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Showing posts with label historical. Show all posts
Showing posts with label historical. Show all posts

Saturday, February 25, 2017

"MISSION CONTROL: THE UNSUNG HEROES OF APOLLO" -- SXSW Acquisition Announcement & Trailer Premiere



THE UNTOLD STORY OF THE APOLLO SPACE PROGRAM

‘MISSION CONTROL: THE UNSUNG HEROES OF APOLLO’

TO ARRIVE IN THEATERS AND ON DEMAND APRIL 14

                    
Gravitas Ventures Acquires Worldwide Rights for SXSW 2017 Film from Haviland Digital


LOS ANGELES (Feb. 23, 2017) — As the world watched the outcome of the Apollo space missions, crowded around televisions and radios, the heroes of NASA – the controllers and support teams inside Mission Control – clenched their fists and sweated every detail through each liftoff and descent. Now, the compelling untold story behind this extraordinary team comes to life in the new film “Mission Control: The Unsung Heroes of Apollo,” which will arrive in select theaters across the U.S. and VOD on April 14.

Gravitas Ventures has secured worldwide rights from Haviland Digital to the compelling untold story behind this extraordinary team, told with unprecedented access to archival footage and stories from the men who lived it, including the creator of Mission Control, Dr. Chris Kraft, retired NASA Flight Directors Gene Kranz (portrayed by Ed Harris in “Apollo 13”), Glynn Lunney and Gerry Griffin. Also appearing are Flight Dynamics Officer Jerry Bostick, Flight Controller John Aaron, iconic astronaut Captain James Lovell (played by Tom Hanks in “Apollo 13”), and moonwalkers Charlie Duke and the late Captain Gene Cernan.

Mission Control was at the very heart of the Apollo program and its heroes were born against a backdrop of economic turmoil and global conflict. Some came from a rural lifestyle unchanged since the 19th century. Others grew up in a gritty, blue-collar America of mines and smoke stacks. They ranged from students straight out of college, to soldiers toughened by military service. Yet, from such ordinary beginnings, an extraordinary team was born.

They set out on what JFK called “the most hazardous, dangerous, and greatest adventure upon which mankind has ever embarked.” Through the team’s testimony and the supporting voices of Apollo astronauts and modern NASA leaders, “Mission Control” explores their journey from the faltering start of the program to Mercury and Gemini missions, the tragic Apollo 1 fire and the glories of the Moon landings. This was achieved through a team whose average age was around 27 years old.

                     WATCH THE TRAILER


“Mission Control” was directed by David Fairhead and produced by Keith Haviland and Gareth Dodds. The three men came to the story of “Mission Control” after their work on “The Last Man on the Moon,” which bowed at SXSW in 2015 and told the tale of Astronaut Gene Cernan. Cernan, who flew three times in space and twice to the Moon, passed away in January 2017.

“It’s a real privilege to tell this epic story of a remarkable decade. It shows what vision and teamwork can achieve,” said Haviland. Fairhead continued, “The Apollo program is one of mankind’s greatest achievements. To make this film of the unsung heroes has been a fantastic experience.” Dodds added, “We are excited to be working with Gravitas Ventures to bring our film to a global audience. It’s a story that we hope will inspire and move people everywhere.”

“Mission Control” has Gravitas collaborating with Producers Dodds (“Last Man on the Moon”) and Haviland (“Last Man on the Moon,” “Dying Laughing”) once more. “Flights into space capture the imagination as much today as they did 50 years ago,” stated Gravitas Ventures’ CEO and Founder, Nolan Gallagher. “From Space X to ‘Hidden Figures’ to ‘The Martian,’ the dreams of millions are carried out by hundreds of heroes both in the air and on the ground at Mission Control. We are thrilled to be working with Gareth and Keith to share this remarkable piece of history with audiences everywhere.”

The deal was negotiated by Nolan Gallagher for Gravitas, and Dodds and Haviland for Haviland Digital.

The film is now available to pre-order from iTunes: http://apple.co/2meT16A.

Keep up with film news on Facebook and get the SXSW screening schedule here.

ABOUT HAVILAND DIGITAL LIMITED
Haviland Digital is an independent production company dedicated to intelligent film, TV and digital media. It specializes in space and STEM related content. Future projects in development include films and TV concepts around manned and unmanned space flight, sport, aviation and more.

