- Michael O’Sullivan
- Reporter
Born and raised in Washington, D.C., Michael O’Sullivan has worked since 1993 at The Washington Post, where he covers art, film and other forms of popular — and unpopular — culture.
Heiner Contemporary closes Georgetown gallery
The gallery’s programming leaned heavily toward painting.
‘Devil’s Due’ movie review
Occult horror film tries to juice up the “Rosemary’s Baby” concept with found footage.
In ‘Life of a King,’ chess becomes an allegory for life
This fact-based chess melodrama has a winning endgame.
Art review: ‘Residue’ at Ada Rose Gallery
At Adah Rose Gallery, five artists show the diversity and power of masking tape.
- Watch online: ‘Eating Alabama,’ ‘Milius,’ ‘That Guy Who Was in That Thing’
- ‘The Past’ movie review
- ‘Lone Survivor’ movie review: Missing a chance to make a connection
- ‘August: Osage County’ movie review
- Art review: ‘Picture Windows’ at the Maryland Institute College of Art
- Gallery opening of the week: ‘At the Crossroad’
- Enough with the found footage already
- Watch online: ‘C.O.G.’ and ‘The Immortal Augustus Gladstone’
The Post Most: Lifestyle
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Grantland offers two sides on divisive article about transgender inventor who killed herself -
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Carolyn Hax: In a once close-knit foursome, two people are failing a test of friendship -
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Carolyn Hax: For a loving couple, keeping her name after marriage shouldn't be a battle -
4Hax Philes: Remembering Redheadwglasses1
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Soup secrets: Could the pros help me make a bowl of something restaurant-worthy?
