Category Archives: October 2011

Countdown to AES with Peter Katis

BRIDGEPORT, CT: In the old days, there were engineers who came up through the established studio system, rising from the ranks of interns, and there were engineers who worked their way into their living by diligently slaving away in hodgepodge basement studios on quirky indie releases. Peter Katis did both. “I was always a DIY […]

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Behind The Release: Wilco “The Whole Love”

Wilco is one of those rare bands that have become something of a household name without the benefit of media saturation or even a single platinum-selling release. They’re the sort of players who seem to attract more GRAMMY nods and diehard fans than bell-weather listeners. And, although their roots are as deep in classic Americana, […]

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Studio Skillset – Guitar and Bass Setups Part 1: Neck Adjustment and Action

A well set-up guitar or bass is a joy to play and to record. But a poorly looked-after instrument can bring a tracking date to a grind. This week, learn how to save a session with a pocketful of Allen wrenches. Aside from bad playing, nothing can rob a guitar or bass of its tone […]

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Countdown to AES with Chris Shaw

ModernTimes

This month, I’m honored to be the co-host a live talk as part of AES’ Platinum Panels series. The first of these interactive discussions is “Creative Engineering: The Studio As an Instrument”, a panel that brings together four of the busiest and most innovative engineers in the business to talk about the creative applications of […]

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Readers Respond about Music Streaming and Microphones

Letters from TMImaS readers. Welcome to another issue of “Trust Me, I’m A Scientist”! If you’re one of the thousands of new readers who have been tuning in since our launch in July, you may have noticed that we don’t have a comments section around here. I know that may sound old-school to some of […]

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Record Release Roundup: Highlights from a Hazy Summer

Last Photo From A Roll Shot at Coney Island, Brooklyn

When we set out to gather highlights from some of the best releases from the summer of 2011, we  asked for recommendations from the most hype-resistant breed of all: other musicians. Read on for their personal nominations. The Landscape The summer of 2011 was a hazy one as far as music production is concerned. Many […]

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Are Readers Really Abandoning Pitchfork and Gearslutz?

In this article we investigate claims that readership at the music review website Pitchfork, and the audio forum Gearslutz, have begun shrinking after many years of unprecedented growth. We turn to the numbers and ask if they’re actually losing readers, what it might mean, and whether it’s truly possible to measure influence online. The music […]

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Countdown to AES with Flaming Lips Producer Dave Fridmann

CASSADAGA, NY: On Saturday, October 22, the Editors of SonicScoop and I will be hosting the flagship AES presentation “Platinum Engineers Panel: The Studio As An Instrument“. In preparing for our talk, I wound up asking each of our panelists about the records and the producers that influenced the most. When I posed this question […]

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Focus and Power: An Ode to the Dynamic Microphone

This is a guest post by recording engineer and musician Tony SanFilippo. Advertisers will have you believe that condenser microphones are the key to quality recordings. In the past, these super-sensitive transducers were the elite of the microphone world and commanded high prices. In recent years, it seems there’s a new low-cost large-diaphragm condenser released every […]

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