Archives for March 2011

I'll Raise You A Quarter...

Stuart Bailie | 17:39 UK time, Thursday, 31 March 2011

This year's programme for the Cathedral Quarter Arts Festival is significantly lighter than the doorstop brochure of 2010. In this respect, it's a festival on war rations - cautious about budgets and audiences and other risky circumstances.

Still, a decent prospect for music in their schedules. Especially the double header of Drive By Truckers and Josh T Pearson on May 2 which will be tremendous. There's some old value in Gang Of Four and The Human League, while Willie Vlautin, Kate Rusby and John Grant will please these ears. Kudos also to Isobel Anderson the festival's songwriter-in-residence, who is gloriously in the ascent.

Let's Do Launch

Stuart Bailie | 11:51 UK time, Thursday, 31 March 2011

Apparently there are six arts-related launches in Belfast today. I guess this is a sign that the city is doing reasonably well in spite of all the rotten news. I've not been invited to them all, but I shall be visible on the canapé circuit, hailing the achievers, mooching with old mates and aiming to report back with exciting results. Both the Cathedral Quarter Arts Festival and Belsonic are making resilient noises, so let's be at it.

Playlist 28.03.11

Stuart Bailie | 17:07 UK time, Wednesday, 30 March 2011

Big Audio Dynamite hit the comeback trail in Liverpool last night. Apparently it was a top occasion. Clash legend Mick Jones, supported by Don Letts, his film-maker / DJ pal, plus Leo, Dan and Greg. Film samples, stoner jokes, hip hop and west London cool, still not diminished.

I first saw them at the Town And Country Club in Kentish Town, November 28, 1985. Mike started off by quipping that The Clash had just died. And indeed Joe Strummer had just written off the final version of his punk combo that month. We cheered. Mick Jones was playing a Roland guitar synth. He called it a "Dalek's handbag". And he sang 'The Bottom Line' a tremendous anthem about renewal and bookie's odds. It was one of the greatest gigs ever, topped off with a teetering revision of Prince's '1999'.


I bought the anniversary edition of the debut album recently. And it holds up well. Mike Jones is normally thought of as the Clash guy, the Libertines producer or the Gorillaz moonlighter. But there was also a time when BAD was supremely good.

BBC Radio Ulster, 92-95 FM
Online: www.bbc.co.uk/radioulster
Blog: http://www.bbc.co.uk/blogs/stuartbailie/
Mondays, ten - midnight

T Rex - New York City (EMI)
The Strokes - Gratisfaction (Rough Trade)
Paul Shevlin - Backfire (DiDi Mau)
Dion - artist profile
Dion - Runaround Sue (Collectables)
Dion - I Wonder Why (Collectables)
Dion - Abraham, Martin, and John (Capitol)
Dion - (He's Got) The Whole World in his Hands (Collectables)
Dion - Two Ton Feather (Columbia)
Buddy Miller - No Good Lover (New West)
The Lost Brothers - Pale Moon (white)
Alexander - Let's Win (Rough Trade)
The Strokes - Machu Picchu (Rough Trade)
The Salt Flats - Blackwaterside (white)
PJ Harvey - The Glorious Land (Island)
Courtesy Of - Still In Love With You (white)
Nguuni Lovers Lovers - Cheza Ngoma (Moshi Moshi)

Big Audio Dynamite - Medicine Show (Sony)
Cashier No 9 - Gold Star (white)
Elbow - Open Arms (Fiction)
Rachel Austin - Babydoll (white)
The Stanley Brothers - Rank Strangers (Righteous)
Lucinda Williams - I Don't Know How You're Living (Lost Highway)
Rachel Sermani - Eggshells (white)
Ernest Tubb - He'll Have To Go (Righteous)
The Lost Brothers -In The City (white)
Buddy Miller - Freight Train (New West)
Grainne Duffy - I Know We're Gonna Be Just Fine (white)
Our Krypton Son - Catalonian Love Song (white)
Wild Beasts - Albatros (Domino)

Gary Moore Documentary

Stuart Bailie | 15:07 UK time, Tuesday, 29 March 2011

Tonight on BBC1 Northern Ireland, a Gary Moore documentary called 'Still In Love With You'. That's me narrating and writing the script. The core of the programme is the interview we conducted with the man in December 2006 in a pub near Brighton. Only a few quotes made it onto 'So Hard To Beat' - our history of popular from these parts. So there was plenty to use on tonight's show, and what a gift it was.

