AFI Catalog of Feature Films
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A Close Call for Boston Blackie
Director: Lew Landers (Dir)
Release Date:   24 Jan 1946
Production Date:   1 Oct--13 Oct 1945
Duration (in mins):   60 or 68
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Cast:   Chester Morris (Boston Blackie, also known as Cyrus Peyton)  
    Lynn Merrick (Gerry Peyton)  
    Richard Lane (Inspector Farraday)  
    Frank Sully (St. Matthews)  
    George E. Stone (The Runt)  
    Claire Carleton (Mamie)  
    Erik Rolf (Smiley)  
    Charles Lane (Hagen)  
    Robert Scott (John Peyton)  
    Emmett Vogan (Coroner)  
    Russell Hicks (Harcourt)  
    Doris Houck (Josie)  
    Ruth Warren (Milk woman)  
    Jack Gordon (Cab driver)  
    Brian O'Hara (Blackie's cab driver)  
    Kathryn Card (Landlady)  
    George Lloyd (Janitor)  
    Victor Travers    
    Wanda Perry    

Summary: Boston Blackie comes to the aid of his former sweetheart Gerry Peyton when Gerry begs him to protect her and her baby from her recently paroled husband John. Peyton, the son of millionaire Cyrus Peyton, had been jailed several years earlier for manslaughter, and Gerry confides that she never informed him or his family about the birth of their child. When Gerry mentions that Peyton has threatened her, Blackie phones Inspector Farraday of the police department, and at that moment, Peyton bursts into the room, gun in hand. After Blackie wrestles the weapon from Peyton, a man shoots from the doorway and kills Peyton. Soon after, Farraday arrives and Blackie orders his sidekick, The Runt, to spirit Gerry and her baby out the back door. When Farraday discovers Peyton's dead body stuffed in Blackie's closet, he arrests Blackie for murder. After leaving The Runt and the baby at the apartment of The Runt's girl friend Mamie, Gerry, who has been lying about her motherhood, visits her accomplices to discuss their a scheme to extort money from her wealthy father-in-law. Smiley, one of her confederates, is the man who killed Peyton, while the other one, Hagen, has allowed Gerry to present his baby as the elder Peyton's grandson and demand a handsome sum for his return. After escaping from Sgt. Matthews, Farraday's assistant, Blackie rejoins The Runt and the baby. From the switchboard operator in Gerry's building Blackie learns that Gerry directed Peyton to meet her at Blackie's apartment, and he becomes suspicious of Gerry's motives. When Farraday questions Gerry at police headquarters, she claims that jealousy drove Blackie to kill her husband. Farraday then introduces Gerry to Cyrus' lawyer, Harcourt, who explains that his employer had received a note that very morning informing him that he has a grandson. Deciding to return the baby, Blackie takes him to Gerry's apartment just as Farraday arrives with Gerry and Harcourt. After stealing the note from Harcourt's pocket, Blackie escapes the inspector's clutches once again. Upon reading the note, Blackie realizes that Gerry is planning to extort money from her father-in-law and decides to pose as the elder Peyton, arranging to meet Gerry, who has never met Cyrus, at her apartment. While waiting for Cyrus, Hagen balks at going through with their scheme and Smiley shoots him. Soon after, Blackie arrives, posing as Peyton, and asks to see the baby's birth certificate. When Blackie challenges its validity and threatens to call the police, Smiley appears, gun in hand. In the ensuing fight, Blackie disarms Smiley just as Farraday appears and Gerry and Smiley claim that Blackie had been threatening Gerry. After releasing Gerry and Smiley, Farraday arrests Blackie and accompanies him to the lobby. There, Blackie is surprised to find Gerry and Smiley handcuffed and in police custody. Farraday then explains that although he knew the two were guilty, he wanted to teach Blackie a lesson about becoming involved with shady women. 

Production Company: Columbia Pictures Corp.  
Distribution Company: Columbia Pictures Corp.  
Director: Lew Landers (Dir)
  Chris Beute (Asst dir)
Producer: John Stone (Prod)
Writer: Ben Markson (Scr)
  Malcolm Stuart Boylan (Addl dial)
  Paul Yawitz (Story)
Photography: Burnett Guffey (Dir of photog)
  Gert Anderson (2d cam)
Art Direction: Carl Anderson (Art dir)
  Jerome Pycha Jr. (Art dir)
Film Editor: Jerome Thoms (Film ed)
Set Decoration: Albert Rickerd (Set dec)
Music: Mischa Bakaleinikoff (Mus dir)
Sound: Philip Faulkner (Sd rec)
  J. S. Westmoreland (Re-rec and eff mixer)
  Edwin Wetzel (Mus mixer)
Production Misc: Marie Deramie (Research dir)
Country: United States
Series: Boston Blackie

Source Text: Based on the character created by Jack Boyle.
Authors: Jack Boyle

Copyright Claimant Copyright Date Copyright Number
Columbia Pictures Corp. 21/1/1946 dd/mm/yyyy LP120

PCA NO: 11321
Physical Properties: b&w;:
  Sd: Western Electric Mirrophonic Recording

 
Genre: Drama
Sub-Genre: Detective
 
Subjects (Major): Amateur detectives
  Duplicity
  Extortion
  False accusations
  Impersonation and imposture
  Infants
  Police
 
Subjects (Minor): Escapes
  Fathers and sons
  Fathers-in-law
  Gold diggers
  Lawyers
  Murder
  Telephone operators

Note: For additional information on the "Boston Blackie" series, please consult the Series Index and see the entry below for Meet Boston Blackie

Bibliographic Sources:   Date   Page
Box Office   2 Feb 1946.   
Daily Variety   11 Apr 46   p. 3.
Film Daily   19 Mar 46   p. 11.
Hollywood Reporter   11 Apr 46   p. 3.
Motion Picture Herald Product Digest   10 Nov 45   p. 2710.
Motion Picture Herald Product Digest   23 Feb 46   pp. 2858-59.
Variety   20 Feb 46   p. 8.

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.
 
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