Dance Review
Right Bank Meets West Side
By ALASTAIR MACAULAY
The Paris Opera Ballet opened its New York season with an all-French program at the David H. Koch Theater.
From Lincoln Center to Battery Park, forró, the highly danceable Brazilian music style, is energizing young New Yorkers.
The Paris Opera Ballet opened its New York season with an all-French program at the David H. Koch Theater.
The Yayoi Kusama retrospective at the Whitney Museum of American Art goes beyond this Japanese artist’s best-known work from her decade-plus stay in the United States to include some of her most complex and personal pieces.
The New York Philharmonic revived its tradition of free outdoor concerts with one in Prospect Park, Brooklyn, where sunset and stars provided a backdrop for Tchaikovsky’s Symphony No. 4 and Respighi’s “Fountains of Rome” and “Pines of Rome.”
“Just Knocked Out,” an exhibition of Lara Favaretto’s work from the last 15 years, is now at MoMA PS1.
The 18th-century Saxon court jeweler Johann Christian Neuber fashioned natural treasures like semiprecious stones and gold into artistic bonbons, on view in “Gold, Jasper and Carnelian,” at the Frick.
“Ice Age: Continental Drift” has antic animation and celebrity voices (Nicki Minaj and Drake as mammoths, for example) that never seem to stop talking.
In “Trishna” Michael Winterbottom takes on Thomas Hardy’s “Tess of the D’Urbervilles.”
A new boxed set from Smithsonian Folkways recognizes the breadth in the music of Woody Guthrie, who would have turned 100 this month.
Haitians and foreign aid workers agree that television should educate the masses and promote social conciliation. But that goal yields mixed results.
Benoît Jacquot’s look at three days in the life and lies of a doomed monarch presents Marie Antoinette, Versailles and the fall of the Bastille, from the perspective of servants.
In “To Forgive Design: Understanding Failure,” Henry Petroski examines man-made calamities that improved the world.
With a mix of modern and West African dance, Ronald K. Brown and his dance company, Evidence, use the music of Nina Simone and Fela Anikulapo Kuti to pay tribute to the fortitude of activists.
Bart Layton’s documentary “The Imposter” lays out the strange tale of a French con artist who was accepted by a Texas family as its missing teenage son.
The Broadway revival of “Fela!” is about a lot of individual performances — every single dancer, singer and band member — forming a collective whole in which singular style is never sacrificed.
In “Deconstructing Dad,” Stan Warnow tries to understand his elusive father, the musical inventor Raymond Scott.
This summer, a number of horror-themed events — including films, live performances and staged readings — are giving the city a jump start on the Halloween season.
A mysterious quartet impersonates the dead to help, somehow, the bereaved in the Greek film “Alps.”
“Grassroots” is a true David and Goliath story in which a naïve candidate for Seattle City Council goes up against an entrenched incumbent.
Olympics memorabilia, from an 1896 photograph to a 2012 poster, will be on sale in London this summer, along with major artifact exhibitions at museums in London, Athens and Berlin.
Nancy Savoca’s “Union Square” is the tale of two sisters, played by Mira Sorvino and Tammy Blanchard, divided by temperament, geography and class.
Ben Vereen’s show at the Broadway cabaret 54 Below reflects his upbeat philosophy.
Steven Tyler, the lead singer of the venerable rock band Aerosmith, said Thursday that he would leave "American Idol" on Fox and return full time to the band.
A video by Sarah Dornner at Bureau synthesizes a variety of disparate designs.
“Dark Selects,” Amy Feldman’s New York debut at Blackston, features four large, simple abstractions.
“Group Shoe,” at Gavin Brown’s Enterprise, is intriguingly eclectic yet matched in exuberance by Ella Kruglyanskaya’s solo exhibition there.
“B-Out,” at Andrew Edlin Gallery, assembles art tributes to larger-than-life figures like Elizabeth Taylor, Nina Simone and Larry Craig.
Zoe Strauss sums up her 10-year “I-95” photographic project with a slide show at the Bruce Silverstein Gallery.
Rooftop Films presents a free outdoor screening of “Bound for Glory” on Saturday night.
“Ponies” involves the interactions of three immigrants from different continents who converge at a ratty New York City betting parlor.
“It’s the Earth Not the Moon” is a three-hour voyage to Corvo, the smallest and northernmost island in the Azores, on Europe’s western edge.
“Gei Oni” (“Valley of Strength”), set in the late 19th century, tells the story of a young Jewish couple facing the arduous challenges of settlement in Palestine.
In “Drunkboat” John Malkovich plays an alcoholic former poet looking to escape from a Chicago suburb.
“Family Portrait in Black and White” portrays a woman in Ukraine and the more than 20 adopted and foster children she has taken in.
Ballplayer: Pelotero” is a stark documentary that examines the process of scouting young baseball players in the Dominican Republic.
“Red Lights” stars Robert De Niro as a blind psychic, and Sigourney Weaver and Cillian Murphy as skeptical scientists who investigate paranormal events.
South Mountain Reservation is a wooded area of more than 2,000 acres in densely populated Northern New Jersey.
Rules designed to guard the provenance of antiquities are creating difficulties for some collectors and museums in the donation, sale and purchase of those objects.
Make your own mix of Calvillo’s song “Right Now,” and see if your choices match Kuk Harrell’s.
Going to and from Manhattan by train, a New Jerseyan marvels at the feast of painterly visions available to commuters.
The dance critic Alastair Macaulay assesses the Statue of Liberty’s form and line from various angles and distances, including from his bedroom window.
A writer finds refuge from the heat, and from the world, in the stacks of Butler Library at Columbia University.
We asked 20 arts critics for The New York Times to share the one thing on, or inspired by, the cultural calendar that they most looked forward to.
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