Gary never really coveted the headlines, and his tone in this interview is bemused, modest and light. This collides nicely with other interviews. Thin Lizzy veterans Scott Gorham and Brian Downey talk of their old colleague with awe and respect. Scott talks of how Moore was wary of the "extra curricular activities" and so he quit the band several times. Downey is affectionate when he talks about how he shared a room with Gary on tour and they would feast on his collection of blues tapes.

Brush Shiels had to meet with Gary's dad in 1968, promising to take care of the 16 year old when they hit the road with Skid Row. Brush says he could barely look after himself and sure enough, we see some vintage 8mm film and Gary is smoking a fat, hand-rolled cigarette. No turning back, really.

It's a joy to see Gary onstage with BB King and there's a rolling sadness at the end when we appreciate that the talent has gone, too soon. We've done our best to give the guy his dues.

Playlist 21.03.11

Stuart Bailie | 16:17 UK time, Monday, 28 March 2011

Last week's playlist explored the connection between music and books. It was a chance to namecheck Emily Bronte, James Joyce and William Burroughs, JG Ballard and CS Lewis. Morrissey could have made it on the strength of his many Oscar Wilde references, but we chose 'Now My Heart Is Full' because of the chorus line that lists the characters from Graham Greene's Brighton Rock'. Meantime Blur were digging Sartre and 'La Nausée' while Bowie and Orwell were grooving to George Orwell. I'm such a fan of Villagers that I was obliged to read Herman Hesse's Steppenwolf recently. As an 18 year old, I would have dug it, but the older me got rather testy and intolerant and all that Weimar alienation and intellectual bunga bunga

BBC Radio Ulster, 92-95 FM
Online: www.bbc.co.uk/radioulster
Blog: http://www.bbc.co.uk/blogs/stuartbailie/
Mondays, ten - midnight

Kate Bush - Wuthering Heights (EMI)
Morrissey - Now My Heart Is Full (Parlophone)
Divine Comedy - Bernice Bobs Her Hair (Setanta)
David Bowie - 1984 (RCA)
Waterboys - The Church Not Made With Hands (Ensign)
Radiohead - Airbag (Parlophone)
Dexys Midnight Runners - Dance Stance (EMI)
10 000 Maniacs - Hey Jack Kerouac (Elektra)
Blur - For Tomorrow (Parlophone)
Manic Street Preachers - A Design For Life (Sony)

The Beatles - I Am The Walrus (EMI)
A House - Endless Art (Setanta)
Bruce Springsteen - The Ghost Of Tom Joad (Columbia)
Villagers - Becoming a Jackal (Domino)
REM - Disturbance At The Heron House (IRS)
Steely Dan - Kid Charlemagne (Universal)
U2 - Shadows And Tall Trees (Island)
World Party - Is It Like Today (Ensign)
Everything But The Girl - Little Hitler (WEA)
Van Morrison - Rave On John Donne (Polydor)
Kate Bush - The Sensual World (EMI)
Rolling Stones - Sympathy For The Devil (Decca)

Positively Sixth Street

Stuart Bailie | 19:24 UK time, Saturday, 19 March 2011

The SXSW festival hits delirium level on Thursday night and sustains it for the rest of the week. Remember this all takes place in a city with the most unusual mission statement: 'Keep Austin Weird'. And in deference to that idea, many visitors (some say that 200 000 people swing by across the week) are happy, addled or talking in tongues.

John Grant

There is a blur of sensations, like the joy of seeing Edwin Collins in good humour and singing Orange Juice songs. In the al fresco space of Stubbs, there was fine music from Noah And The Whale plus the Vaccines, roistering into the warm evening air.

