Africa News blog

African business, politics and lifestyle

Nov 11, 2009 21:28 UTC

from Commodity Corner:

Millions Fed: some solutions close at hand

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More than a billion people go hungry each day -- about the same number as did in the late 1950s. That's both a "tragedy on a grand scale" and an "astounding success," according to a new report called "Millions Fed," produced by the International Food Policy Research Institute and the Bill and Melinda Gates Foundation.      While the absolute number of hungry people is the same as it was 40 years ago, the proportion is dramatically smaller -- one in six today, compared to one in three then, the report said. It illustrates 20 successful case studies where progress has been made in the fight against hunger.

Some solutions come from science: new varieties of wheat, rice, beans, maize, cassava, millet and sorghum. Others deal with markets, government policies, or the environment.      Two farmers from the Sahel region of Africa, oft plagued by drought and famine, visited Washington last month to talk about solutions they found close to home -- one of the success stories trumpeted in "Millions Fed."      Almost 30 years ago, farmers in Burkina Faso experimented with a traditional technique called "zai," digging pits in their plots and adding manure to improve soils before the rainy season, resulting in dramatically better yields.      "There was a long period of drought in my village," Yacouba Sawadogo told reporters. "Many people left because their life was very, very difficult. But I decided to stay," he said, explaining how he taught others the technique.      In Niger, farmers manage trees on their land to prevent erosion, improve yields, and provide livestock fodder. Before, women had to walk 6 miles to get firewood, but now they have enough for themselves and to sell to others, said Sakina Mati, who coordinates tree projects in six villages.      The projects have improved 13 million acres of farmland and fed 3 million people, said Oxfam America, a development group that works with the farmers.      It's food for thought as rich nations ramp up efforts to help small farmers grow more food in poor countries. "In our approach toward solutions and programs, we really need to listen as well as talk," said Gawain Kripke of Oxfam.      "Solutions don't always come from us."

    

PHOTO CREDIT: Yacouba Sawadogo on his farm in Burkina Faso /Courtesy of Oxfam America

Sep 28, 2009 14:11 UTC

Can gold save Burkina Faso?

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Is the soaring gold price a ticket to a better life for struggling freelance miners in Burkina Faso?The impoverished West African country is trying to revive its gold mining industry, spurred by the global financial crisis and the need to reduce the economy’s dependence on cotton.Near the village of Mogen in northeastern Burkina Faso, artisanal miners are engaged in a dangerous hunt for gold in hand-dug pits.Landslips kill miners almost every year, although mostly during the rainy season. When it’s dry, children help sift the soil in search of the nuggets that pay for food and school fees.On a good day, a miner will unearth around five milligrams of gold, which earns about $10. But often they come up empty.Jeremi Nacanabo, who helps run an association of informal gold miners, told Reuters Africa Journal: “We don’t have the technology to take out the gold. Right now we’re working in a traditional way, which creates enormous problems and causes many accidents.”But gold mining in Burkina Faso is experiencing a revival after a halt in the late 1990s caused by poor management and inadequate capital.Analysts say poor prices for cotton, the country’s main export, have rekindled interest in mining. The financial crisis is tempting investors to buy low-risk assets such as gold, which is now selling for about $1,000 per ounce.Burkina Faso revised its mining codes in 2003 to attract foreign investors with tax breaks.The goal is to join the ranks of Africa’s top producers — South Africa, Ghana and Mali — within the next three years.In the dusty northeast of the country, the Taparko-Somita mine, which is run by theCanadian-listed, Russian-controlled company High River Gold, is the first of four gold mines that have begun operating in the past two years.Together they produced 5.5 tonnes in 2008 and they are heading for more than that this year. The government takes a 10 percent free stake in each mine.Local miners, who once worked for themselves, are finding jobs with the mining companies. They earn a salary, work in safer conditions and are given training.But even with the recent gold rush, Burkina Faso is still struggling to revive its economy and provide basic services for its 13 million people.Of course everyone can’t be part of the gold mining revival, but global demand for Burkina Faso’s natural resources could at least provide some trickle-down benefit for the economy.

COMMENT

I think the government of Burkina Faso should look into the taxes that foreigners pay so that a lot more of investors can come in and invest in the country.

Posted by radel | Report as abusive
Aug 11, 2009 16:39 UTC

Can U.S. trade help Africa?

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Sudath Perera has every reason to be content. He started up his textiles factory outside the Kenyan capital Nairobi nine years ago; today, he employs 1500 workers and turns over between 18 and 20 million U.S. dollars a year.

“We are contributing to the local economy by creating employment,” he says. “And indirectly there are a lot of local suppliers also relying on us.”

Perera’s factory is one of thousands of businesses on the continent that are taking advantage of a U.S. trade programme under which certain goods from around 40 sub-Saharan African countries can be imported to the States duty-free.

It’s known as AGOA – the African Growth and Opportunity Act – and was one of the main reasons for U.S. Secretary of State Hillary Clinton’s visit to the continent.

