In Hellblazer Annual: Suicide Bridge, Peter Milligan offers the frightening marriage of social media, and far more sinister forces. [13.Jan.12]
By Michael D. Stewart
If you're engaged enough, Li'l Depressed Boy will give you the intellectual wonderland of Fisher on human narration, and the emotional core of our daily lives writ large as popular culture. [12.Jan.12]
In Batman: Leviathan Strikes, Grant Morrison bravely returns a strong, resilient Batman to the fans after decades Frank Miller's characterization of Batman as borderline psychotic. [11.Jan.12]
A recently discovered letter by Jack Kerouac to Marlon Brando hints at the kind of collaboration between giants we could have seen in the early 60s. In a wholly different arena, creative team Art Baltazar and Franco's Young Justice captures perfectly that same aspirant spirit. [10.Jan.12]
By issue #4 of any storyarc, things should slow down. Predictably, even the high-frequency genius of the Snyder-Capullo creative team on Batman does. But it's this downturn that allows writer Scott Snyder's true vision of Batman to shine through. [09.Jan.12]
Thanks a lot, you Usual Gang of Idiots. You just broke Satire! Used to be I could sit back on my couch and chuckle it up because satire was just entertainment. No chance of that after your "20 Dumbest of 2011". [05.Jan.12]
It's all-out action as Aquaman plumbs the depths to uncover the secret of The Trench. But writer Geoff Johns deeply meditative tones make Aquaman #4 equal parts Joseph Conrad's Heart of Darkness as George Lucas' Raiders of the Lost Ark. [03.Jan.12]
The graphic novel, in its robustness and variety, is the perfect setting for opera’s troubled universe. [03.Jan.12]