A jukebox commodity with a blue-chip score by George and Ira Gershwin gets a Broadway-quality staging in Maine.
Lin-Manuel Miranda’s much-lauded ‘Hamilton’ has moved to Broadway, and the rap musical about the Founding Father is still as revolutionary as ever.
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There are plenty of personalities in the Daily Show host’s orbit—Amy Schumer, Key and Peele, Lena Dunham—but can any of them truly replace Comedy Central’s golden boy?
A seemingly chance encounter brings unwanted friendship and increasing peril into a married couple’s life.
An animated ovine leads his flock off the farm for a bit of misadventure.
Meryl Streep stars as a 60-something rocker who tries to set things right with the family she left long ago in pursuit of stardom.
Armor, tapestries, antiquities and some of the most glorious Old Master paintings in the history of art—all once belonged to the Habsburgs.
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The Bard Music Festival takes an overdue look at the energy and creativity of the Mexican composer.
The cochineal bug, unappealing on its own, can be transformed into a dazzling rainbow of reds, from pale pinks to deep burgundies and flaming scarlets.
A look at the Richard & Helen DeVos Japanese Garden in Michigan and the Japanese Garden, Tenshin-en in Boston.
Benjamin Clementine’s debut album, ‘At Least for Now,’ is filled with intense, often beautiful music in a variety of styles.
‘Something More Than Free’ presents a lighter side of the talented Jason Isbell without ignoring the bleaker parts of his life.
Still relatively unknown, Gustave Caillebotte, a patron of many leading Impressionists, was a skilled painter himself.
With performances of “Candide,” “Macbeth” and more, Glimmerglass remains a destination that promises opera lovers something new and special.
Jenny Scheinman’s latest album, ‘The Littlest Prisoner,’ and a recent performance show her skillfully mixing her roots in jazz and Americana.
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Riverside Park is a one-of-a-kind piece of infrastructure, seamlessly bringing together park, highway, railway and river.
In a series of 412 prints, Zoe Leonard captures a disappearing New York using a technology that is also dying off.
A retrospective at the Hammer Museum’s Billy Wilder Theater will pay homage to a trailblazer in early American film, largely forgotten today.
Rezo Gabriadze’s latest show focuses on a love story between two trains.
A show that attempts to re-create a pivotal moment of art history.
Watercolor’s unruly fluidity and transparency make it difficult to work with but also produce beautiful results.
At Terminal Five, Courtney Barnett, Speedy Ortiz and Torres played to a sold out crowd.
To celebrate its 75th anniversary, the Berkshires-based Tanglewood Music Center commissioned a bevy of new works, many of which debuted at its Festival of Contemporary Music.
John Mix Stanley’s art bridges the romance and realities of the American west.
Born in separate eras, Ethel Smyth and Harry Partch pushed social and sonic boundaries in very different ways.
The puns, non-sequiturs, sight gags and smart casting of ‘Airplane!’ create a movie still filled with surreal, anarchic laughs 35 years after its release.
‘Zurbarán: A New Perspective’ at the Museo Thyssen-Bornemisza is a deeply researched exhibition that highlights the artist’s hushed solemnity and mystical fervor.
Dick Hyman has recorded upward of 1,000 albums, played with Parker and Gillespie and was said to know more songs than any other jazz musician.
“Welcome Back to Milk” by Du Blonde retains all the best qualities of her earlier work, but there’s nothing coy or precious about it.
Willis Conover spread American culture and values across Europe and the U.S.S.R. with his radio program, but almost no one in the U.S. knew about his show.
In the movies featured in the Museum of Modern Art’s ‘Mexico at Midnight,’ characters grapple with a dramatically changing world and their tormented passions.
Momix’s ‘Alchemia’ at the Joyce Theater is a magical suite of beguiling, eye-filling and often impressive theatrics.
Fifty years ago, Bob Dylan picked up a Stratocaster and changed the world of rock ’n’ roll forever.
Reviews of ‘Daphne’ at the Lincoln Center Festival and ‘La Favorite’ at Caramoor.
A sculptor whose technique demanded great skill but allowed for greater creativity.
