How a tiny studio enhanced Icewind Dale and other classic D&D games (interview, part 1)

October was a big month for Dungeons & Dragons.

The rollout for the new edition of the tabletop game continued with the Monster Manual. D&D’s top massively multiplayer role-playing game, Neverwinter, prepped players for one of its biggest events — the rise of the evil dragon god Tiamat, a plotline that ties into the tabletop game. And at the end of the month, Beamdog Games released its third “refreshed” version of a classic D&D adventure, Icewind Dale: Enhanced Edition.

One might think that Trent Oster has had his fill of Icewind Dale and its cousins, the Baldur’s Gate series (they share the same game engine, Infinity). He worked on the original Baldur’s Gate at BioWare nearly 20 years ago. He was the project director for one of BioWare’s most ambitious projects, Neverwinter Nights. But instead of moving on, he’s spent most of the past few years revisiting these beloved games with enhanced editions of Baldur’s Gate and Baldur’s Gate II (which run on PC, Mac, and tablets).

Shortly before Icewind Dale: Enhanced Edition’s release, I talked to Oster about his D&D odyssey. Here is part one of the edited transcript. You can also check out our discussion of updating Icewind Dale II, Planescape, and even other D&D classics in part two here.

GamesBeat: You’re running out of Infinity Engine games to enhance. Are you getting sad about that?

Trent Oster: Yeah, we’re starting to run low. I don’t think we’re really sad about it. I think partly we’re glad that we’re getting near the bottom of the list. But at the same time, I think it comes down to — at this point, we’re pretty mature on what we’re doing. We know how to do it right. As a result, I think the — honestly, the results will speak for themselves. Icewind Dale is pretty stable, pretty awesome. We fixed a lot of issues. It’s working really well.

GamesBeat: When you say you think you’ve gotten good at this, what’s one aspect of dealing with this old code that you’ve mastered?

Oster: Probably the worst, or the thing we’ve gotten the best at, is just understanding the whole process. We have things flow in terms of getting new content into the engine. Being able to find bugs when they do emerge, being able to track them down and go through them. Baldur’s Gate and Icewind Dale and basically all of the Infinity engine games were created in a different time. It was a totally different mindset on how to create games. Later on in my career, when we did Neverwinter Nights and worked on Knights of the Old Republic and Mass Effect and Jade Empire, it became more about making people much more efficient. With Baldur’s Gate, it was like, we’ll throw 50 people at the problem, and the problem will go away. We’ve backed away from that.

GamesBeat: One thing that is still kind of wonky with the Baldur’s Gate Enhanced Editions is pathfinding. Have you gotten better at that?

Oster: We’ve always been scared of the pathfinding.

GamesBeat: Really?

Oster: It’s a question of how much better do you make it? How reliant on the original pathfinding is the video game, especially in the cinematics. A cinematic in Baldur’s Gate basically pauses gameplay, but the rules are still active. It’s using all the game systems. One of our fears was if we fixed pathfinding, we might break a whole bunch of cutscenes. Guys who normally take three seconds to walk a distance might do it in a second and a half, because they actually take a good route as opposed to a horrible one. So we’ve been very hesitant about going too deep in the past.

On Icewind Dale, we actually dug in and said that we’re going to fix this.We’re going to make the pathfinding better. We’re going to find the weak spots, where it falls on its face, and we’ll eliminate those scenarios. We’ll find, essentially, what’s causing a lot of the odd behaviors that annoy people and get rid of those.

Icewind Dale was kind of the first time that we felt confident and really aggressively tackled pathfinding and tried to optimize it and make it better. Now that we’ve done that, we’re going to port those fixes back into the Baldur’s Gate products as well, because it’s such a big improvement.

GamesBeat: I’ve seen moments, especially in towns, where the pathfinding still seems problematic. Do you believe and do have proof that it’s better?

Oster: Icewind Dale pathfinding is much better than it was. There are some specific blocking conditions where — basically what would happen is I would click ahead of my party and one of my people would move, and the instant somebody tried to move through the space he was occupying, it would bail. They would say, oh, this path is no good, I can’t move. They’d just stand there. We fixed that specific scenario. We fixed a couple other scenarios where characters would block each other, even potentially in the future be blocking each other, but interrupt the current path. They’re going to get stuck a lot less.

The pathfinding system itself, as I mentioned earlier — the Infinity Engine stuff is basically built around this concept of “we’ll throw 50 people at it.” The pathfinding is actually based on search maps, which are two-dimensional bitmap images that have — they’re flagged by color. The color shows where you can go and can’t go, where you can see and can’t see. It also affects the sounds that the player makes when they walk. The resolution on those is actually quite low. We’ve gone through, with Icewind Dale, and done a number of fixes and improvements to it, but we’re still fundamentally playing with some pretty low-resolution search maps there.