We also met with first generation hippies from San Francisco, still putting the world to rights. There were men in kilts, hustlers from Canada and the chance to meet again with Alan Galbraith, reared on the Woodstock Road, Belfast but now working out of Madison Avenue, New York. He's employed by Wind Up Records and his business card tells us that he's Senior Vice President for International & Business Development. Good work, fella.


There were many troubadours out there. I favoured Alessi's Ark and Rachel Sermanni but there was only voice on the Friday night and that was John Grant, sometime leader of The Czars, and author of that amazing album, 'Queen Of Denmark'.


Tonight he's at the very lovely Central Presbyterian Hall and he's joined by Midlake, who were effectively his backing band for the record. Collectively they rule. Sweet tunes, gripping vocals and lyrics about sweet shops, major tantrums and psychic malaise. To be truthful, some of those words were rather challenging in this quiet location, but John Grant is an artist and apparently, he don't look back.

Duke To The Rescue

Stuart Bailie | 22:06 UK time, Friday, 18 March 2011

Here we are at the Latitude Club in Austin, Texas. March 17 is the chance to roll with the spirit of St Patrick and welcome in the music industry folk to the Belfast Rocks showcase. There is no green beer but many of the audience members are emblazoned with emerald hues. Importantly though, the music will be free from all forms of shamrockery.

There was a bit of a problem earlier in the week when Rams' Pocket Radio weren't able to make the Austin connection. So bless Duke Special, already in America, who hightailed it to Texas on an indecently tight schedule, and opened the celebration. He was previewing tunes from his upcoming launch at the Museum of Modern Art in New York, themed around early photographers. Hence 'You Do The Picture And We Do The Work'. It's a narration from the master picture taker Steiglitz, who despised the culture of amateur snappers and the arrival of the Box Brownie.


For the older ears, Duke was revisiting 'Salvation Tambourine' and rousing the delegates from their buffet of questionable Irish dishes. Still love that man. The Lost Brothers were also loading up new songs, recording in Sheffield with Richard Hawley's people. The new record 'So Long John Fante' also promises those awesome harmonies and acute writing.
The admirable part of the Lost Brothers scheme is that they are taking American hill music - once loaned out by the Irish and Scotch - and returning it to sender.

And while you are getting your head around that issue, consider the third act Matrimony, fronted by Jimmy Brown. This east Belfast boy has lit out to Charlotte, North Carolina, and so the cross fertilisation gets and extra bit of propagation. In this case, it's left field anthems and thumping drums, a mandolin and arcadian dreams.



Charlotte Church


We finish with LaFaro, getting a bunch of new songs roughly ordered and despatched, like a squiffy old uncle, rubbing his greasy bristles on your cheek. Alan hits those drums with brutal exactitude. Jonny mumbles jokes to himself and the volume level is quite the challenge. Charlotte Church is watching at the back, seemingly pleased at her admission to LaFaro world. Nobody is sure how it happened but hey, you take your pals where you find them.


Austin's Power

Stuart Bailie | 09:32 UK time, Friday, 18 March 2011

Welcome to the 25th anniversary of the SXSW Festival in Austin, Texas. Josh Ritter is currently on stage at the Convention Center. Twenty minutes ago and it was Emmylou Harris, singing a powerful adieu to her late friend Kate McGarrigle and giving us a foretaste of her upcoming album, 'Hard Bargain'.


Josh T Pearson


Bob Geldof delivered the keynote address on this St Patrick's morning, roaring passionately about the need for engagement in music. He was name-checking George Bernard Shaw, Goethe and Johnny Rotten, and he bashed the bloggers with profanities before chastising Americans for being "exhausted". He summed it up thus: "the noise of American revolt must continue".
Last night we were pounding the streets, checking out the bars, the buskers and the uncommon venues. Mona from Nashville were throwing shapes at Antone's, The Dears were in fits at Spill and there was a revelation at the Central Presbyterian Church. Josh T Pearson played some tunes from his 'Last Of the Country Gentleman' album, which is monumentally honest, raw and disturbing. Beneath a giant crucifix, he sang 'Sweetheart I Ain't Your Christ', and we felt a severe chill of intemperate art. He bookended his performance with 'Rivers Of Babylon', remembering the days of exile, the dread of never getting home and the flicking chance of deliverance. Hope you get there, Josh.

