Time to revolt

Time to revolt

Apr 1, 2013

FILMS WORTH WATCHING by Robert Alstead • Rob Stewart is the underwater filmmaker who, with Sharkwater, showed everyone it’s safe to go back in the water; what’s more, he opened our eyes to the barbaric practice of shark-finning. The film’s impact came from gorgeous, up-close footage of different species of sharks combined with hard-hitting sequences...

The Gatekeepers

The Gatekeepers

Mar 1, 2013

FILMS WORTH WATCHING by Robert Alstead • “When you retire, you become a bit of a leftist,” says one of the interviewees in Dror Moreh’s The Gatekeepers, a statement that helps explain why six retired heads of Shin Bet (Israel’s internal security service) agreed to share candid insights into their shadowy and frequently lethal profession. While I’ve...

West of Memphis

West of Memphis

Feb 1, 2013

FILMS WORTH WATCHING by Robert Alstead • When the hog-tied, naked bodies of three eight-year-old boy scouts were discovered at the bottom of a ditch in 1993 it didn’t take long for local authorities in the small town of West Memphis, Arkansas, to find their men. Three working class teenage boys – one whose diary revealed a lurid interest in Satanism –...

Climate change on-screen

Climate change on-screen

Jan 1, 2013

FILMS WORTH WATCHING by Robert Alstead • Recently, I’ve been filming University of Victoria climate scientist Dr. Andrew Weaver, who is campaigning as the BC Green Party candidate for the Oak Bay Gordon Head riding in Victoria in the May provincial elections. As I research the project, I’ve been looking back at how climate change has been covered on-screen...

Silver Linings Playbook

Silver Linings Playbook

Dec 1, 2012

FILMS WORTH WATCHING by Robert Alstead • There’s a point early on in off-beat romcom Silver Linings Playbook where the protagonist, Pat, who has been feverishly reading Ernest Hemingway’s A Farewell To Arms through the night, picks up the book in a fit of rage and hurls it straight through the top floor window of his parents’ house. It lands with a slap...

Post VIFF, more festivals

Post VIFF, more festivals

Nov 1, 2012

FILMS WORTH WATCHING by Robert Alstead • There’s a school of thought that says authors should never be allowed to adapt their own books for the big screen. They are just too close to the source material to make the necessary cuts and re-mixing to make a book come alive on the big screen. In Deepa Mehta’s Midnight’s Children (opening November 2), Salman...

VIFF: Discoveries in Nature-ville

VIFF: Discoveries in Nature-ville

Oct 1, 2012

FILMS WORTH WATCHING by Robert Alstead • New York is not a place that springs to mind when you think about bird watching. All that concrete and human bustle. But smack in the middle of Manhattan you’ll find one of the most famous urban parks in the world and as Birders: the Central Park Effectreveals, it’s a magnet for hundreds of different species of...

VIFF docs expose the dark side of corporate America

VIFF docs expose the dark side of corporate America

Sep 1, 2012

FILMS WORTH WATCHING by Robert Alstead In Bitter Seeds, Micha X. Peled reveals an appalling statistic: a farmer in India commits suicide every half-hour. The documentary, showing at the Vancouver International Film Festival (September 27-October 12), puts a human face on this ongoing tragedy with its intimate portrait of a poor farming community in India’s...

China’s one-fingered artist

China’s one-fingered artist

Aug 1, 2012

FILMS WORTH WATCHING by Robert Alstead • It’s easy to forget that many Chinese teenagers know nothing about the Tiananmen Square massacre in 1989; just ask any young Chinese immigrant to Vancouver. Given China’s huge and fast-growing economic and military power, there’s ongoing pressure for it to open up, but as documentary Ai Weiwei: Never Sorry...

Something old, something new

Something old, something new

Jul 1, 2012

FILMS WORTH WATCHING by Robert Alstead   Love, sex, fidelity and relationships – this is the stuff of Toronto-set Take This Waltz, a bittersweet, sensuous romance from actress-director Sarah Polley. The story is a dance of desire and will, as sweet, 28-year-old copyrighter Margot (versatile performance by Michelle Williams) is torn between her love for...