9.00-10.30 Panel 1: Arts and Provocation
Aaron Tregellis Hodgson (University of Edinburgh) “‘From the Margins to the Mainstream’: How Joseph Brodsky Overcame the Soviet Censors”
Evan Jones (University of Nottingham) “The Photocopier as a Tool of Sedition”
Elizabeth Benjamin (University of Birmingham) “Downgrading Dada Deviance, or, ‘How I Became Charming, Likeable and Delightful’”
10.30.-11.00 Coffee Break
11.00-12.00 Panel 2: Translation
Tera Reid-Olds (University of Oregon) “Assia Djebar: Subverting Colonial Censorship Through Appropriation and Translation”
Giacomo Comiati (University of Warwick) “Censorship in Renaissance Translation: the Case of Ludovico Dolce”
12.00-1.00 Panel 3: Gender and Sexuality
Ana Finel Honigman (University of Oxford) “Enabling Art: Self-Censorship and Permissiveness in the Work and Reception of L.A. Raeven”
Kirsty Upham (University of Leeds) “‘Amongst Christians Not to be Named’: Discursive Censorship of Homosexuality in Elizabethan Poetry”
1.00 -2.00 Lunch
2.00-3.30 Panel 4a: Humour
Miriam Margala (University of Massachusetts) “What a Riot! Deviant Humour and Humourous Deviance in Hrabal”
Esra’ Al-Hmoud (University of St Andrews) “Humour and Censorship in the Arab World”
Adam Horsley (University of Nottingham) “‘I Couldn’t Stop Myself from Laughing’ – Humour, Authorship and Strategies of Subversion at the Trial of Théophile de Viau (1623-1625)”
2.00-3.30 Panel 4b: State and Press Censorship
Andrew Stiles (University of Oxford) “‘Censorship Policies’ and ‘Peer Pressure’ in the Early Principate”
Chisomo Kalinga (King’s College London) “Censorship in Malawi: Writers Tackle HIV/AIDS Under the Kamuzu Banda Regime”
Kris Lovell (Aberystwyth University) “‘Silencing the Voice of the People’- An Examination of the Methods and Responses to the Suppression and Censorship of the Press in Second World War Britain.”
3.30-4.00 Coffee
4.00-5.30 Panel 5: Self-Censorship and Canon Formation
Victoria Anker (University of Edinburgh) “‘Lachrymae Musarum’: Political Self-Censorship of the Royalist Poets in 1650s England”
Erika Regner (University of Vienna/Andrássy University) “Canon and Censorship – Two Allies in the Literary Field of Socialist Hungary”
Thomas Rollings (University of St Andrews) “The Effects of Censorship on Nineteenth-Century Russian Literature”
6.00-7.30 Keynote Address
Professor Peter McDonald (University of Oxford) “Deviant Critics/Literary Censors: Unexpected Tales from the Archive”
7.30 Conference Dinner