Tailor, Extraordinaire

Stuart Bailie | 16:53 UK time, Wednesday, 16 March 2011

Manuel

Manuel Arturo José Cuevas Martinez makes bespoke clothing for Jack White, Kid Rock, the Killers and Bob Dylan. His style is western extrovert, adorned with magical motifs and startling colours. Back in the day he worked for the famous Nudie Cohn, but he has clearly developed his own legend, working into his senior years and name-checking Keith Richards, the Grateful Dead and the old greats like Porter Wagoner.


He has still heaps of that Mexican charm and his studio in Nashville is adorned with letters from Ronald Regan and images of his old work with Gram Parsons - the legendary suit worn on 'The Gilded Palace Of Sin'. He smiles when you mentioned the ruckus it caused and you feel that the guy's astonishing energy will be stitched into many more ensembles.


Here's a picture of himself, myself and Ben Glover. The latter you may know as a talented Antrim boy now working in Nashville and who was set to buy an impressive black suit until the price tag almost caused a fainting fit. Some day fella, you will wear those duds with pride.

Nashville Calling

Stuart Bailie | 09:58 UK time, Wednesday, 16 March 2011

Monday night in Nashville and it's standing room only at the Station Inn, a modest venue in the Gulch district. The architecture has all of the charm of Moe's Tavern in Springfield. The lighting and the sound system is minimal, but none of that matters with the connoisseurs who have arrived early and expectantly.


Vince Gill


The Time Jumpers have a median age to rival the Rolling Stones. They wear dapper shirts and jaunty hats. Their musical passion is Western Swing - that magical combination of jazz and western stylings that leaves holes in the music for the players to improvise and fly. And boy can these guys wing it.
Three fiddle players, an accordion, many vocals, a bass fiddle, drums and a guy on pedal steel called Paul Franklin who hurtles and shimmers on the strings like a downhome Paganinni.
On songs like 'San Antonio Rose' and 'Roly Poly', they pay respect to Bob Wills, the long-gone governor of the genre. Their own songs have some of that verve and fun while Ranger Doug - a week shy of his 65th birthday - likes to yodel in the old style. The guy on stage right is Vince Gill, who on our last reckoning had amassed 24 Grammy Awards. He is famous around these parts, but tonight he is just around for the pleasure of the ride. He sings 'Buttermilk John', a sweet tribute to an musician pal, perfectly underplayed.

There's another guest, at 81 year old champion called Jack Greene, who sang the first big version of 'There Goes My Everything', ahead of Elvis. Jack is not fast on his feet, but he returns to the song with all the need in the world, affecting us deeply. Heartbreak is spoken here.

Playlist 14.03.11

Stuart Bailie | 03:02 UK time, Wednesday, 16 March 2011

STUART BAILIE
BBC Radio Ulster, 92-95 FM
Online: www.bbc.co.uk/radioulster
Blog: http://www.bbc.co.uk/blogs/stuartbailie/
Mondays, ten - midnight


The La's Feeling (Go Discs)
The Decemberists - Don't Carry It All (Rough Trade)
Duke Special - The Catfish Song (Reel to Reel)
Anna Calvi - Blackout (Domino)
Sly Stone - Dance To The Music (Epic)
Sean Rowe - Surprise (Anti)
The 1930s - I'm A Vapour (white)
Iron And Wine - Tree By The Rover (4ad)
Tom Petty - Don't You Do Me Like That (MCA)
Benjamin Francis Leftwich - Pictures (Dirty Hit)
Villagers - Becoming A Jackal (Domino)
Gwyneth Herbert - Perfect Fit (Naim)
The Kills - Satellite (Domino)