I don’t think the pathfinding will ever be state of the art, but I think it’s a lot better than it was.

GamesBeat: You’ve mentioned what a mess the code for Baldur’s Gate was when you made is Enhanced Edition. What about Black Isle’s Icewind Dale, which came form a studio that just worked with the engine and didn’t create it?

Oster: We actually ignored the Icewind Dale codebase, mostly. We took our codebase, which was the Baldur’s Gate 2 code, and we ported Icewind Dale over to work in the new code. We went back, in some cases, where Icewind Dale did things a little differently and we had access to that code.

With the Heart of Winter expansion, somewhere along the way we lost access to that code. No one had it. We had to go in and reverse-engineer it and figure out how it worked. They added some new features to the game, some new abilities that characters could use, and some different ways of approaching things. There was no code for that, so we had a couple of guys who were able to go in and look at the content and, from what the content was requesting and doing, and observed behavior in the original game, we were able to back-figure how it was implemented and implement it ourselves.

Along the way we wound up extending the Infinity engine, so now it can do even more things. We’ve kinda got this superset of features now, where what we’re calling the Infinity Bless engine can do everything Baldur’s Gate, Baldur’s Gate 2, and Icewind Dale could do. It’s this crazy amalgamation of what was in the original games, plus all the new stuff we’ve added.

GamesBeat: With the exception of the spells that you could bring over, the items you could bring over, and the monsters you could bring over from the Icewind Dale content, did you have to rewrite Heart of Winter, essentially?

Oster: We had to rewrite parts of the code that supported it. We had to go through, look at the features that were there, and say, OK, how does this actually work? I can see from the data side what it’s trying to do, and when I play Heart of Winter and the original Icewind Dale, I can see what it’s doing here. What’s the right way to do this in the engine? We dug in and we basically built the code from our side to make it work.

GamesBeat: But all of the text, say, that was all there? You didn’t have to go in and rewrite the script.

Oster: Correct. Text was all there. We just had to port it from Icewind Dale format to the new format. Early on, we were able to partner up with, funny enough, a computer science prof who’s a big Icewind Dale fan. He had actually written part of a conversion system to bring the content over to our new format. We were able to kind of assist him, describe out our formats, and he was able to give us a good head start on the whole porting process.

GamesBeat: So Icewind Dale: Enhanced Edition got help from a fan.

Oster: Actually, Icewind Dale: Enhanced Edition was mostly done by ex-modders.

GamesBeat: That’s really cool.

Oster: When we were working on Baldur’s Gate: Enhanced Edition, we reached out to the modding community, and we hooked up with a couple guys who’d been modding Baldur’s Gate for the last 10-plus years. They’ve done amazing stuff. They’d done all these fix packs. We were talking to them about, hey, what’s the right way to approach things? We had this idea about how we were going to totally change the file-handling system and we were going to make modding easier. At which point they told us, Jesus, no, don’t do that, you’ll blow up everything we’ve ever done. Don’t go there. We’re like, whoa, OK, we’re stupid. Tell us how to do it. Tell us how you want it. We’ll make sure it works amazingly well.

So we went through and we were able to build a system up that totally fit what they wanted to do and how we wanted to work on things going forward. We wound up hiring a couple of them. And then they said, hey, you should hire this guy, you should hire that guy. At last count there’s a dozen of them.

GamesBeat: I love that.

Oster: That was actually the pipeline for hiring at BioWare after Neverwinter Nights. We shipped Neverwinter, and it’s this great tool set. We’d say, hey, you want a job as a designer at BioWare? Here, build us a Neverwinter mod and show us your chops. It was great from our perspective, because we hired somebody who was a proven entity. They know how to use the tools and do these things. I can think of two cases specifically where guys sent in modules, we sat down and reviewed them, and we were like, this guy’s amazing. I have no idea how he did this. So we hired these guys. One guy was … from Israel. The other guy was Georg Zoller, who was from Germany.

It was David Wallace who helped us on Icewind Dale at the start. He did this massive converter to move all the assets. Everything was different. The graphical formats, text formats, everything got transmogrified just slightly.

GamesBeat: What’s your favorite party makeup when you’re playing Icewind Dale?

Oster: I’m a pretty straight-up guy. I like two tanks, a healer, cleric, and one mage, but I don’t even really call him a mage. He’s my fireball unit. Typically, I’ll have a thief I can use as a scout unit, so I can drop fireballs on ’em. I usually try to give him a ring of fire resistance or something like that, because I occasionally feel bad when my thief bites it because I fireballed him.

