Golden Globes to ‘Argo’ and ‘Les Misérables’
By MICHAEL CIEPLY and BROOKS BARNES
“Homeland” and “Girls” also won awards, and Daniel Day-Lewis won for his portrayal of Abraham Lincoln.
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Jodie Foster came out as gay, sort of, in her speech at the Golden Globes, but was more elliptical than loud and proud.
The Golden Globe ceremonies seemed to focus on female wunderkinds in Hollywood.
The percentage of female directors on the list of 250 top-grossing films of 2012 jumped to 9 percent from 5 percent in 2011.
The crime thriller “Broken City” is the first feature film that Allen Hughes has directed without the help of his twin brother, Albert, in their two-decade filmmaking career.
“Homeland” and “Girls” also won awards, and Daniel Day-Lewis won for his portrayal of Abraham Lincoln.
Quentin Tarantino, Hugh Jackman and other A-listers and gawkers celebrated themselves and one another.
The Sundance Film Festival has created a growing family of directors whose movies weren’t accepted for a screening there.
The director Sheldon Candis recalled his Baltimore boyhood to create the script for his first film, “Luv.”
A film about Occupy Wall Street is one of three documentaries about current social movements that will be shown at the Sundance Film Festival.
Two films depicting men who shed modern society’s constraints — Richard Fleischer’s “Ashanti” (1979) and Ted Kotcheff’s “Wake in Fright” (1971) — have surfaced on DVD.
At this point in Ethan Hawke’s life, directing an Off Broadway play in New York with like-minded actors seems like the highest and best use of his skills.
Paul Schrader, Bret Easton Ellis, Lindsay Lohan and a porn star named James Deen try to make a movie for $250,000 that will save all of their careers. What could go wrong?
After a few rough years, the Hollywood Foreign Press Association and its Golden Globes are on the rebound.
“Gangster Squad” is a throwback to another time, with some character voices reminiscent of McGruff and Offissa Pupp thrown in.
Marlon Wayans stars in “A Haunted House,” a horror movie parody directed by Mike Tiddes.
Vishal Bhardwaj’s “Matru ki Bijlee ka Mandola” shows a rich, drunken industrialist leading a demonstration against himself.
“Quartet” assembles a posse of lovable geezers in a palatial residence for aged artistes and entangles them in the mildest imaginable comic and dramatic situations.
In “The Baytown Outlaws,” with Eva Longoria and Billy Bob Thornton, a Southern shoot-em-up, the focus is on three trigger-happy brothers.
In Tom O’Brien’s “Fairhaven,” three old friends from a Massachusetts fishing village are reunited for a funeral.
“Struck by Lightning” kills its protagonist in the beginning of the film, then has him narrate the story from beyond the grave.
The documentary “High Tech, Low Life” follows two very different Chinese bloggers who try to report what the government-controlled press won’t.
Benjamín Ávila’s film is a semiautobiographical story about a 12-year-old being raised in the late 1970s in Argentina by activists opposed to the ruling military junta.
The New York Times critics on “Gangster Squad,” “Quartet” and “Clandestine Childhood.”
Melena Ryzik discusses this year's biggest successes and themes in her preview of the Academy Awards.
Paul Thomas Anderson on "The Master," Kathryn Bigelow on "Zero Dark Thirty," screenplay excerpts, behind-the-scenes of "The Hobbit" and more.
Melena Ryzik chats with the British actress Kelly Reilly about her first movie role shot in America: a leading part opposite Denzel Washington.
Tom Hooper, the director of “Les Misérables,” narrates a scene from the film.
Quentin Tarantino, the director of "Django Unchained," narrates a scene from the film.
The director David O. Russell talks to Melena Ryzik about personal storytelling at the Ghetto Film School in the South Bronx.
In this series, directors discuss ideas and techniques behind moments in their films.
On a balcony overlooking his New Orleans neighborhood, John Goodman discusses movies with Melena Ryzik.
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This guide includes links to the original reviews from the archives of The New York Times.
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