For Josh Groban, a Boot Camp for Broadway
To prepare for his role in “Natasha, Pierre & the Great Comet of 1812,” he tackled the accordion — and, reluctantly, learned to dance.
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To prepare for his role in “Natasha, Pierre & the Great Comet of 1812,” he tackled the accordion — and, reluctantly, learned to dance.
By MICHAEL PAULSON
Two decades after graduation, a college a cappella group harmonizes to celebrate the success of a member.
By SUSAN DOMINUS
The Classical Theater of Harlem’s Christmas musical is a memory show; this year it moves to the main stage of the Apollo.
By LAURA COLLINS-HUGHES
Jake Broder brings the decades-gone comedian back to slang-slinging life in “His Royal Hipness Lord Buckley,” but without the pith helmet.
By ELISABETH VINCENTELLI
Circus der Sinne, based in Tanzania, deploys performers who leap, juggle and perform myriad other feats at the New Victory Theater, backed by a live band.
By KEN JAWOROWSKI
Our writers, editors and critics single out indelible scenes from the past year onstage.
The show employs video, puppets and action figures, as well as actors, to tell its familiar story, about a boy abandoned by his vacationing family.
By ANDY WEBSTER
The production stars Amber Riley, from the TV series “Glee,” as the girl group singer Effie White.
By MATT WOLF