Metarythmes, Montréal – ‘migration1’
OBORO, STUDIO XX and TOPLAP are supporting ‘Metarythmes’ a series of meetings to collaborate and explore around the concepts ‘live and rhythm’ through non conventional vocabularies. First ‘Metarythmes’ jam will be next 21 June, 19h at OBORO in Montréal. https://metarythmes.github.io/
Metarythmes, Montréal – ‘migration1’
OBORO, STUDIO XX and TOPLAP are supporting ‘Metarythmes’ a series of meetings to collaborate and explore around the concepts ‘live and rhythm’ through non conventional vocabularies. First ‘Metarythmes’ jam will be next 21 June, 19h at OBORO in Montréal. https://metarythmes.github.io/
OSC Jam: CASo ABIERTO #1 – Buenos Aires
This next Saturday (June 10th) will be held another livecode-ar meeting in the Centro de Arte Sonoro de la Casa Nacional Del Bicentenario (3er Piso, Riobamba 985, Ciudad Autónoma de Buenos Aires) at 7:00 PM. This time we’ll join forces
OSC Jam: CASo ABIERTO #1 – Buenos Aires
This next Saturday (June 10th) will be held another livecode-ar meeting in the Centro de Arte Sonoro de la Casa Nacional Del Bicentenario (3er Piso, Riobamba 985, Ciudad Autónoma de Buenos Aires) at 7:00 PM. This time we’ll join forces
howto_co34pt_liveCode – Resources about how I live code in SuperCollider
I live code as co￥ﾡpt, and for the past couple of months I have been documenting how I live code in SuperCollider. howo_co34pt_liveCode is a set of resources, guides, code and a couple of mini-essays covering why I decided to live
howto_co34pt_liveCode – Resources about how I live code in SuperCollider
I live code as co￥ﾡpt, and for the past couple of months I have been documenting how I live code in SuperCollider. howo_co34pt_liveCode is a set of resources, guides, code and a couple of mini-essays covering why I decided to live
Live Coding meeting in Buenos Aires
This next Saturday (April 29th) will be a meeting in the Centro de Arte Sonoro de la Casa Nacional Del Bicentenario (3er Piso, Riobamba 985, Ciudad Autónoma de Buenos Aires) at 3:00 PM. This first meeting aims to gather users
Live Coding meeting in Buenos Aires
This next Saturday (April 29th) will be a meeting in the Centro de Arte Sonoro de la Casa Nacional Del Bicentenario (3er Piso, Riobamba 985, Ciudad Autónoma de Buenos Aires) at 3:00 PM. This first meeting aims to gather users
Workshop: Introduction to Live Coding – LPM 2017 Amsterdam
Introduction to Live Coding | Filippo Guida [IT] May 20 -21 | 18:00 – 21:00 | HackLab A beginners introduction to live coding environments for music production: TidalCycles and SuperCollider. 1. Brief history of generative music and its aesthetical relations with live coding
Workshop: Introduction to Live Coding – LPM 2017 Amsterdam
Introduction to Live Coding | Filippo Guida [IT] May 20 -21 | 18:00 – 21:00 | HackLab A beginners introduction to live coding environments for music production: TidalCycles and SuperCollider. 1. Brief history of generative music and its aesthetical relations with live coding
Siren
Siren, a software environment that fills the gap between live coding performance and algorithmic composition. It is based on a hierarchical structure and a tracker-inspired user interface on top of the TidalCycles language for pattern programming. In addition to
Siren
Siren, a software environment that fills the gap between live coding performance and algorithmic composition. It is based on a hierarchical structure and a tracker-inspired user interface on top of the TidalCycles language for pattern programming. In addition to
Belisha Beacon in ATTN:Magazine
Belisha Beacon aka Dorien Schampaert has a great interview in ATTN:Magazine about (among other things) her work researching the Ondes Martenot and her journey into live coding and algorave. “I think there are two things that happen when you try to
Belisha Beacon in ATTN:Magazine
Belisha Beacon aka Dorien Schampaert has a great interview in ATTN:Magazine about (among other things) her work researching the Ondes Martenot and her journey into live coding and algorave. “I think there are two things that happen when you try to
Live Coding YouTube
Live Coding YouTube is a web based live coding environment (javascript) to retrieve any YouTube video and to organize them for an audiovisual performance. https://livecodingyoutube.github.io/ Music listening has changed considerably with the emergence of music streaming services, such as Spotify
Live Coding YouTube
Live Coding YouTube is a web based live coding environment (javascript) to retrieve any YouTube video and to organize them for an audiovisual performance. https://livecodingyoutube.github.io/ Music listening has changed considerably with the emergence of music streaming services, such as Spotify
Source Festival May 19-21
Source Festival May 19-21st Brooklyn NY Join LiveCode.NYC and IDM at NYU for 3 days of performances, discussions, workshops, and of course an algorave, all centered around the practice of Live Coding. Music, visuals and even dance will be created
Source Festival May 19-21
Source Festival May 19-21st Brooklyn NY Join LiveCode.NYC and IDM at NYU for 3 days of performances, discussions, workshops, and of course an algorave, all centered around the practice of Live Coding. Music, visuals and even dance will be created
Fragment
Fragment is an open source, collaborative, web-based spectral synthesizer and live-coding platform for sounds and visuals. A single GLSL fragment shader generate the visuals in real-time, in stereophonic mode, the red and green channel is captured by user-created vertical slices
Fragment
Fragment is an open source, collaborative, web-based spectral synthesizer and live-coding platform for sounds and visuals. A single GLSL fragment shader generate the visuals in real-time, in stereophonic mode, the red and green channel is captured by user-created vertical slices