Paik-Abe
Video Synthesizer
Brief: Co-created an early video synthesizer.
As you likely know, NAM JUNE PAIK, is a video installation artist. | |
One of his large scale creations is seen here: |
An early incarnation of things to come? | |
The Paik-Abe Video synthesizer was a collaboration between Nam
June Paik and video engineer Shuya Abe. The basic synthesizer is
a colorizer, but in keeping with Nam June Paik's method to create
a "smorgasbord of video art", a scan modulator was
often found adjacent to the colorizer. Combining video feedback,
magnetic scan modulation, and non-linear mixing followed by
colorizing, generated its novel style of imagery.
The basic Paik-Abe is a colorizer unit with seven external video
inputs and corresponding gain controls. Each of the seven inputs
drive various non-linear processing amplifiers. The amplifier
passes low level signals but folds over or inverts the polarity
of higher level signals. High brightness components are turned
into "negative" video while low brightness components
can pass through without change. The output of the seven
distorted amplifiers drive (depending on the version) a patch
panel, a bank of switches or are "hard-wiring" to a
resistive matrix. The Paik- Abe synthesizer was a color encoder
made from a color camera and a video mixer. They didn't invent
those components, they were parts from other already functioning
pieces of equipment which were then reconfigured. The Paik-Abe
synthesizer was a 7-channel mixer/colorizer; you had potentially
7 layers of video.
There is a bit of confusion about who received the original Paik
/ Abe VSynth. It either went to WGBH in Boston, or to WNET in
NYC, I'm not entirely sure. My theory is that the prototype was
originally constructed by Paik & Abe at the Experimental TV
Center and was sold to WNET (ch 13 NYC). Whereas, the first
non-proto unit was built for WGBH in Boston. Fred Barzyk or
George Fiflield, the video curator for the DeCordova both have
extensive knowledge about all this. Walter Wright recalls a
friend telling him about driving to Boston from Binghamton
(before he got there) in order to check out (?) or deliver the
unit. Others went to other studios and artists. The ETC bought 3
of them. David
Jones modified 2 of those by adding patch cables to one and a
set of rotary switches to another so that the colors for each
channel could be selected. The way they had been made fixed each
channel at a specific color (red, green, blue, magenta, cyan,
yellow) though you could turn the Hue control to change all the
colors at once. There were at least 1/2 a dozen Paik-Abe 's made,
including one that's still up and running in Germany.
If you are aware of the existence of a Paik/Abe that is not noted
here, please SUBMIT
details, so we can add it to our owners list.
Also, if you want to buy Nam June Paik video tapes, please visit: Electronic
Arts Intermix.
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