Second hour - Bob Geldof co-present

Boomtown Rats - Looking After No 1 (Ensign)
Bob Geldof - Silly Pretty Thing (Mercury)
New York Dolls - Personality Crisis (Mercury)
Dr Feelgood - Back In The Night (UA)
Bob Geldof - Dazzled By You (Mercury)
David Bowie - Drive In Saturday (EMI)
Boomtown Rats - Mary Of The Fourth Form (Ensign)
Thin Lizzy - The Cowboy Song (Vertigo)
Bob Geldof - To Live In Love (Mercury)
Boomtown Rats - Banana Republic(Mercury)
Van Morrison - I'm Tired Joey Boy (Polydor)
Bob Geldof - Blow (Mercury)
Bob Geldof - Young And Sober (Mercury)

Bob's Your Co-Presenter

Stuart Bailie | 11:11 UK time, Sunday, 13 March 2011

Sir Bob Geldof

Listen in on Monday night's Radio Ulster show, March 14 at 11pm, to hear Bob Geldof and myself gassing about the New York Dolls, Dr Feelgood, Bowie and Banana Republics. We get to discuss the man's new album, How To Compose Popular songs that will sell, and if truth be told, we chuckled plenty.


As mentioned before, we recorded the programme in the kitchen of his south London home. By the end of it, he was playing the ukelele and bellyaching about Top Gear. It was a most enjoyable morning and the only payback was all the time afterwards in the editing process, removing the expletives and some of the more unfettered stories. At the core of it all is a music fan and I'm glad that I got to connect with that.

Rock Around The Doc

Stuart Bailie | 20:22 UK time, Friday, 11 March 2011

Here's a picture of myself and Dr. Ian Paisley, in conversation outside Belfast's City Hall. It was 1994, possibly the Autumn, and I had been despatched by the NME to spend a few days on the road with Andy Cairns from Therapy, meeting the young contenders.

We connected with Ash, bunking off school, clearly impressed by the author of 'Troublegum'. Andy gave us a breakdown of his international sales figures and Tim Wheeler gasped. Then we steered for Derry where we paid our respects to John O' Neill at the Nerve Centre. We also chatted to Billy Doherty from the Undertones and Paul McLoone, who eventually would sign up as singer. There were fun times with Cuckoo, particularly their floppy-fringed guitarist Andrew Ferris, future governor of Smalltown America Records.

Andy was excellent company and the journey was good for the heart. We signed off at Morrison's on Bedford Street, joined by Phil Woolsey from Joyrider and David Holmes. The latter was hired that night to put sonic bridges between tracks on the new Therapy record. You could feel the energy rising, the city vibrating.

The Paisley encounter took place on the Friday afternoon. He was singing hymns with gusto and when he was done, I showed the security forces my press card and winged an interview. I asked him what his favourite music was and he was momentarily quiet. Then he came back with a resounding line:

"Good Christian music. Music with the gospel in it."

Andy kept listening to the interview tape while we drove. It really appealed to him.
He asked for a copy of the tape. He was going to use it as the intro to a new song, 'Church Of Noise'. But after consideration, the legal department of his record label thought it might be unwise. We were disappointed.

A few years later and I was on Radio Ulster's Talkback show. I was commenting on some local prank poster campaign that was mocking the royal family. On another line, Ian Paisley Jr was sounding aggrieved. Then presenter David Dunsieth started asking me about a recent trip to Cuba with the Manic Street Preachers. So the story was thrown over to Ian Jr. Was he aware of the band?

"My father is a Manic Street Preacher," he quipped.

And y'know, he wasn't wrong.

Playlist 07.03.11

Stuart Bailie | 20:10 UK time, Wednesday, 9 March 2011

Elbow are officially into their baroque period. It's like when Radiohead took their robo-cruise from 'OK Computer' to 'Kid A' - making that ascent beyond the well-managed song into gleaming abstractions, fancy time signatures and sideways melodies. Not necessarily a bad thing but you do grieve a little for the old days.

