Remembering Amiri Baraka With Politics and Poetry
By ANNIE CORREAL
Thousands of people attended funeral services for Mr. Baraka, the poet and playwright who helped forge the Black Arts Movement of the 1960s and 1970s and who died Jan. 9.
In “Grounded,” a one-woman show starring Hannah Cabell at Walkerspace, a military pilot is reassigned to drone duty, operating deadly missions from a base outside Las Vegas.
Thousands of people attended funeral services for Mr. Baraka, the poet and playwright who helped forge the Black Arts Movement of the 1960s and 1970s and who died Jan. 9.
“BigMouth,” from the Belgian actor-writer-director Valentijn Dhaenens, jostles together the words of speechmakers throughout history.
A desperate life blazes amid devouring shadows in the Roundabout Theater Company’s intensely stylish revival of “Machinal.”
In “King Lear” at the BAM Harvey Theater, Frank Langella manifests a tyrant’s reflexes in a multitude of keys.
Jon Fosse’s “I Am the Wind,” at 59E59 Theaters, finds two men in a boat, lost on the ocean.
Jason Robert Brown’s moment could very well be 2014: His “Bridges of Madison County” opens on Broadway next month; his “Honeymoon in Vegas” is up next; and a film of his show “The Last Five Years” is being made.
Jessica Dickey, who grew up near Gettysburg, Pa., explores the Civil War in her new play, “Row After Row,” at City Center.
Toni Bentley’s erotic memoir, “The Surrender,” is now a one-woman play at the Clurman Theater.
In “I Could Say More,” a play written by and starring Chuck Blasius at the Hudson Guild Theater, a writer’s beach house party devolves into tumult.
A guide to productions in New York City, with a special note of shows in previews or about to open.
The actor in his most morally complicated role yet: Prospector in Sierra Leone.
Russell Tovey discusses sexuality and the movies that inspired his career choice.
In “The Tribute Artist,” Charles Busch plays a female impersonator whose landlady dies, leaving an opportunity to take on her identity — and her townhouse.
Top-grossing Broadway shows for the week ending Jan. 12.
Recommended shows from Ben Brantley, Charles Isherwood and other theater critics for The New York Times.
Recent show reviews from Ben Brantley, Charles Isherwood and other theater critics for The New York Times.
More than 90 models, sketches and images on display at the Yale School of Architecture in New Haven show how Ming Cho Lee sets up new worlds for actors.
In her solo show, “Bronx Gothic,” Okwui Okpokwasili shares a story of innocence and experience about two 11-year-old girls.
In “Brand New Ancients,” part of the Under the Radar festival, Kate Tempest looks for majesty and mystery in ordinary lives.
John Hodgman, best known for this geeky “Daily Show” persona, brings a one-man show in the Under the Radar Festival.
In “Rodney King,” Roger Guenveur Smith pays a nuanced tribute to the man whose 1991 beating by police officers proved a seminal moment in contemporary race relations.
Daniel Radcliffe will return to Broadway in April in the title role of “The Cripple of Inishmaan,” Martin McDonagh’s black comedy about a young man with a sea of troubles who tries to become a movie star.
The company announced plans to mount a new Broadway revival of “Noises Off,” Michael Frayn’s backstage farce, as well as the Off Broadway premiere of Tom Stoppard’s 1995 play “Indian Ink.”
The Maury Yeston musical, which won five Tony Awards in 1999, including Best Musical, will play in Toronto this summer before coming to Broadway in the fall.
Steven Soderbergh is set to direct “The Library,” a new drama about the effects of gun violence on a high school student, written by his frequent collaborator Scott Z. Burns. Chloe Grace Moretz is to star.
Ms. Guyse appeared on Broadway and in so-called race movies of the 1940s and ’50s. She also recorded an album of standards for MGM.
Many of these shows are currently in previews.
WordPlay Shakespeare and other programs allow readers to watch or listen to sections of his works as they view the text.
Approximately 500 high school and college students recorded themselves delivering lines from Shakespeare’s “Hamlet” in 15 seconds or less using Instagram.