|
|
|
Henry
The VIII
Alison Weir
History | Ballantine | Hardcover | May 2001 | $28.00
| 0-345-43659-8
|
|
|
|
|
|
|
|
|
A Conversation
with Alison Weir, author of HENRY
VIII: The King and His Court |
|
When
did you first become interested in history? |
|
In
1965, when I was fourteen, I read my first adult novel;
it was an historical novel about Katherine of Aragon,
and I could not put it down. When I finished it, I had
to find out the true facts behind the story and if people
really carried on like that in those days. So I began
to read proper history books, and found that they did!
It was a short step from doing research to writing my
own books, and by the age of fifteen I had completed
a three-volume compendium of facts on the Tudors as
well as a biography of Anne Boleyn, and had begun to
compile genealogical information for a dictionary of
kings and queens which would, more than two decades
later, be the basis of my first published book, Britain's
Royal Families.
At
school, up to the age of sixteen, I found history boring,
for we were studying the Industrial Revolution, which
was all about Acts, Trade Unions and the factory system,
and I wanted to know about people, because it is people
who make history. My teachers were unaware that I was
spending all my free periods and lunch-breaks researching
my own history projects in the school library. I did
pass my GCE exam, but was told my grade was not good
enough to study history at an advanced level. This was
a great disappointment as the subject for the advanced
course was the Tudors and Stuarts, something about which
I already knew a great deal. I would love to think that
the teachers who excluded me have seen my published
work.
|
|
|
|
When
did you begin to write professionally?
|
|
During
the early 1970s, after attending teacher training college
with a view to teaching history, I spent four years
researching and writing a book about Henry VIII's wives,
but this was rejected by publishers on the grounds that
it was too long -- something of an understatement, since
it filled 1,024 manuscript pages typed on both sides
and without double spacing. In 1991, a much revised
and edited version of this manuscript was published
as my second book, The Six Wives of Henry VIII.
In
1981, I wrote a biography of Jane Seymour, which was
rejected by Weidenfeld and Nicholson as being -- wait
for it -- too short. The publishers, however, put me
in touch with my present firm of literary agents who,
in the course of a conversation about which subject
I should write about, rejected my suggestion of a book
about Lady Diana Spencer (who became Princess of Wales
that year) on the grounds that people would soon lose
interest in her! Instead, it was agreed that I should
write a biography of Isabella of France, wife of Edward
II, but this was never finished because the births,
very close together, of my children intervened in 1982
and 1984 and I had very little time for writing. In
1987, it occurred to me that my dictionary of genealogical
details of British royalty -- which I had revised eight
times over twenty-two years -- might be of interest
to others, so I rearranged the contents once more, into
chronological order. Britain's Royal Families
became my first published book, in 1989, from The Bodley
Head, and the rest of the story is -- dare I say it?
-- history!
|
|
|
|
How
do you go about writing your books? |
|
I
research from contemporary sources as far as possible;
fortunately, most of those for the periods I have written
about are in print. I use secondary sources to see what
views historians take on my chosen subjects, but in
the end I make up my own mind, basing my conclusions
as far as possible on contemporary evidence.
I
transcribe my information into chronological order,
under date headings, so that when I have finished my
research, I have a very rough draft of the book. This
method has the curious advantage of highlighting discrepancies
and often new interpretations of events, chronological
patterns, and unexpected facts emerge. Anyone who has
read The
Princes in the Tower will know how startlingly
well this method of research worked for that particular
book.
|
|
|
|
How
would you describe your role as an historian? |
|
I
am not a revisionist historian. I do not start with
a theory and then try to fit the facts around it. I
draw my conclusions from the known facts. As my research
progresses, I gain some idea of the viewpoint I will
take, but I am always ready to alter it if need be.
You
have to consider the known facts in detail and avoid
supposition in order to get as near to the truth as
possible. You must not only take into account what is
written about someone or something, but who wrote it,
since many sources are biased, prejudiced, or unreliable.
Where possible, I verify my facts from reliable sources
only, and if the only source is suspect, I say so.
|
|
|
|
What
is your aim in writing history? |
|
I
want to bring history and its characters to life by including
as much personal detail as possible, by inferring new
ideas from the known facts, and by researching the political
and social background so thoroughly that my subjects are
set in an authentic context. Many people have told me
that my books read like novels. Perhaps this is because,
when I write, I feel I am really there, so strong is my
feeling for my subject. On occasion, I have been so moved
by the events I have been describing that I have felt
like crying. The old adage that truth is stranger than
fiction is more than true for me, and if (as a couple
of recent reviewers have complained) it is old-fashioned
to recount history as a rattling good story -- which in
many ways it is -- then I am happy to be thought outdated.
|
|
|
|
When
you were researching and writing about Henry VIII, did
you come to like him? |
|
Surprisingly
enough, yes! Actually, I've liked him for a long time.
I've always felt that he has been greatly misjudged
and perceived as a caricature of his real self. Therefore
this book is a sympathetic study that looks at events
from the King's viewpoint. For example, most historians
have focused on Anne Boleyn during the days leading
up to her execution. I've focused on Henry. Few people
have taken into account the fact that his only son was
dying a lingering death from tuberculosis at this time.
I
think, when it comes to historical characters, you have
to judge them by the values of their own time, not ours.
Henry was no tyrant, as Richard III was; only in his
last years did he become the fat, diseased autocrat
of popular perception. In fact, I wanted to use a little-known
portrait of the young Henry, painted when he was 18,
slim and long haired, on the jacket, but my publishers
felt--probably quite correctly--that no one would know
who it was! Yet my aim was to present to my readers
a different view of Henry: the real Henry, whom I had
come to know very well through my researches.
|
|
|
|
What
is your opinion of screen portrayals of Henry VIII? |
|
I
suppose the enduring image is that created by Charles
Laughton in Alexander Korda's The Private Life of Henry
VIII (1933), but it's the classic caricature, and
very far removed from the real Henry. A far better portrayal
is that by Keith Michell in the BBC drama series The
Six Wives of Henry VIII (1969), followed by a film
of the same name. Here is a pretty authentic Henry: an
acting tour de force and a delight to watch! Robert Shaw's
portrayal in A Man for All Seasons (1966) was very
different but equally convincing. |
|
|
|
Did
you uncover anything new while you were researching the
book? |
|
Yes,
quite unexpectedly. I certainly didn't set out to be controversial,
but I discovered a letter written by Henry VIII containing
evidence that places a whole new construction on the reasons
for Anne Boleyn's fall. This evidence makes sense of something
that historians have puzzled over for centuries: why Henry
could have consented to the destruction of a woman he
had so greatly desired and loved. |
|
|
|
Was
Henry VIII the lecher of legend? |
|
Possibly,
although if he was, he was very discreet about it. For
this reason, we have only fragments of information about
his sex life, but I've uncovered enough of them to make
me revise the opinion I arrived at in my earlier book,
The Six Wives of Henry VIII. |
|
|
|
One
historian has famously described Henry VIII as "that great
puppet." Do you agree with this assessment? |
|
Not
at all. Henry was certainly suggestible and sometimes
swayed by the opinions of others, but the evidence overwhelmingly
suggests that for the most part he remained firmly in
control. In fact, he was the one usually doing the manipulating.
Given his grasp of affairs, his powerful intellect, encyclopaedic
memory, and efficient communications network, it was not
easy for any man to rule him. He was the King, and he
never let anyone forget it. |
|
Back
to Top |
|
|
|