JoeMeek JM47 Meekrophone

Capacitor Mic

Published in SOS September 1999
Bookmark and Share

Reviews : Microphone

Paul White tries out a Joemeek product that, for once, isn't entirely green -- but finds there's still a lot for the competition to envy.

It sometimes appears as though Joemeek just think up names, then design products to fit them, but I'm assured that's not the case. Take the JM47 Meekrophone for example: a silly name, sure enough, but Ted Fletcher has been experimenting with microphone design for around 30 years, so it was always on the cards that he'd put one into production. The JM47 Meekrophone comes in a custom aluminium camera case with a mic cable and a serious metal shockmount. It's also available as part of the TrakPak, a bundle combining the mic and accessories with a Joemeek VC3 Pro Channel voice channel and a mains power supply for the VC3. The VC3 is a 1U, half-rack-width preamp, built around a mic/line input stage with a separate Mix input allowing a further line-level input to be combined with the main signal source. The signal then feeds a Joemeek optical compressor, followed by a flexible enhancer. As we reviewed this latest version of the VC3 in the June issue of Sound On Sound, I'll concentrate on the JM47 microphone.

As with a number of low cost capacitor microphones, the Meekrophone is manufactured in China, but, in this instance, to Ted Fletcher's specifications. This particular model features a large, true-capacitor cardioid capsule with a sputtered gold mylar diaphragm and combines an FET preamp with a transformer output stage. The

JOEMEEK JM47 £289
pros
Attractively priced.
The JM47 mic is sturdily engineered and sounds much classier than its price might suggest it should.
TrakPak includes a great-sounding, very low-cost mic/line preamp.
Shockmount and cables included, along with a good case.
cons
I don't think any real criticisms can be levelled at this package given the very attractive price, though I still hate wall-wart power supplies!
summary
The Meekrophone is a good-sounding capacitor mic that represents excellent value, while the optional TrakPak provides a one-box-solution mic and mic preamp kit suitable for almost all hard disk and traditional recording applications.

capsule uses traditional centre-electrode construction -- Ted Fletcher explains that the policy of technology-sharing within the former communist bloc enabled the Chinese to make use of technology originally developed in Germany by certain well-known mic companies. A novel feature of the electronic circuitry used in this microphone is the use of dynamic feedback at the capsule element to reduce distortion.

Mechanically, the mic is tough and neatly assembled, with the electronics mounted on two glass-fibre PCBs bolted to the chassis. The components are good-quality without being esoteric, and the output transformer is integral with the balanced XLR output connector. The housing is machined from brass, and the whole mic is finished in what looks like a black powder coating with the JM47 logo boldly printed in the familiar green. The shape of the mic is, let's just say 'classic', with smooth-operating slide switches which operate a 10dB pad and a low-cut filter (the shelving frequency of which is not specified).

Performance

I tested this mic side by side with a Rode NT1, as they're in the same price bracket and have very similar capsules. The sensitivity of the two mics is almost identical, and on first hearing they're also quite similar tonally, though prolonged testing shows up subtle differences, no doubt due mainly to the differences in the electronic design. Tested with both voice and electric guitar, the NT1 seemed to have a slightly 'bigger' sound, while the JM47 Meekrophone sounded just a hint crisper and more controlled. Both attributes are useful in different situations, so it's not really possible to say that one or other is the best, and in most 'normal' applications, both can produce excellent results. Either way, the JM47 has the essential smooth, open quality of a good capacitor microphone and I'd have no qualms using it for just about any

  Specifications  
  Capsule: Cardioid Capacitor.
Preamp: FET with transformer output.
Frequency Response: Nominally flat
from 20Hz to 20kHz.
Sensitivity: -36dB nominal.
Output impedance: 200(omega) balanced.
Signal-to-noise ratio: 74dB.
Dynamic range: 126dB.
 
task other than close drum miking (I wouldn't trust the drummer not to hit it!). The shockmount is a snug fit, and the supplied lead is of good quality.

Meek Market

At the asking price, both the mic itself and the TrakPak are excellent value. The latter is particularly impressive, including as it does a good capacitor mic, a very flattering-sounding preamp/compressor and a secure shockmount. Everything fits snugly into the supplied foam-lined camera case, and even though the VC3 uses a wall-wart power supply and doesn't fit into a standard full-width rack, it's actually a really nice mic channel with a great-sounding compressor. The mic is generally comparable with the Rode NT1 as regards build quality and sound quality, though as pointed out in the review, there are subtle tonal differences. It's certainly an excellent mic at the price and it's one you won't grow out of.

 information
JM47 Meekrophone £289; TrakPak £449. Prices include VAT.
Joemeek +44 (0)1626 333948.
+44 (0)1626 333157.
Click here to email
www.joemeek-uk.com

SOS Readers Ads
GRAB A BARGAIN

£487,314

of Second-User Gear for sale now — don't miss out!

