Restoring Horror to a Grisly Luster
By DAVE KEHR
Restored horror movies on DVD include “Rosemary’s Baby,” “Terror Train,” “The Funhouse” and the standbys in “Universal Classic Monsters: The Essential Collection.”
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The director Robert Zemeckis, who has been making motion-capture films for a decade or so, talks about “Flight,” his first live-action movie since “Cast Away.”
Disney’s forthcoming animated film “Wreck-It Ralph” revisits the 8-bit style of video games from the 1980s.
Barry Levinson’s new movie, “The Bay,” which opens on Friday, is another in a long line of eco-horror films.
Restored horror movies on DVD include “Rosemary’s Baby,” “Terror Train,” “The Funhouse” and the standbys in “Universal Classic Monsters: The Essential Collection.”
The Museum of Modern Art’s series Mapping Subjectivity explores experimental Arab cinema of the last 5o years.
In December, Swann Auction Galleries in Manhattan will auction a collection of around 150 movie posters with a common theme, the woman in distress in the arms of a moster.
“Cloud Atlas,” which lavishly adapts the David Mitchell novel, is a film about migratory souls and wayward civilizations, loaded with soaring themes and flights of feeling.
In “Chasing Mavericks,” Gerard Butler takes a young surfer under his wing to tutor him in the ways of a famed California surf break.
In “The Loneliest Planet” Gael García Bernal and Hani Furstenberg play a couple on a pre-wedding hiking trip in the Caucasus Mountains.
A teenager encounters a pyramid-headed executioner, harpy-like nurses and a creature cobbled from mannequin limbs.
In “The Other Son,” there are psychological and political consequences when children living along the Palestinian-Israeli divide are switched at birth.
Richard Coyle and Agyness Deyn star in a British remake of a Danish crime drama that came from Nicolas Winding Refn, the director of “Drive.”
“The Rolling Stones: Charlie Is My Darling” reveals the intensity of rock ’n’ roll at a time when it still felt risky and thrilling.
The director Jaume Balagueró’s “Sleep Tight” watches an apartment building concierge who is watching, and tormenting, a resident of the building.
The Nickelodeon star Victoria Justice plays a high-school student chasing down her lost little brother on Halloween in “Fun Size.”
“The Black Tulip,” a melodrama set in Afghanistan, finds its characters in trouble with the Taliban.
“Dinotasia,” a computer-animated film, explores the beasts that roamed the earth many millions of years ago.
The documentary “Orchestra of Exiles” looks at Bronislaw Huberman and his efforts to organize musicians displaced by the Nazis.
“Long Shot: The Kevin Laue Story” follows the true story of a one-armed basketball player looking to get a college scholarship.
Gut,” a horror movie directed by Elias, finds a couple of co-workers with an addictive new pastime.
Ward Roberts stages beatdowns, chase scenes and face-offs in “Dust Up.”
The documentary “The Revisionaries” looks at the Texas Board of Education and its agenda over school textbooks.
“The Zen of Bennett,” Unjoo Moon’s documentary about the singer Tony Bennett, was assembled during the production sessions for Mr. Bennett’s blockbuster album, “Duets II.”
The New York Times critics on “Cloud Atlas,” “Chasing Mavericks” and “Pusher.”
Images and character designs from the animated film “Wreck-It Ralph.”
A look at some of the horror movie screenings around the city during the Halloween season.
This illustration depicts some key features of the haunted house, drawn from classic horror films. Can you identify a movie for each?
John Hawkes discusses his role in "The Sessions," in which he plays Mark O'Brien, a journalist with polio who spent most of his life in an iron lung.
Leos Carax, the director of "Holy Motors," discusses a musical scene from his film that features Kylie Minogue.
Ben Affleck discusses a scene from his third feature as a director, "Argo."
Martin McDonagh, the writer and director of “Seven Psychopaths,” discusses his film.
In this series, directors discuss ideas and techniques behind moments in their films.
Nicole Kidman indulges her wild streak, Ben Affleck gains confidence behind the camera, the critics discuss the state of film and more.
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Manohla Dargis and A. O. Scott, the co-chief film critics of The New York Times, are answering your questions. Do you have one for them? Please write to them at askthefilmcritics@nytimes.com.
This guide includes links to the original reviews from the archives of The New York Times.
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