From the Top
Chick's Beginnings |
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Chick c. 1950 |
Born Armando Anthony Corea in Chelsea, Massachusetts on June 12, 1941, he began studying piano at age four. Early on in his development, Horace Silver and Bud Powell were important influences while the music of Beethoven and Mozart inspired his compositional instincts. Chick’s first major professional gig was with Cab Calloway, which came before early stints in Latin bands led by Mongo Santamaria and Willie Bobo.
Chick's First Gigs |
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Photo Gallery: Chick and Dizzy |
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After accompanying singer Sarah Vaughan in 1967, Chick went into the studio in March of 1968 and recorded Now He Sings, Now He Sobs with bassist Miroslav Vitous and drummer Roy Haynes.
That trio album is now considered a jazz classic. This is the disc that cemented Corea's place in the jazz firmament as a pianist of incomparable skill. |
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Chick Meets Miles Davis The Bitches Brew and In a Silent Way Sessions |
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In the fall of 1968, Chick replaced Herbie Hancock in Miles Davis' band with Ron Carter, Wayne Shorter and Tony Williams. In September of that year, he played Fender Rhodes electric piano on Miles' important and transitional recording Filles de Kilimanjaro, which pointed to a fresh new direction in jazz. | |||
Between 1968 and 1970, Chick also appeared on such groundbreaking Davis recordings as In a Silent Way, Bitches Brew, Live-Evil and Live at the Fillmore East. He was also a key player in Davis' electrified ensemble that appeared before 600,000 people on August 29, 1970 at the Isle of Wight Festival in England (captured on Murray Lerner's excellent documentary, Miles Electric: A Different Kind of Blue). |
Video: Chick talks about his tenure with Miles |
Circle An Avant-Garde Excursion |
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Chick, c. 1970 |
Shortly after the historic Isle of Wight concert, both Chick and bassist Dave Holland left Miles' group to form the cooperative avant-garde quartet Circle with drummer Barry Altschul and saxophonist Anthony Braxton. Though short-lived, Circle recorded three adventurous albums, culminating in the arresting live double LP Paris-Concert recorded on February 21, 1971 for the ECM label. Chick also recorded the trio album ARC with Holland and Altschul, before he changed directions again. His excellent Piano Improvisations, Vol. 1 and 2, recorded over two days in April 1971 for ECM, was the first indication that solo piano performance would become fashionable. |
Return to Forever 1971-78 - >>> |