Audio-Technica AT4047 MP

Multi-pattern Condenser Microphone

Thumbnail for article: Audio-Technica AT4047 MP

Audio-Technica have added multiple polar patterns to one of their already successful designs, bringing increased versatility in the studio.

Audio-Technica AT4047 MP | Media

Multi-pattern Condenser Microphone

Audio files to accompany the article.

Audio-Technica AT4050 ST

Stereo Condenser Microphone

Thumbnail for article: Audio-Technica AT4050 ST

There's more to this variation on Audio-Technica's flagship microphone than the simple addition of a second capsule...

Peavey Studio Pro M2

Condenser Microphone

Thumbnail for article: Peavey Studio Pro M2

Paul White explores the capabilities of the understated-yet-powerful Studio Pro M2.

Schoeps VSR5

Microphone Preamp

Thumbnail for article: Schoeps VSR5

Schoeps make some of the most revered mics on the planet, so when they release a commercial version of the mic preamp they use for testing, you have to take it seriously...

Schoeps VSR5 Mic Preamp

Test Measurements

Thumbnail for article: Schoeps VSR5 Mic Preamp

The following charts, made using an Audio Precision Analyser, accompany our review of the Schoeps VSR5 microphone preamplifier.

Blue Encore 300

Handheld Condenser Microphone

Thumbnail for article: Blue Encore 300

Designed as a hand-held live vocal mic, this mic has a cardioid pickup pattern, and seems very robustly engineered.

Cartec EQP1A

Mono Valve Equaliser

Thumbnail for article: Cartec EQP1A

British 'boutique' outboard manufacturers seem to be rather thin on the ground these days, but if this Pultec clone is anything to go by, newcomers Cartec look set to make a big impression.

Prodipe TT1

Dynamic Microphone

Thumbnail for article: Prodipe TT1

Prodipe say they wanted to offer a high-quality, live-sound, cardioid-pattern dynamic mic at a very affordable price.

Sontronics Saturn

Multi-pattern Condenser Microphone

Thumbnail for article: Sontronics Saturn

Sontronics mics usually sound as distinctive as they look - and this one looks more distinctive than most!

MXL Revelation

Multi-pattern Valve Microphone

Thumbnail for article: MXL Revelation

Hot on the heels of the impressive Genesis cardioid valve mic, MXL have unveiled their flagship multi-pattern model, the Revelation. Does it live up to its name?

MXL Revelation | Audio Examples

Multi-pattern Valve Microphone

These audio files accompany the SOS September 2010 review of the MXL Revelation microphone.

Samson Go Mic

USB Microphone

Thumbnail for article: Samson Go Mic

USB mics are nothing new, but the Samson Go Mic is probably the smallest and cutest I've seen to date. This metal-bodied mic,...

AKG Perception 820

Valve Microphone

Thumbnail for article: AKG Perception 820

Does AKGs Chinese-made Perception 820 maintain the Austrian companys impressive reputation?

AKG Perception 820 | Audio

Audio Examples

Hear for yourself how this mic performed during the SOS tests.

Audio-Technica AT4080 & AT4081

Ribbon Microphones

Thumbnail for article: Audio-Technica AT4080 & AT4081

A-Ts brand-new transducer technology has produced a robust design intended to deliver high signal levels as well as that prized ribbon character...

Earthworks DP25C & DP30C

Snare & Tom Condenser Microphones

Thumbnail for article: Earthworks DP25C & DP30C

Despite the ubiquity of the SM57 for use on snare, there are other options — and Earthworks aim to help you capture a more natural sound.

MXL Genesis

Cardioid Valve Microphone

Thumbnail for article: MXL Genesis

We put MXLs Genesis through its paces alongside a much pricier model, to find out just how good a tube mic can be at this price.

MXL Genesis Mic | Audio Files

Hear For Yourself

To accompany our July 2010 Genesis review, we recorded a series of standard tests with the review mic alongside a more established mic (in this case, the AKG C12 VR).

WIN Great Prizes in SOS Competitions!

 

Home | Search | News | Current Issue | Tablet Mag | Articles | Forum | Subscribe | Shop | Readers Ads

Advertise | Information | Privacy Policy | Support | Login Help

 

Email: Contact SOS

Telephone: +44 (0)1954 789888

Fax: +44 (0)1954 789895

Registered Office: Media House, Trafalgar Way, Bar Hill, Cambridge, CB23 8SQ, United Kingdom.

Sound On Sound Ltd is registered in England and Wales.

Company number: 3015516 VAT number: GB 638 5307 26

         

All contents copyright © SOS Publications Group and/or its licensors, 1985-2014. All rights reserved.
The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. The views expressed are those of the contributors and not necessarily those of the publishers.

Web site designed & maintained by PB Associates | SOS | Relative Media