‘Jack Ryan: Shadow Recruit’ re-ups a beloved franchise
Chris Pine resuscitates a reluctant CIA spy in the modestly entertaining “Jack Ryan: Shadow Recruit.”
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CRITIC’S NOTEBOOK | Snubs were expected in a strong year, but these shutouts especially hurt.
Chris Pine resuscitates a reluctant CIA spy in the modestly entertaining “Jack Ryan: Shadow Recruit.”
Stunning doc puts viewers in the middle of the fight for democracy in Egypt, in 2011 and beyond.
A weekly selection of notable recordings.
The brooding rap star was good during his highest-profile foray into comedy. Maybe too good.
Charlie Worsham talks about kicking the bucket for ‘Bones’
TV REVIEW | Richard Madden (“Game of Thrones”) stars in this energetic tale of the Yukon gold rush.
TV REVIEWS | Also: A new season of PBS’s highly stylized “Sherlock.” (Spoiler: He’s alive!)
TV REVIEW | In this new half-hour series, three gay men try to figure out life and love in today’s San Francisco.
The artist, whose “Dinner Party” once caused uptight Washington to send its regrets, returns to D.C.
Charles Marville photo exhibit shows the transformation of 19th-century Paris. It wasn’t always pretty.
Firms will present plans to make the problematic but significant MLK building a “knock-your-socks-off” site.
Stylized dialogue, dull music stifle Philidor’s ‘Les femmes vengées,’ part of a double bill with Mozart’s ‘Cosi.’
After 15 months, the orchestra and its players agree on a contract that includes a pay cut.
After an acrimonious 15-month lockout, the Minnesota Orchestra musicians and management have reached a workable compromise.
The actor and animal rights supporter will narrate documentaries about, among other things, bear-hunting.
Actor will host the Emmy Awards for the second time this year after hosting the Tonys for the fourth time
TV COLUMN | “New Evidence” “documentary” follows last year’s “Mermaids: The Body Found.”
The familiar fairy tale is subtitled ‘A Gothic Romance’ and is more dance theater than ballet.
REVIEW | The Suzanne Farrell Ballet, as always, is so close, but ultimately frustrating.
Susan Marshall’s interesting new work, at the Terrace Theater, ends up seeming self-important, overworked.
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