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Jodie Markell
Born and raised in Memphis, Tennessee, Jodie Markell attended Northwestern University where she was mentored by writer/director Frank Galati (Ragtime, The Grapes of Wrath) in the field of adaptation of literature to the stage and screen. After moving to New York, Markell studied as an actress at Circle-in-the-Square Professional Theater School. She helped rediscover the Tennessee Williams' play Confessional and starred in the New York premiere. Her success grew as an actress as she worked with accomplished theater directors such as John Patrick Shanley, John Malkovich, Gary Sinise, Simon Curtis, and Michael Greif and playwrights including David Lindsay-Abaire, Will Scheffer, David Marshall Grant, Theresa Rebeck, and Lanford Wilson. She starred at Lincoln Center, Manhattan Theater Club, Circle Rep, The Public, Steppenwolf, Naked Angels, Williamstown, and Mark Taper in LA. Markell has been featured in films by directors including Woody Allen, Jim Jarmusch, Todd Haynes, Ira Sachs, and Barry Levinson. And she has appeared in many TV shows including The Good Wife, Law and Order, and she played a recurring role on HBO’s Big Love.
After receiving the OBIE award for her leading performance at The Public in Sophie Treadwell's Machinal (a 1929 play she rediscovered and brought to Joseph Papp's attention), Markell was invited by Richard Eyre and the National Theater in London to be the creative consultant to Stephen Daldry on his award winning production of Machinal with Fiona Shaw.
Markell adapted and directed the award winning short film Why I Live at the P.O., based on Eudora Welty's classic story. The film played at many festivals including Seattle Film Festival/Women in Cinema and the Hamptons Film Festival. At the New Orleans Film Festival, her film was awarded the Lumiere Award and the Moviemaker Magazine Breakthrough Award—the highest award given to any film in any category at the festival. The film was invited to screen at the National Museum of Women In The Arts in Washington D.C.
The Loss of a Teardrop Diamond is Markell’s feature film directing debut which she adapted from an original screenplay by Tennessee Williams. The film stars Bryce Dallas Howard, Chris Evans, Ellen Burstyn and Ann-Margret and premiered at the Toronto Film Festival before it’s theatrical release. The New York Times calls the film “A significant feat of reclamation.” The LA Times says, “Lovely. A film to savor. Rich in ways that are all too rare these days.”
Markell has been a guest teaching artist at numerous universities, high schools, film festivals, and literary events. She teaches Directing Actors at the Columbia University MFA Film Program.
After receiving the OBIE award for her leading performance at The Public in Sophie Treadwell's Machinal (a 1929 play she rediscovered and brought to Joseph Papp's attention), Markell was invited by Richard Eyre and the National Theater in London to be the creative consultant to Stephen Daldry on his award winning production of Machinal with Fiona Shaw.
Markell adapted and directed the award winning short film Why I Live at the P.O., based on Eudora Welty's classic story. The film played at many festivals including Seattle Film Festival/Women in Cinema and the Hamptons Film Festival. At the New Orleans Film Festival, her film was awarded the Lumiere Award and the Moviemaker Magazine Breakthrough Award—the highest award given to any film in any category at the festival. The film was invited to screen at the National Museum of Women In The Arts in Washington D.C.
The Loss of a Teardrop Diamond is Markell’s feature film directing debut which she adapted from an original screenplay by Tennessee Williams. The film stars Bryce Dallas Howard, Chris Evans, Ellen Burstyn and Ann-Margret and premiered at the Toronto Film Festival before it’s theatrical release. The New York Times calls the film “A significant feat of reclamation.” The LA Times says, “Lovely. A film to savor. Rich in ways that are all too rare these days.”
Markell has been a guest teaching artist at numerous universities, high schools, film festivals, and literary events. She teaches Directing Actors at the Columbia University MFA Film Program.
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Columbia University School of the Arts offers MFA degrees in Film, Theatre Arts, Visual Arts, and Writing, an MA degree in Film Studies, a joint JD/MFA degree in Theatre Management & Producing, and a PhD degree in Theatre History, Literature, and Theory.
Columbia University School of the Arts offers MFA degrees in Film, Theatre Arts, Visual Arts, and Writing, an MA degree in Film Studies, a joint JD/MFA degree in Theatre Management & Producing, and a PhD degree in Theatre History, Literature, and Theory.