A journey spanning eight museums, over 400 miles, and some 73,000 works of art.
An exhibit at Moscow’s Central Museum of the Great Patriotic War celebrates 70th anniversary of the end of World War II.
In honor of Disneyland’s 60th birthday, a look back at a park that was ahead of its time.
In ‘The Peony Pavilion’ and ‘The Red Detachment of Women,’ the National Ballet of China showcases a rich pool of dancers in underwhelming productions.
In ‘Provocations: The Architecture and Design of Heatherwick Studio,’ a look at whimsical design from a young talent of startling originality.
Shakespeare without puns is like French cooking without butter.
‘Giant’ by L’anarchiste is a record with influences as varied as Miles Davis and Sufjan Stevens.
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An exhibition asks tough questions about the voyeurism inherent to photography.
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This weekend’s “Fare Thee Well” shows held at Soldier Field presented an opportunity to ponder and debate the Dead’s legacy.
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‘Rock Around the Clock,’ by Bill Haley and His Comets, got a second life that changed music forever.
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Francisco Oller put a French movement at the service of island patriotism.
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A new album with four previously unreleased tracks shows that Ellington remained eclectic in his musical endeavors late into his career.
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The unforgettable vision of the British noir ‘The Third Man’ returns, with its zither music, expressionistic camerawork, and Orson Welles as that endearing scoundrel Harry Lime.
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The painter gets his first major retrospective in more than 25 years.
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Kronos Quartet and other musicians came together to celebrate composer Terry Riley’s 80th birthday at SFJAZZ Center.
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How Missouri saved George Caleb Bingham’s drawings.
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And what color should he be?
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Nine-piece Hawaiian Swing band Kahulanui will make you want to dance a hula and do the jitterbug at the same time.
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An exhibition at the Bode Museum lays bare the artistic loss caused by international conflict.
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While many use the season to tackle a bedside table full of unread books, summer is the perfect time to explore the pleasures of re-reading.
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The newly re-released ‘1776’ took America’s founding from the history books, to the stage, to the big screen like never before.
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Subtle subversiveness and more overt slyness permeate the show at the Art Institute of Chicago.
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Britain’s Royal Ballet performs classic works by Frederick Ashton and Kenneth MacMillan, and newer pieces by Wayne McGregor and Liam Scarlett.
When intellectual titans William F. Buckley and Gore Vidal debated in 1968 they changed the media landscape forever.
Tom Cruise returns for another round of leaps and bounds.
Drawing from audiotapes recorded by Marlon Brando, Stevan Riley’s documentary sheds new light on the life of a peerless screen actor.
After surviving a concentration camp, a former nightclub singer sets out to discover the truth about her husband.
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Windsor gets a late-1800s update in this warmly genial staging of Shakespeare.
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In Wisconsin, a moving monodrama using Homer’s epic poem and thespian excursions inside a South African prison.
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In NBC’s new sitcom, Craig Robinson and a funny cast hit a few highs and some funky lows.
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In the final season of the Cinemax thriller, the good guys battle crazed North Koreans, Russians and Yakuza.
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Harry Nilsson’s cut of Sondheim’s “Marry Me a Little” had the chance to shape the way audiences thought of musical comedy—if it hadn’t been hidden away.
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‘The Second Coming’ outlines William Butler Yeats’s fearful vision of the future based on the moral anarchy of the present.
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A complicated manufacturing process gives birth to the elegant, timeless design of a 2,000-year-old jug, which is also the earliest example of a glassmaker signing his work.
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Patrick Brydone’s ‘A Tour Through Sicily and Malta’ is a travelogue from the past that’s fit for the present.
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Frederic Leighton’s “Flaming June” is on loan to the Frick Collection in New York for the next three months.
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Stendhal’s “The Charterhouse of Parma” is a Napoleonic novel brimming with political as well as psychological insight.
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George V. Higgins’s ‘The Friends of Eddie Coyle’ looks at the ways bad men make peace with their misdeeds.
Jake Gyllenhaal comes out on top in a familiar tale of a boxer struggling for redemption.
