Crew List & Locations
Unit photo organised by Nigel Goldsack (standing left in beard) for the director's birthday
Director: Christopher Miles
Executive Producer: Stanley J. Seeger
Producers: Christopher Miles, Andrew Donally
Screenplay: Alan Plater
Based on 'The Priest of Love' by Harry T. Moore and the letters and writings of D.H.Lawrence
Music: Joseph James
'The Way we got it together' Music by Joseph James: Lyrics by Christopher Cone played by the Pasadena Roof Orchestra
Frieda's Theme played on the cimbalo d'amor by Leslie Pearson
Orchestrated and conducted by Alexander Faris
Production Designers: Ted Tester, David Brockhurst
Costume Designer: Anthony Powell
l-r Ian McKellen, the director, Janet Suzman and Ava Gardner
Editors: Ann Chegwidden, Paul Davies
Director of photography: Ted Moore B.S.C.
Production Supervisor: Leslie Gilliat
Assistant Director: Graham Fowler
Production Administrator: Ron Atkinson
Production Executive: Penelope Midgley
Continuity: Pamela Mann
Camera Operator: Mike Roberts
Sound Recordist: Robin Gregory
Sound Editor: Rusty Coppleman
l-r Mike Roberts and Ted Moore - Graham Fowler, David Brockhurst, CM, and John Beard - George Frost and Christopher Taylor with Janet Suzman
Wardrobe Supervisor: Rosemary Burrows
Make-up: George Frost
Hairdresser: Christopher Taylor
U.K. Unit Manager: Rufus Andrews
Second Assistant Director: Nigel Goldsack
Production Assistant: Sheila Collins
Camera Assistants: Anthony Gaudioz, Mike Bulley
l-r in fg. Anthony Powell, Ted Tester and Loti Irwin during a canteen break
Camera Grip: Peter Butler
Boom Operator: Terry Sharratt
Stills Photographer: Barrie Payne
Set Decorator: Peter Young
Assistant Art Directors: Jim Morahan, John Beard
Dubbing Mixer: Dean Humphreys
Supervising Electrician: Maurice Gillett
Titles: National Screen
   
Alan Plater - Harry Moore and Janet Suzman with CM - a lighter moment with Penelope Keith
MEXICO
Unit Managers: Juanita Portillo, Pepe Terron
Assistant Director: Winfield Sanchez
ITALY
n McKellen, Maurizio Merli and Janet Suzman
On meeting their new Italian landlord Lawrence remarked 'Has he lost his opera?'
Unit Managers: Patrick O'Brien, Goffredo Matassi
Assistant Director: Bruno Cortini
The Producers would also like to thank:-
Gerald Pollinger and the D.H.Lawrence Estate
Loti Irwin and Golden Earwig Enterprises
Enid Goodband and the D.H.Lawrence Society
Saki Karavas for permission to copy the D.H.Lawrence paintings
Susan Miles for painting copies of Dorothy Brett's work
The National Coal Board's Museum
and Staff at Lound Hall, Retfird, Notts.
MPAA No. 26392
© Ronceval Inc., MCMLXXX
Production Company: Milesian Films Ltd
Film Kodak Esatmancolor
Laboratory: Technicolour Ltd., 98 mins
l-r Penelope Keith with Suzy Miles who explains how she made copies of Dorothy Brett's paintings for the film.
(the following crew are not credited on the film)
Pre-production Secretary: Carol Hazell (died of Hodgkin's disease before shooting started - the Royal Première, arranged by Loti Irwin, was for an appeal in her honour)
Unit Secretary: Marion Gray
Director's secretary: Jackie Danks
Assistant to the producer: Wendy Donally
3rd Assistant Director: Amynta Cardwell
Unit Runner: Adam Alvarez
Camera Car Driver: Terry Beck
Grip Van Driver: Brett Lamb-Shine
Sound Maintenance: Michael Sale
Accountants: Anne Shields, Ernest Shepherd, Robert Faloon
Draughtsmen: Anthony Rimmington, Brian Ackland-Snow, Crispian Sallis
Property Buyer: E.G.Rodrigo
Construction Manager: John Godfrey
Property Master: Bert Hearn
Property Man Dresser: Peter Wallis
Property Man: Roy Pembroke
Drapes: Colin Pearce
Scenic Artists: Alan Evans, Frank Graves
Getting the continuity right, l-r Pamela Mann, Ted Moore, CM, Tony Gaudioz, Janet Suzman, Mike Roberts, Penelope Keith and Ian McKellen
Wardrobe Assistant: Austin Cooper
Costume Assistant: Joanna Johnston
Make-up: Robin Grantham
Hairdresser: Stephanie HallPublicist: Brian Doyle
Publicity Secretary: Rebecca West
Assistant Editors: Mike Crowley, George Akers, Gordon Brown
Assistant Dubbing Editor: Leonard Green
Sound Editors: Derek Holding, Jim Roddan, Kevin Beirne
Chargehand Props: David Merchant
Standby Props: Kieron McNamara, Peter Hedges
Standby Carpenter: Edward Sinclair
Standby Painter: Alan Seabrook
Standby Rigger: Raymond Jones
Electricians: Alan Barry, Dennis Branch, Raymond Meehan, Peter Bloor, Roger Mills and Richard Seal
Unit Driver: Mike Hance
Costumes: Berman & Nathans Ltd., Cosprop Ltd.
