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In Jacques Tati's charming -- and essentially plotless -- pre-Hulot first feature, Tati is Francois, a contented and happy postman in a small, unhurried French village. Francois is at ease with his job and leisurely performs his duties, peddling away on his rounds upon his beloved bicycle. Things perk up when a traveling carnival arrives in town. One of the attractions at the carnival is a film depicting the United States Postal Service's fast and efficient postal delivery system. The narrator
Feb 19, 1952 Limited
All Critics (18) | Top Critics (4) | Fresh (14) | Rotten (0) | DVD (1)
Tati's feature debut is a brilliant, smart, timeless comedy, which immediately established his reputation as major director and auteur.
The originality of its design makes Tati's cinema unfold as it were a series of Looney Tunes episodes envisioned by Robert Altman.
Delightfully filled with physical slapstick and sight gags.
Tati's directorial debut is also one of his funniest. Like his other movies, it's best to keep your eyes wide open and look at tiny images in the corner of the screen. Tati isn't playing M. Hulot in this flick, but he'll still make alert viewers' sides ac
Comedy legend Jacques Tati directs, co-writes and stars in this charming look at a guileless postman bicycling his rounds in a small French village. The film is near plotless, unless you count a late section where Tati's character Francois sees a newsreel about American postal efficiency and strains to accelerate his
April 24, 2012Super Reviewer
Jacques Tati's first and my personal favorite of his. Charming and funny; no laugh-out-loud hysterics but it does make you laugh compared to his more famous films which only provoke smiles. This guy respected his viewers from beginning to end with moments of innocent sight gags and complex balancing of roles. See it to
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