Reliable Source
This week, a romantic comedy starring Elizabeth Banks and two documentaries.
Nicole Kidman’s troubled portrait of the late Grace Kelly fails to inspire, while “Timbuktu,” a superbly crafted story of the jihadist invasion of Mali, manages to be both urgently of its era and timeless.
The sports movie deserves a spot in the ‘win’ column, thanks to a cast led by Jon Hamm.
Author Lance Scott Walker interviews H-town’s rap royalty
The second posthumous album from Michael Jackson features three versions of “Love Never Felt So Good.”
TV REVIEW | Fox drama about an LA detective with secret gang ties shows some depth beneath its machismo.
CRITIC’S NOTEBOOK | A TV pioneer (retiring at 84) who endured — even in the age of interruption.
Post TV critic Hank Stuever discusses the good, bad and so-bad-it's-good of TV.
There was an artful brilliance in making sure “beauty” was one of the Great Society’s social benefits.
Legalisms and euphemisms about “collaboration” do nothing to ease the distress of a grand institution’s fall.
Walter Isaacson, biographer, journalist and head of the Aspen Institute, delivered the 43rd annual Jefferson Lecture Monday night at the Kennedy Center Concert Hall.
Anthony McGill, the new clarinetist of the NY Phil, replaced Marc-Andre Hamelin in a Pacifica Quartet concert.
The backlash against critics of Tara Erraught’s weight has started to lose sight of a few basic principles.
Five British male critics pan the performance of a singer in Glyndebourne’s “Rosenkavalier” - because of the way she looks.
The actor and animal rights supporter will narrate documentaries about, among other things, bear-hunting.
Actor will host the Emmy Awards for the second time this year after hosting the Tonys for the fourth time
TV COLUMN | “New Evidence” “documentary” follows last year’s “Mermaids: The Body Found.”
Its triumph was the grandeur of the second act, when stimulating supernatural forces take over.
Is it creepy to project a known perfectionist as a hologram, in a performance before millions, enshrined in Internet eternity, and over which he had no control? Um, yes.
Jessica Lang’s “Scape” carves out space for her dancers, the NSO and the vigor of violinist Josefowicz, too.
The Post Most: Entertainment
The top-read stories of the past four hours
