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Sunday, January 19, 2014

Theater

Theater Review

Pulled Down From the Sky, Still Lethal

Hannah Cabell in “Grounded,” George Brant’s play about a fighter pilot assigned to drone duty.
Damon Winter/The New York Times

Hannah Cabell in “Grounded,” George Brant’s play about a fighter pilot assigned to drone duty.

In “Grounded,” a one-woman show starring Hannah Cabell at Walkerspace, a military pilot is reassigned to drone duty, operating deadly missions from a base outside Las Vegas.

Remembering Amiri Baraka With Politics and Poetry

Thousands of people attended funeral services for Mr. Baraka, the poet and playwright who helped forge the Black Arts Movement of the 1960s and 1970s and who died Jan. 9.

Theater Review | 'BigMouth'

A Bit of Bush and bin Laden

“BigMouth,” from the Belgian actor-writer-director Valentijn Dhaenens, jostles together the words of speechmakers throughout history.

Theater Review | 'Machinal'

Woman Trapped in Modern Times (1920s Edition)

A desperate life blazes amid devouring shadows in the Roundabout Theater Company’s intensely stylish revival of “Machinal.”

Theater Review | 'King Lear'

With Rage, He Flails in a World Gone Deaf

In “King Lear” at the BAM Harvey Theater, Frank Langella manifests a tyrant’s reflexes in a multitude of keys.

Theater Review | 'I Am the Wind'

Converse All You Want, but Don’t Expect Connection

Jon Fosse’s “I Am the Wind,” at 59E59 Theaters, finds two men in a boat, lost on the ocean.

You’ve Got Another Chance, Broadway

Jason Robert Brown’s moment could very well be 2014: His “Bridges of Madison County” opens on Broadway next month; his “Honeymoon in Vegas” is up next; and a film of his show “The Last Five Years” is being made.

A Veteran Returns to Gettysburg

Jessica Dickey, who grew up near Gettysburg, Pa., explores the Civil War in her new play, “Row After Row,” at City Center.

Theater Review | 'The Surrender'

A Personal Pleasure, and Eager to Share It

Toni Bentley’s erotic memoir, “The Surrender,” is now a one-woman play at the Clurman Theater.

Theater Review | 'I Could Say More'

Beach Weekend as Drill for a Double Root Canal

In “I Could Say More,” a play written by and starring Chuck Blasius at the Hudson Guild Theater, a writer’s beach house party devolves into tumult.

Theater Listings for Jan. 17-23

A guide to productions in New York City, with a special note of shows in previews or about to open.

Jeffrey Wright’s Gold Mine

The actor in his most morally complicated role yet: Prospector in Sierra Leone.

Snapshot | Russell Tovey

Redefining Gender Blueprints

Russell Tovey discusses sexuality and the movies that inspired his career choice.

The Week Ahead
Theater

Location, Location, Impersonation

In “The Tribute Artist,” Charles Busch plays a female impersonator whose landlady dies, leaving an opportunity to take on her identity — and her townhouse.

Show Reviews

Recent show reviews from Ben Brantley, Charles Isherwood and other theater critics for The New York Times.

I Am the Wind
Grounded
Chichester Festival Theatre: King Lear
The Surrender
Machinal
Recent Reviews
Arts | Connecticut

The Set and Its Designer, Ming Cho Lee, Take Center Stage

More than 90 models, sketches and images on display at the Yale School of Architecture in New Haven show how Ming Cho Lee sets up new worlds for actors.

Theater Review | 'Bronx Gothic'

Some Girls Just Know Things

In her solo show, “Bronx Gothic,” Okwui Okpokwasili shares a story of innocence and experience about two 11-year-old girls.

Theater Review | 'Brand New Ancients'

Mundane, Meet Dramatic

In “Brand New Ancients,” part of the Under the Radar festival, Kate Tempest looks for majesty and mystery in ordinary lives.

Theater Review | 'I Stole Your Dad'

Generations Blending: Better Dodge The Blades

John Hodgman, best known for this geeky “Daily Show” persona, brings a one-man show in the Under the Radar Festival.

Theater Review | 'Rodney King'

A Flawed Man as Lightning Rod and Empathetic Stumbler

In “Rodney King,” Roger Guenveur Smith pays a nuanced tribute to the man whose 1991 beating by police officers proved a seminal moment in contemporary race relations.

More News and Features
ArtsBeat

Daniel Radcliffe Returning to Broadway in ‘Cripple of Inishmaan’

Daniel Radcliffe will return to Broadway in April in the title role of “The Cripple of Inishmaan,” Martin McDonagh’s black comedy about a young man with a sea of troubles who tries to become a movie star.

ArtsBeat

Roundabout Theater Will Revive ‘Noises Off’ on Broadway

The company announced plans to mount a new Broadway revival of “Noises Off,” Michael Frayn’s backstage farce, as well as the Off Broadway premiere of Tom Stoppard’s 1995 play “Indian Ink.”

ArtsBeat

Musical ‘Titanic’ Headed Back to New York

The Maury Yeston musical, which won five Tony Awards in 1999, including Best Musical, will play in Toronto this summer before coming to Broadway in the fall.

ArtsBeat

Soderbergh to Direct New Play at Public Theater

Steven Soderbergh is set to direct “The Library,” a new drama about the effects of gun violence on a high school student, written by his frequent collaborator Scott Z. Burns. Chloe Grace Moretz is to star.

Sheila Guyse, Singer and Star in ‘Race Movies,’ Dies at 88

Ms. Guyse appeared on Broadway and in so-called race movies of the 1940s and ’50s. She also recorded an album of standards for MGM.

Opening Soon

Many of these shows are currently in previews.

Maximum Shakespeare

Is This a Video I See in Front of Me?

WordPlay Shakespeare and other programs allow readers to watch or listen to sections of his works as they view the text.

Young Souls Portray the Wit of ‘Hamlet,’ With Brevity

Approximately 500 high school and college students recorded themselves delivering lines from Shakespeare’s “Hamlet” in 15 seconds or less using Instagram.

Videos
In Performance

In this video series, actors perform scenes and songs from their shows.

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