Album Review

Ben Vida – Slipping Control (Shelter Press, 2014)

ben vida - slipping control album cover
Ben VidaPart 8 (Shelter Press)

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Shelter Press doin a fuckin number on 2014, this new Ben Vida record just adding to the awesomeness, and while anything by Mr. Vida should be on your radar regardless, Slipping Control gets extra points for including Tyondai Braxton and Sara Magenheimer on vocals. What started out as the book Tztztztzt Î Í Í…, which was “composed to act as a score, a sound piece and as raw data for electronic control source” turned into this record of brainwarping levels of insanity, full blown electronic scatter glitch that ping pongs in your skull like misfiring neural synapses, laser sharp and reverbed wire snap, and then Ty & Sara come in with their wordless stuttering, either solo or with electronic accompaniment, and it’s just fucking brilliant, with fleeting rhythms that pull you in for sweet moments of focused repetition before being twisted, layered, and chopped into its alien bio-mechanics, these are sounds that come from an intentional randomness that transforms the way you hear the world around you, the hums and scratches in your life being re-imagined and given new life. This is, unsurprisingly, supremely excellent work from Vida. Wholly worth your time.

Album Review

Alex Cobb – Marigold And Cable (Shelter Press, 2014)

alex cobb - marigold and cable album cover
Alex CobbMarine Layer (Shelter Press)

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After shedding the Taiga Remains moniker and debuting the supreme Passage To Morning in 2012 under his own name on Students Of Decay (the label Cobb runs), Alex has returned with his second full length under his new name and it’s a motherfucking champion of tender drone. This dude conjures next level sounds out of his guitar à la Stars Of The Lid, super soft and precise tonal shifts that exude warmth & emotion, and it’s all done live sans synths, heavenly minimalism subtly penetrating the dark crusty core of your heart that’s reserved for only the most intimate of moments, majestic & goddamn glorious without being overbearing or overwhelming, this is a perfectly balanced reserved euphoria, organically turning the surrounding sterile atmosphere into a peaceful familiarity. Best of the fucking best. Only 500 copies from one of my new favorites, Shelter Press.