Photo Gallery

Angkor Thom South Gate (late 12th—early 13th centuries)

Angkor Thom is quadrangle of defensive walls totaling 12 kilometers that once protected the Khmer capital of the same name (Angkor Thom means 'Great City'). Built in the late 12th and early 13th centuries by King Jayavarman VII, the walls are divided by two axes running north-south and east-west. A gateway lies at the end of each axis, four in total, facing the four cardinal directions. An additional gate, called the 'Gate of Victory', pierces the east wall just north of the 'Gate of the Dead', the east gate along the central axis. The significance of the additional gate is that it provided access to a terrace of the royal palace. As for the other gates, the two axes intersect at the center of the enclosed area where the Bayon temple sits.

The south gate of Angkor Thom is the best preserved. It is approached from outside via a causeway that extends about fifty meters across a moat. On each side of the causeway are railings fashioned with 54 stone figures engaged in the performance of a famous Hindu story: the myth of the Churning of the Ocean. On the left side of the moat, 54 'devas' (guardian gods) pull the head of the snake 'Shesha' while on the right side 54 'asuras' (demon gods) pull the snake's tail in the opposite direction. In this myth, the body of the snake is wrapped around the central mountain—Mt. Meru—perhaps corresponding here to the Bayon temple at the center of the site. In any case, the myth relates that as the Devas pulled the snake in one direction and the gods pushed in the other, the ocean began to churn and precipitate the elements. By alternating back and forth, the ocean was 'milked', forming the earth and the cosmos anew.

The central tower of the stone gate is capped by three face-towers that face the four directions (the central tower faces both out and in). Below them at the base of the gate are two sets of elephant statues that flank the entrance on both sides. Sitting on each elephant is a figure of the god Indra carrying his usual weapon—the 'vadra' (a lightning bolt). The gate itself is shaped like an upside-down 'U' and is corbelled at the top (instead of arches, the builders of Angkor preferred to use corbelling to span distances). It is still possible to see where wooden doors once fitted to the gate through openings in the stone.

There is some debate as to the functionality of Angkor Thom as a whole. If it was a wall intended for defense, it was rather poorly designed, since there is nowhere along the wall for defenders to take refuge from incoming fire or shoot back from a shielded location. This is surprising since Angkor had been sacked in 1177 by Champa invaders, and one can readily imagine that its new King, Jayavarman VII would have been concerned with defense should the invaders return.

If not intended for defense, the walls may simply have been an additional enclosure around the Bayon temple, more for ceremony than for practical use. As in Southern India, the Angkor rulers built temples surrounded by walls, but usually not with walls as thick and grand as those of Angkor Thom.


The approximate location of the Angkor Thom South Gate is 13.427545' N, 103.859613' E (WGS 84 map datum).


All images copyright 2014 by Timothy M Ciccone

Brukoff, Barry & Jessup, Helen Ibbitson. Temples of Cambodia: The Heart of Other Angkor.
  New York: Vendome Press, 2011.

Cohen, Joan Lebold. Angkor: The Monuments of the God Kings
  Harry N. Abrams, Inc., 1975. New York

Freeman, Michael and Roger Warner. Angkor: The Hidden Glories
  Houghton Mifflin Company., 1990. Boston

Jacques, Claude and Freeman, Michael. Angkor: Cities and Temples
  River Books Co., Ltd., 1997. Thailand

Jacques, Claude. The Khmer Empire: Cities and Sanctuaries from the 5th to the 13th Century.
  Bangkok: River Books Press, 2007.

Laur, Jean. Angkor: an Illustrated Guide to the Monuments
  Flammarion, 2002. Italy

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Jeff posted on Sat Apr 06, 2013 3:24 am:

Also interesting to note is that from all the faces at Angkor Thom, there is only 1 smiling. At least, that is what our tour guide mentioned when we were visiting this remarkable scene.

Chris posted on Mon Jan 07, 2013 11:57 pm:

Nice article with interesting information, get more there

phalika N posted on Mon Dec 27, 2010 9:33 am:

The giant faces are NONE others than King Jayavarman VII's faces. His monuments showcase human performance and NOT some divine delusion.

phalika N posted on Mon Dec 27, 2010 9:32 am:

If you would look CLOSER to all the figures on the elephants, there are 3, three, royals figures on the elephants - King Jayavarman VII, Queen Indradevi and Queen Jayarajadevi.

phalika N posted on Mon Dec 27, 2010 9:28 am:

The technical info is correct.

long posted on Tue Oct 05, 2010 1:14 pm:

Here have many document for search

sreemoyee posted on Wed Sep 30, 2009 11:29 pm:

the four faced god is the "bramha" the creator god in mythology.