Not so long ago, a friend of mine was celebrating his marriage with his new in-laws across the Atlantic. His mates in Belfast decided, after a few refreshing drinks at an Xmas party, to ring him up. And they delivered a (kinda) note perfect version of 'One Day Like This', all bellowing with intent. Tears were shed.

It would be a challenge to do likewise with many of the new Elbow tunes. I could maybe try 'Lippy Kids' with a few hours practice and possibly some colour coded diagrams. But hey, don't hold me to that.


BBC Radio Ulster, 92-95 FM
Online: www.bbc.co.uk/radioulster
Blog: http://www.bbc.co.uk/blogs/stuartbailie/
Mondays, ten - midnight

Noah And The Whale - Tonight's The Kind Of Night (Young And Lost)
Christopher Rees - Sparks Flying (Red Eye)
Elbow - Lippy Kids (Fiction)
Katie Richardson - Secret Song (white)
Bootsy - Don't Take My Funk (Mascot)

John Cale - music profile:
Velvet Underground And Nico - Venus in Furs (Verve)
John Cale - Child's Christmas in Wales (Island)
John Cale - Fear (Island)
Lou Reed, John Cale - Trouble with Classicists (Warner)
John Cale - Do Not Go Gentle Into That Good Night (Hannibal)

Buddy Miller - I Want To Be With You Always (New West)
Primal Scream - I'm Losing More Than I Ever Had (Creation)

Noah And the Whale - Waiting For My Chance To Come (Mercury)
Bella Hardy - Written In Green (Navigator)
Toots And the Maytals - Time Tough (Island)
Josh T Pearson - Country Dumb (Mute)
Buddy Miller - Why I'm Walking (New West)
Drive By Truckers - Everybody Needs Love (PIAS)
Otis Redding - These Arms Of Mine (Atco)
Warpaint - Undertow (Rough Trade)
Bootsy - Stars Have No Names (Mascot)
Elbow - Dear Friends (Fiction)
Alela Diane - Elijah (Rough Trade)
Buddy Miller - Cattle Call (New West)
The Dears - Omega Dog (V2)

Fun Times At The Playhouse

Stuart Bailie | 21:55 UK time, Tuesday, 8 March 2011

If Sir Ken Robinson and Phil Redmond were Muppets, they would be Statler and Waldorf. Two old fellas, hurling witty abuse, making each other laugh, mithering and passionate. I've not seen a better double act in many years.


Here they are at the Playhouse Theatre in Derry, urging their audience to use the City Of Culture award to dream up wonders. Phil Redmond is of course the man who gave us Grange Hill and Brookside. He was a mainstay of Liverpool's 2008 adventures and he's keen to witness a rush of energy here in 2013. Sir Ken was also washed in the Mersey, although he lives in California these days. His bag is fabulous ideas that involve creativity, education, unfettered thought and the bluest of blue skies. Check out his online speeches at the Ted conferences. He rocks.

Together, they rev us up into the morning, fuelling us with belief and audacity. They sustain us later with talk of international 'creative districts', 'imagineers' and 'deviants'. The talk is illustrated with fun diversions, via Pixar culture, 'septic departments', Scouse taxi drivers and urban kids who have never once seen a tomato.

I would be suspicious of motivational speakers and roaring conceptualists. I'm not keen on linguistic tics and new media snake oil. But this was special. It was like handing a mountain climber a bottle of fresh oxygen. You take a suck and determine to go further, higher.


Playlist 28.02.11

Stuart Bailie | 11:32 UK time, Thursday, 3 March 2011


I saw REM play the Hammersmith Odeon in 1988. It was their Green tour, their first release on the Warner label and many would say that it was their most enthralling period. Stipe was stupendously intense, with paint smeared on his face, acting out the rituals of a totalitarian loon. There were flickering TV monitors and images of dislocation and in retrospect, it was a dry run for Bono and Zoo TV.