ITALIAN CREW
Casting: Inga Seyric
Art Director: Aurelio Crugnola
Production Assistant: Maurizio Ciarno
Production Secretary: Marie-Louise Janssen
Crowd Marshall: Cosimo Picchierri
Accountant: Maurizio Spinelle
Assistant Art Director: Bavier Tiziana
Wardrobe Assistant: Maurizio Monteverde
Construction Manager: Ivano Todeschi
Assistants Camera: Erico Menzer, Giorgi Aureli
Make-up: Adonella de Rossi
Hairdresser: Giancarlo de Leonardis
Grips: Francesco Bernadini, Carlo Besi
Ursula Creagh, Barbara's daughter, after watching Janet Suzman for half-an-hour, suddenly produced a Mexican-Indian lapis lazuli broach and necklace which belonged to her grandmother, Frieda, and let Janet wear them for the film.
MEXICO
Casting: Nancy Rodman
Crowd Casting: Joaquin Garrido
Assistant Director: Hector Lopez
Wardrobe Supervisor: Crista von Humbolt
l-r Janet Suzman, Ian McKellen and Penelope Keith on the steps of the Zapotec temple at Mitla, Oaxaca, Mexico
Wardrobe Assistant: Alicia Rubio, Alfonso Govea
Make-up: Olga Riviseco
Props: Carlos Cortes
Hairdresser: Maria de Jesus Lepel
Driver: David Gonzales Medrane
l-r Sophie and Suzy Miles with Christopher Cone (lyricist of 'Let's get it together') wait in the Mexican shade to be called as extras for Mabel's party.
NEW MEXICO
Contact: Anthony Branch
Owner of D.H.Lawrence's paintings: Saki Karavas
FRENCH CREW
Assistant Director: Noêl Costa-Coquelard
Some of the French 2nd unit - 3rd from rt Assistant Director Noel Costa-Coquelard
and extreme rt. Andrew Donally Co-producer
LOCATIONS
Shepperton Studio Centre, Studios Road, Shepperton, Middlesex, UK
Victoria Street, and the streets nearby of Eastwood, Notts, UK
National Coal Board Museum, Lound Hall, Retford, Notts, UK
Suffolk Street, London, SW1, UK
Royal Exchange, Cheapside, City of London, UK
Westminster Bridge, (Houses of Parliament) London SE1, UK
Trevassa Farm, Trevega, Nr Zennor, Cornwall, UK
Porth Zennor Cove, Nr Zennor, St Ives, Cornwall, UK
High Pak Road, Underwood, Notts, UK (View of Haggs Farm)
Hotel La Fonda, Plaza, Taos, New Mexico, USA (DHL's paintings)
Temple of Mitla, Oaxaca, Mexico
Tlacolula and its surroundings, Nr Oaxaca, Mexico
Hotel Victoria, Oaxaca, and town of Oaxaca, Mexico
L-r Robin Gregory (silhouette) Ian McKellen, Penelope Keith and CM
directing a failed love affair between Lawrence and Dorothy Brett in Italy.
 Villa Mirenda, Scandicci, Nr Florence, Italy
Via de Oriuolo, (piazza del Duomo) Florence, Italy
Grand Hotel Fasano, Lago di Garda, and its surroundings, Italy
Villa Quattro Venti, Island of Capri, and ferry boat to the island, Italy
Villa Val de Cagne, Vence, France
Ian McKellen in Italy with the director preparing for the scene when Lawrence coughs blood and has to admit to his tuberculosis
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