, “New York E-Mail,” Art Issues, March/April, no. 67: 40-41
• Mahoney, Robert, “Art Reviews: Beth Campbell,” Time Out New York, Issue No 275, December 28-Jan 4: 62
• Cotter, Holland, “For Hikers Seeking Art, Brooklyn is a Left Bank,” The New York Times, December 15: E37, E39
• Campbell, Beth, “Part of Me.” Kim Krause-Greek Variations, Linda Schwartz Gallery, Cincinnati, OH
• Figuras, Spain.

2000
• Cotter, Holland, “Picking out Distinctive Voices in a Pluralistic Chorus,” The New York Times, August 18
• Henry, Max, “Gotham Dispatch: Tomorrow,” Artnet.com, July 17
• Johnson, Ken, “Tomorrow” The New York Times, July 14: E29
• Siegel, Katy, “Greater New York” Artforum Vol. XXXVlll, No. 9, May: 174
• Meikle, Merry, “The Voice in Art NW Burns and Elizabeth Campbell” NY Arts: International Edition, Vol. 5: 19
• Viveros-Faune, Christian, “Great Expectations,” The New York Press, March 19
• Saltz, Jerry, “Greater Expectations,” The Village Voice, Vol. XLV No. 10, March 14, P. 67
• Cotter, Holland, “New York Contemporary, Defined 150 Ways,” The New York Times, No. 51, 319, March 6,: E1, E7
• Brogger, Andreas, ed. Hvedekorn. Number 2/2000. Copenhagen


AWARDS

2011
• Guggenheim Memorial Foundation Fellowship

2010
• John Michael Kohler Arts Center, Arts/Industry Residency

2009
• Louis Comfort Tiffany Memorial Fellowship

2006
• Pollock-Krasner Foundation Grant
• Lower East Side Printshop Special Editions Residency Program

2005
• Artist's Pension Trust Selection

2003
• Workspace Residency, Dieu Donne, New York, NY

2002
• Pennies From Heaven Fund, The New York Community Trust
• Change, Inc

2001
• Art OMI, Omi, NY
• Atlantic Center for the Arts, studied with Poet Ann Lauterbach, New Smyrna Beach, FL

2000
• Rema Hort Mann Foundation Art Grant
• *Site Matters, The Lower Manhattan Cultural Council’s World Trade Center Artists Residency, New York, NY
• Emerging Artist Fellowship, Socrates Sculpture Park
• Artist in the Marketplace Program, The Bronx Museum

1997
• Matching School Fellowship Program. Skowhegan School of Painting and Sculpture and Ohio University


PUBLIC COLLECTIONS

• Museum of Modern Art, New York, NY
• New School University, New York, NY
• New Museum of Contemporary Art, New York, NY
• The Whitney Museum of American Art, New York
• Altoids Curiously Strong Collection, New Museum of Contemporary Art, New York, NY
• Bloomberg Radio and News, New York, NY


ONLINE VIDEO FEATURE

http://www.ici-exhibitions.org/media/artists_public/artist_video_profiles.html

*Catalogue