Theater Review
An Abused Boy, Betrayed by a Society’s Willful Blindness
By DAVID ROONEY
“James X” is written and performed by Gerard Mannix Flynn and based partly on his experiences as a victim of childhood sexual abuse.
The Council on Foreign Relations bought all the seats in the house for a performance of J. T. Rogers’s play “Blood and Gifts.”
“James X” is written and performed by Gerard Mannix Flynn and based partly on his experiences as a victim of childhood sexual abuse.
“Krapp’s Last Tape,” by Samuel Beckett, stars John Hurt as a 69-year-old man celebrating his birthday by reassessing a passage in his life from some 30 years before, captured on a tape recorder.
There are plenty of staggering secrets eager for the telling in “Stick Fly,” a juicy family drama by Lydia R. Diamond.
Stephen Adly Guirgis on the casting controversy
The second volume of Stephen Sondheim’s collected lyrics, “Look, I Made a Hat,” describes his collaborations with James Lapine as a vital artistic renewal.
Dickens and Tchaikovsky are always on the menu around town, but so are latkes and burlesque.
Cirque Shanghai’s “Bai Xi,” at the New Victory Theater, includes plenty of moves that children shouldn’t do at home.
The fantasy of Hugh Jackman: your dream lover, your gay best friend, and no embarrassing meltdowns.
A recent donation to the New York Public Library for the Performing Arts will give the public more access to memorabilia from Caffe Cino, the birthplace of Off Off Broadway.
"Rodgers and Hammerstein's Cinderella," based on the 1957 television musical starring Julie Andrews, will be reconceived with the intent of bringing it to Broadway in 2012.
In Jordan Harrison’s play “Maple and Vine,” stressed-out New Yorkers move into a community that tries to recreate the 1950s.
“Neighbourhood Watch,” part of the annual Brits Off Broadway festival, will probably not be ranked high among Alan Ayckbourn’s staggering output.
The one-man show “Mad Women” at the Club at La MaMa finds John Fleck reflecting on his childhood.
Recommended shows from Ben Brantley, Charles Isherwood and other theater critics for The New York Times.
Recent show reviews from Ben Brantley, Charles Isherwood and other theater critics for The New York Times.
Condola Rashad talks about performing in Lydia R. Diamond's new Broadway play.
Holiday theater divided into three loosely defined, Dickens-inspired categories: past, present and future.
Top-grossing Broadway shows for the week ending Dec. 4.
The talented creators of “Once,” a musical inspired by the 2006 film starring Glen Hansard and Marketa Irglova, faced a big problem that they’ve only partly resolved.
In style and content “The Jazz Singer” is undeniably a period piece, schmaltzy and partly calcified by some dated dialogue. But its core themes endure.
The Atlantic Theater Company is presenting “Happy Hour,” a wearying evening of short plays by Ethan Coen.
John Turturro and Dianne Wiest star in Andrei Belgrader’s heartbreakingly funny production of Chekhov’s “Cherry Orchard,” at the Classic Stage Company.
The electrifying Cillian Murphy seems to inhabit every millimeter of the wasteland in which he has been let loose in “Misterman,” Enda Walsh’s one-man play.
Mr. Friedman was a ubiquitous presence in and around New York theaters in the 1950s and 1960s
After having the leading role in an early version of the play, Robinson contributed to a reworking of it.
Mr. Woldin also traveled with the Ink Spots and Lionel Hampton, and played in the “Hello, Dolly!” orchestra on Broadway.
Many of these shows are currently in previews.
Charles Isherwood compares Hugh Jackman, Patti Lupone and Mandy Patinkin on stage.
Interviews with performers, designers and others in the theater, on Broadway and off.