GamesBeat: You made some items, spells, and new character kits. Are these things you played with in 3E or 4E D&D games, or just things you came up with from scratch?

Oster: Some of the items are — I think everything comes from somewhere. Some of the items were created to fill a need in the game. There was a void there. Some of them came from personal gameplay sessions, specifically from some of the mod group that joined our team. They really wanted to explore something. They said, hey, I got this idea for this weapon or this plot.

And we had to essentially backfill some content. In the original Icewind Dale, there was kind of a — some of the mod guys created a mod called Unfinished Business. Basically they went in and found content that had been cut and just kind of left there, and they restored some of that content. The great thing here is, when we got the archive of Icewind Dale stuff from [D&D maker] Wizards of the Coast, it actually had a lot of the notes from the designers on what they were trying to do and how they intended plots to go. We were able to dig in to those notes and say, OK, based on that, this story was supposed to go like this. We filled it out and got it working. Here, this is how they planned it. In some cases we were like, that’s too conservative. Let’s make it bigger. We were able to flesh out plots and make things pretty awesome.

GamesBeat: What’s your new favorite weapon that you guys made?

Oster: Ah … that’s a good question. I don’t think I have a specific favorite that I’ve played with yet. I know historically there was no support for katanas in the game, so when you did your total — you couldn’t do your total cheesetastic kensei mage. Whereas now you can do the cheesetastic kensei mage. You can grab magic katanas and go in and suddenly you have this pseudo-killer character that historically you just couldn’t pull off. As well, we have just a really good variety of weapons that weren’t there before. I haven’t hit one that I’m in love with yet.

GamesBeat: What about a new spell you’ve made?

Oster: I was playing a cleric, the Champion of Tempus. They basically have this ability where they can boost themselves up every day. I was buffing myself as I went, trying to explain to Phil that he should stop killing us and getting us murdered by — we did a live gameplay stream where we were playing for the Child’s Play charity. Phil, our lead designer, he managed to keep killing us over and over again. “Phil, don’t open that door!” He would open the door and murder us. I was constantly trying to buff the party, buff myself, anything I could do to survive. It didn’t work well. Phil’s malevolence was much greater than my ability to buff us.

GamesBeat: Would that also be your new favorite kit added to the game?

Oster: Let me think. I think my favorite was the spirit druid. You could summon a spirit bear or a spirit snake. His snake was devastating. It was everywhere, all over the screen. You could barely see it, and all of a sudden it would just pop in and be murdering things. Go, snake! I think the spirit druid, by far.

GamesBeat: How does the co-op work? Do they bring in one character and it’s like, they have one and you have your party of five? Or could you conceivably play with five other people and each of you has one member?

Oster: Yes. So, what you do is — it’s kind of similar in terms of how Baldur’s Gate would play. The person who created the game can go and generate all the characters, or they can open up the slots so that other players can generate the characters. They can allocate out those slots. In the stream we were playing with two of us at some points, three of us at some points. When we were playing with two people, we each took three characters. When we were playing with three of us, we could each take two. You could go up and be playing it so that you’ve got one player playing each character, six players jumping in and having a great time with it. We had a lot of fun playing it on our screen. It was pretty hilarious. Phil was just deliberately thinking about how he could screw us up. He’s like, I’m gonna attack the innocent people! That’ll create some fun! Sure enough, everybody starts attacking us.

GamesBeat: That’s more like a true role-playing experience if you think about it. You could play in an MMO, and if you start attacking people, it doesn’t really do anything.

Oster: Being able to play, especially cross-device, it’s pretty awesome. Early on in testing, I was playing on an iPad. Another guy’s playing on Android. Another guy’s playing on a Mac. It’s all the same data, so it just plays across multiple platforms.

GamesBeat: What is it about Icewind Dale, in your opinion, that keeps people coming back?

Oster: I think it was just an amazing sense of atmosphere in its time. They did the whole frozen north, cold — it just had an environmental presence that other games at the time didn’t have. It’s still true. The artwork is beautiful. You look at the area art — I’m still looking at it going, damn, those guys were good. We got to know a bunch of the guys down at Black Isle while we were working on the Baldur’s Gate stuff. We shared — there was actually a point where I was working as a 3D artist, and some of the guys actually tutored me on how to make better-looking stuff. They were just a really strong art team. They made a beautiful-looking game. With us, we were able to go in and take the stuff that was there and improve it where we could, but in many cases it was just taking the original source and instead of running through this complex process of grinding it all up and paletizing it and putting it into different chunks — our new system basically just works with the raw images and puts them, not straight into the game, but it puts them in the game at a lot higher quality.