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Origins of Abstract Expressionism Impact of Abstract Expressionism Jackson Pollock One. Number 31 The Artist's Painting Technique Mark Rothko No. 3/No. 13 The Artist's Painting Technique Barnett Newman Onement I Vir Heroicus Sublimis (and Ophelia) The Artist's Painting Technique Willem de Koonig Woman I Robert Motherwell Elegy to the Spanish Republic No. 57 Franz Kline The Artist's Painting Technique
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Kandinsky's Composition VII
Where and When
Munich, Germany
1913
1913
Your Comments (4)
Previous Comments
Judy Bell wrote on Thursday, March 25, 2010
I love the way you pulled all of the senses into your lecture on this work by Kandinsky. (BTW, MY throat feels PINK!)
Irene Grumman wrote on Monday, April 16, 2012
After seeing the Kandinsky exhibit at the Guggenheim last October, immersing in his enormous Painting With White Border (1913) I get frustrated having to see his work so small, as in the calendar I bought. Good discussion here.
Carol Maimone wrote on Tuesday, July 24, 2012
I appreciate the lecture on Composition VII as it helped me
Amanda Van Gelder wrote on Monday, March 04, 2013
Based on Kandinsky's belief that there is a correlation between colour and music I see this work as Kandinsky's response to music. His unconsciouness painted on a canvas as a response to what he has heard or feels while listening to a particular piece of music. Perhaps to create a physical reality of music which is something you cannot normally touch or see. I wonder if the purpose of his work was to engage the viewer and to allow them to experience some sort of synethesia, to hear the music he has essentially painted?
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