A charming illegal immigrant in France fights deportation to his native Senegal.
Joshua Oppenheimer follows up his previous documentary about Indonesian death-squads with this portrait of an optometrist whose patients include some of his brother’s killers.
A former con-man dons a scalable supersuit to help keep a world-changing invention out of the wrong hands.
In the new Woody Allen film, Emma Stone is a student who falls for her alcoholic philosophy professor played by Joaquin Phoenix.
Ian McKellen plays an aged Sherlock who revisits a case from his past.
Comedy prodigy Amy Schumer wrote and stars in the story of a young woman who won’t be tied down by social or sexual conventions.
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Sean Baker’s film shot entirely on an iPhone follows a pair of black transgender prostitutes on Christmas Eve in Hollywood.
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Matthew Heineman’s documentary takes a bleak but sharp-eyed view of efforts to combat Mexico’s drug cartels on both sides of the border.
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The begoggled, capsule-shaped, banana-colored scamps who stole the show in two installments of the popular “Despicable Me” get their own movie.
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Channing Tatum returns in this romp about the Kings of Tampa, a troupe of male strippers on one last road trip.
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Asif Kapadia’s documentary is a moving look at the talented and troubled Amy Winehouse.
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For the past 60 years five women have sustained their monthly ritual of taking tea together.
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Seventy years after the bombings of Hiroshima and Nagasaki, a look at the creation of the world’s most destructive weapon.
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Spike’s miniseries about Egypt’s famous pharaoh has great hats, dancing girls, some gore, and a saggy script.
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MTV’s ‘White People’ tries to get young Caucasians to see themselves as others see them but ends up in a muddle.
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A PBS documentary provides fashionable rationalizations for the looting that erupted during the 1977 New York City blackout.
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Nat Faxon and Judy Greer’s contentious but entertaining union endures in the second season of this FX show.
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In this stunning Nat Geo WILD program, alluring avians cope with the demands of survival.
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One appeal of this middle-aged copper with a tart tongue is that we know so little about her.
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IFC’s miniseries hilariously parodies cinema noir and every bad art film you ever saw.
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Revisiting a late-night altercation between seven lesbians and a man who accosted them outside a Greenwich Village movie house.
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At the Hudson Valley Shakespeare Festival, Davis McCallum stages a youthful, fresh and lucid version of one of the Bard’s more problematic plays.
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Tennessee Williams’s classic gets an update to the ’60s in William Brown’s solid staging.
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When an actor suspects his wife of cheating, he disguises himself as a dashing guardsman and tests her fidelity.
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A high-budget production looks at John Newton, the British slave trader turned abolitionist who wrote the words to the iconic hymn.
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At the Shaw Festival, ‘The Twelve-Pound Look,’ ‘Sweet Charity’ and ‘You Never Can Tell’ tackle romantic relationships of all kinds.
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The Irish Repertory Theatre remounts the production that Terry Teachout calls ‘a profound meditation on the twin themes of loneliness and community.’
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When a 14-year-old boy wanders into a small-town theater in Douglas Carter Beane’s autobiographical comedy, the players leap at the opportunity to make the teenager one of their own.
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Peterborough Players stages ‘A Garden Fête,’ letting audiences vote on what ending they’d like to see in this section of the multipart farce ‘Intimate Exchanges.’
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Edward G. Robinson, who had roles in ‘Little Caesar’ and ‘Double Indemnity,’ called his trove ‘one of the greatest collections of French Impressionist art ever assembled by an American.’
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Is the award-winning playwright a snob, or are audiences less intelligent than they used to be?
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Roy Webb is still waiting for his close-up.
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The rise, fall and temporary comeback of the Broadway overture.
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George Grossmith’s sad little comic masterpiece, ‘The Diary of a Nobody,’ reminds readers of a harsh truth: Most of us, no matter how well we may think of ourselves, are unimportant to the rest of the world.
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The eccentricities of art collectors are well documented, but what makes them go to such great lengths to indulge their obsession?
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Theater might not be dead, but Broadway is proving less and less open to staging new plays.
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