I've seen them play some good shows since, notably their covert Bingo Hand Job night at the Borderline in London, but Hammersmith was the one I cherish. I tend to listen to their records with hope and sometimes they don't surpass the old stuff. I've been playing my sampler CD from the 'Collapse Into Now' album and while I'm not transfixed, there are still primo tunes there.

BBC Radio Ulster, 92-95 FM
Online: www.bbc.co.uk/radioulster
Blog: http://www.bbc.co.uk/blogs/stuartbailie/
Mondays, ten - midnight

Playlist 28.02.11

David Bowie - Sound And Vision (EMI)
REM - Uberlin (Warner)
Lykke Li - Sadness Is A Blessing (LL)
Bob Dylan - Boots Of Spanish Leather (Columbia)
Lucinda Williams - Convince Me (Lost Highway)
Miracle Bell - Light Shape Sound (white)
Gruff Rhys - At The Heart Of Love (Turnstile)
Greg Allman - Little By Little (Rounder)
Devotchka - 100 Other Lovers (Anti)
REM - Mine Smell Like Honey (Warner)
King Creosote, Jon Hopkins - Bubble (Domino)

Marvin Gaye - If I Could Build My Whole World Around You (Motown)
Two Door Cinema Club - Do You Want It All (Kitsune)
The Goldberg Sisters - Shush (PIAS)
REM - Oh My Heart (Warner)
Devotchka - All The Sand In All The Sea (Anti)
Mavis Staples - You Are Not Alone (Anti)
Lykke Li - Unrequited Love (LL)
Lucinda Williams - I Don't Know How You're Livin (Lost Highway)
Bob Geldof - To Live In Love (Mercury)
James Blake - Limit To Your Love (A&M;)
Radiohead - Separator (radiohead)
Lucinda Williams - Born To Be Loved (Lost Highway)
Roy Buchanan - Sweet Dreams (Polydor)

We've Got Our MTV

Stuart Bailie | 09:02 UK time, Thursday, 3 March 2011

So how did the MTV Awards get their Belfast dues and how significant will this be for the city? It's an issue for discussion on the fine morning of March 2 as the sunshine licks over the Lagan and the glass panels of the Waterfront catch an unseasonal sparkle.

There are speeches from the Minister and the Lord Mayor. Various MTV execs are explaining the value of the European Music Awards and remembering the big moments of previous years. Meanwhile the local media are getting curious with the guests, listening to live music from skiffle-pop combo 1930s and thinking about just how they will get their extended families on the guestlist for The Odyssey, November 6.

I'm remembering another time, when Belfast was rooting for European City Of Culture. The intention in 2002 was earnest enough, but the arts infrastructure was infantile and the creatives were frequently hostile to the politicians, who were piqued and impatient in return. It didn't feel true, no matter how you wanted it to work.

That's basically the same story we hear from Richard Godfrey, mainstay of the EMAs for 16 years. He talks about visiting Belfast ten years ago, and not being won over. Five years later, he was still not convinced, but when he witnessed the Mark Ronson show last year he reckoned that the city was finally on.

And that's a view that many would share. At The Waterfront launch, the City Council, The Tourist Board, the political parties and the media are all supportive. It's a sweet accord. Belfast has sustained this welcoming noise over a series of MTV visits and familiarisation trips. Even a bomb scare on the Antrim Road during their last journey didn't spook the deal, although a concerned party did ensure that their hotel TVs were turned off that night and the dreary news was minimised.

Essentially, the burghers of Belfast have relaxed a great deal. Rather then pinching the penny, they're thinking long term. The persuader is Cultural Tourism. The accepted line is that music, visual arts, literature and the rest can sustain an attractive mood, bringing in the tourists, filling hotel rooms and lifting perceptions and opportunities. You can read the stats. Evidently people have done so.

Meantime, we're looking to the return of Belfast Music Week, a sustained primer for the MTV event that will allow the local players to put out their ideas, engage with their audiences and make the city even more relevant. Good people, we're gonna roll with it.

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