‘Llewyn Davis,’ Redford deserved better from Academy
CRITIC’S NOTEBOOK | Snubs were expected in a strong year, but these shutouts especially hurt.
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Post critics review movies streaming online or on demand.
CRITIC’S NOTEBOOK | Snubs were expected in a strong year, but these shutouts especially hurt.
Chris Pine resuscitates a reluctant CIA spy in the modestly entertaining “Jack Ryan: Shadow Recruit.”
The folk music legend refused to let American protest music vanish on his watch.
If you want to know how the industry works, the commercial breaks were more enlightening than the show.
Post TV critic Hank Stuever discusses the good, bad and so-bad-it's-good of TV.
Post TV critic Hank Stuever discusses the good, bad and so-bad-it's-good of TV.
TV REVIEW | Documentary about the legendary Post editorial cartoonist has reverence, but lacks ebullience.
Chicago and the need for women artists to known the history of women artists.
A judge said it was beyond his authority to let creditors create a board to value museum holdings.
The artist, whose “Dinner Party” once caused uptight Washington to send its regrets, returns to D.C.
Goerne and Eschenbach follow 2012’s “Winterreise” with an even better “Schoene Muellerin.”
A leading quartet sheds quiet light on searing and complex music in a cycle of Bartok’s six quartets.
The classical Grammys: irrelevant as ever, but they’re what we’ve got.
The actor and animal rights supporter will narrate documentaries about, among other things, bear-hunting.
Actor will host the Emmy Awards for the second time this year after hosting the Tonys for the fourth time
TV COLUMN | “New Evidence” “documentary” follows last year’s “Mermaids: The Body Found.”
The familiar fairy tale is subtitled ‘A Gothic Romance’ and is more dance theater than ballet.
REVIEW | The Suzanne Farrell Ballet, as always, is so close, but ultimately frustrating.
Susan Marshall’s interesting new work, at the Terrace Theater, ends up seeming self-important, overworked.
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