Ann Hornaday
Ann Hornaday reviews ‘Lincoln’
Steven Spielberg and Daniel Day-Lewis collaborate to create an indelible portrait of the 16th president.
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Director Joe Wright talks about his bold choice of setting his film of ‘Anna Karenina’ within the confines of a theater stage.
Steven Spielberg and Daniel Day-Lewis collaborate to create an indelible portrait of the 16th president.
“Skyfall” reinvigorates the James Bond series with just the right proportions of legacy and novelty.
Maria Fernanda Escobar and Kristy Chavez-Fernandez bring their pan-Latin dance party to various spots in D.C.
CONCERT REVIEW | Pop superstar performs at Verizon Center as if he would rather be back in Canada.
Chris Richards spends 12 hours embedded in the Web of Justin Bieber.
For HBO doc, Rory Kennedy coaxes her mother to take a long look back.
Highlights and premiere dates of this fall’s unscripted fare — including reality shows, talk shows and documentaries.
Would yesterday’s Playboy bunnies be all that excited to know their granddaughters became “2 Broke Girls?”
CRITIC’S NOTEBOOK: Unlike many images of political marriage, the Obamas’ embrace seems mutual.
EXHIBIT REVIEW | “Poetic Likeness” at the Portrait Gallery recalls an era of poets standing tall in the public eye.
The Walters Art Museum looks at ideas of race, and of Africans, in Europe as depicted in artworks from the era.
Not even traffic woes could dampen the lovely music of the pianist and orchestra.
Perhaps it’s time to set aside criticism of Lang Lang and appreciate his virtuosity.
Naxos has become a major player in classical music with shrewd business practices and constant reinvention.
TV COLUMN | Forget viewership numbers: People will be talking about the crazy coverage all week.
TV COLUMN | Showtime is renaming it “The Big C: hereafter” and billing it as “a four-part limited event series.”
It got “leaked” that CBS is developing another “NCIS” spinoff lickety split so as to get it “planted” in two episodes of “NCIS: The Mothership” this season.
The company, performing at the Kennedy Center, needs to offer more than nostalgia and history. Yet this is the sum of its strengths.
Exhibit of costumes and memorabilia in Calif. is a reminder of the ballet star’s art and his elegant style.
Washington Ballet’s production hits creepy stride with stylistic touches, Hyun-Woong Kim in title role.
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