“The ingredients are all here for an extraordinary explosion of growth, prosperity and progress,” said Clinton at the AGOA forum in Nairobi last week. “I know how important it is to translate legislation like AGOA into daily changes that people can look to.”

Many on the continent say they’re already feeling those changes. Textiles factory worker Christine Mwende didn’t have a job before Perera employed her; and though the 120 dollar-a-month salary she makes is low by Western standards, she says it’s made all the difference.

“This job has really helped me,” she told Reuters Africa Journal correspondent Vivianne Mukakizima. “When I started working here, my child had not started school – but he is now in class 4.”

COMMENT

It’s a complex balance. Desperate people need aid, but food donations drive down local prices and put farmers out of business. Governments are corrupt and infrastructure is lacking. Can capitalism save the day? Will trade and business investment help poorer countries grow and prosper? Can outside trade partners and investors encourage environmental responsibility and fair distribution of wealth? So hard to tell, but it does seem to be the new strategy. If the West doesn’t do it, China will. I just hope it’s good for the continent.

Posted by Sandy | Report as abusive
Mar 5, 2009 13:41 UTC

Is African film industry losing its light?

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Something isn’t sitting quite right at this year’s fantastic, dust-filled pan-African FESPACO film festival.

For a start, it’s less “pan-African” than it might be: of 19 feature films competing for the shiny statue of Princess Yennenga riding her golden stallion — Africa’s very own Oscar — only one is from east Africa and none from Nigeria, whose video industry is third only to Hollywood and India’s Bollywood. By far the majority are from French-speaking countries.

Not only that, but the prized 35mm category in which feature films compete is beyond the reach of many African filmmakers. Only a clutch of the films competing for the top gong were actually shot on 35mm film, and many projectors have long since lost the ability to show them.

Most films are instead shot on digital, meaning filmmakers must pay in the region of 50,000 euros to transfer their digital prints onto film in order to compete. Not only is digital cheaper, easier and quicker, but it can also means film can be edited in their home countries, and easily brought to local audiences with digital projectors. Currently only north Africa and South Africa have studios equipped for 35mm.

It means many filmmakers can afford to work only with the aid of donors, and even then they can’t secure distribution to make sure their stories reach an African audience and make money too, especially since DVD piracy is rife and cinemas are closing down across the continent.

Burkina Faso, which hosts the festival, was once home to 55 working screens; today it has ten. Cameroon said goodbye to its final three already shaky screens in January, while Congo Brazzaville’s only working screen is hosted by the French Cultural Centre.

“Africa really has to change its way of making films,” said Selome Gerima, associate producer of Teza, a movie about the Red Terror in Ethiopia. “I don’t believe in going and begging to the donors; they will not take us anywhere. We have to unite and have some kind of African film bank, to sell scripts, make loans, find outlets, so we can be independent.”

COMMENT

The fact that African films are internationally dismissed for their low production quality is irrelevant; films embody what it means to be African, reflecting ethnicity, historical traditions, customs, and heritage- something that foreign films struggle to achieve. They hold a very prominent place in the minds of Africans, captivating curiosity and imagination.

The Nigerian film industry – Nollywood – is the third largest film industry in the world and has become somewhat of a cultural phenomenon in recent years, attracting millions of viewer’s right across Africa and the wider Diaspora. Nollywood films have redefined the parameters of African cinema and are distinguished by their popularity and ability to cut through every social stratum and ethnic divide, thus powerfully influencing African culture.

The UK-based charity Stepping Stones Nigeria (SSN) has used this cultural connection and produced the Nollywood film ‘The Fake Prophet’ in an attempt to stimulate debate and pioneer positive change by challenging issues such as child trafficking and the labelling of children as ‘witches’.

SSN has collaborated with the renowned Nollywood film director, Teco Benson to produce this unique film. Teco is well- known throughout the world and particularly within the Nollywood industry, for his timely and influential productions.

Many Nollywood films have capitalised on the belief in child witches, with some depicting children eating human flesh and using their power to wreak havoc over communities. These films have had a significant and damaging impact on children who become victims of torture, violence and abuse as a result of witchcraft accusations.

The Fake Prophet aims to counterbalance these films and expose the truth behind the so-called men and women of God who have made their wealth from branding children as witches and highlight the legal consequences of child witch stigmatisation and abuse.

Nollywood’s ability to resonate with the beliefs and values of its audience makes it an integral part of Nigeria’s cultural identity today. The fact that Nollywood films are so cheaply produced means that they are widely accessible and able to generate lasting influence. More films are needed which challenge political and social issues in the new and pioneering manner demonstrated by ‘The Fake Prophet’.

The Fake Prophet Trailer: http://www.youtube.com/watch?v=DBfZQqTh2 Fw

For more information go to: http://www.makeapact.org/index.php?optio n=com_content&view=article&id=90&Itemid= 142

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