ABOUT GRAVITAS VENTURES
Gravitas Ventures is a leading all rights distributor of independent cinema. Founded in 2006, Gravitas connects independent filmmakers and producers with distribution opportunities across the globe. Working with more than 500 content partners, Gravitas Ventures has distributed thousands of films into over 100 million homes. Recent releases include Katie Holmes’ feature directorial debut, “All We Had,” Jonathan Hock’s “Fastball,” Colin Hanks’ “All Things Must Pass,” “Being Evel” from Academy Award® winning director Daniel Junge and producer Johnny Knoxville, “Backstreet Boys: Show ‘Em What You’re Made Of,” and “For The Love of Spock” from Director Adam Nimoy.

For more information, please visit gravitasventures.com and sign up for their e-newsletter, follow @GravitasVOD on Twitter and @gravitasventures on Instagram.


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Tuesday, February 21, 2017

"HACKSAW RIDGE" Now Available on 4K Ultra HD Combo Pack, Blu-ray Combo Pack, DVD and Digital HD



“The best war film since Saving Private Ryan”
⦁    Rex Reed, New York Observer

Nominated for Three Golden Globes Including
Best Motion Picture - Drama

From Academy Award®-Winning Director Mel Gibson*, the Inspirational WWII Film Arrives on Digital HD February 7 and on 4K Ultra HD Combo Pack, Blu-rayTM Combo Pack and DVD on February 21 from Lionsgate


SANTA MONICA, CA (December 19, 2016) – Based in the incredible true story of one man’s faith, strength and courage during one of the bloodiest battles of WWII, the Golden Globe®-nominated Hacksaw Ridge arrives on Digital HD on February 7 and on 4K Ultra HD Combo Pack (plus Blu-ray and Digital HD), Blu-ray Combo Pack (plus DVD and Digital HD), DVD and On Demand February 21 from Summit Entertainment, a LIONSGATE Company. From Academy Award®-winning director Mel Gibson (Best Picture, Braveheart, 1995), with  screenplay by Robert Schenkkan (The Quiet American) and Andrew Knight (The Water Diviner), Hacksaw Ridge features breathtaking visual effects and stunning production design and has been nominated for three Golden Globes®: Best Picture – Drama, Best Director – Motion Picture, and Best Actor – Motion Picture for Andrew Garfield. Garfield (The Amazing Spider-man) gives a moving performance as American hero Desmond Doss, alongside an all-star cast, including Sam Worthington (Avatar), Luke Bracey (Point Break), Teresa Palmer (Warm Bodies), Hugo Weaving (The Lord of the Rings franchise), Rachel Griffiths (Saving Mr. Banks), and Vince Vaughn (HBO’s “True Detective”).

Hacksaw Ridge is the extraordinary true story of Desmond Doss (Andrew Garfield) who, in Okinawa during the bloodiest battle of WWII, saved 75 men without firing or carrying a gun. He was the only American soldier in WWII to fight on the front lines without a weapon, as he believed that while the war was justified, killing was nevertheless wrong. As an army medic, he single-handedly evacuated the wounded from behind enemy lines, braved fire while tending to soldiers, was wounded by a grenade, and hit by snipers. Doss was the first conscientious objector to ever earn the Congressional Medal of Honor.

The 4K Ultra HD, Blu-ray and Digital HD releases feature an in-depth, behind-the-scenes look at the film in “The Soul of War: Making Hacksaw Ridge,” a comprehensive documentary detailing the making of the film, including the real-life people and story, casting, filming, special effects and stunts with interviews from Mel Gibson, Andrew Garfield and others. In addition, the release will contain deleted scenes and a special Veterans Day Greeting from Mel Gibson. The DVD will feature the special Veterans Day Greeting. The 4K Ultra HD and Blu-ray discs of Hacksaw Ridge will feature Dolby Atmos audio remixed specifically for the home theater environment to place and move audio anywhere in the room, including overhead. Hacksaw Ridge will be available on 4K Ultra HD Combo Pack, Blu-ray Combo Pack and DVD for the suggested retail price of $42.99, $39.99 and $29.95, respectively.

4K/BLU-RAY/ DIGITAL HD SPECIAL FEATURES
⦁    “The Soul of War: Making Hacksaw Ridge” Documentary
⦁    Veterans Day Greeting with Mel Gibson
⦁    Deleted Scenes

DVD SPECIAL FEATURES
⦁    Veterans Day Greeting with Mel Gibson

*Best Director, Braveheart, 1995

                         Watch the Trailer:


Website: www.lionsgateathome/hacksawridge/
Facebook: facebook.com/HacksawRidge
Instagram: @HacksawRidge
Twitter: @HacksawRidge

PROGRAM INFORMATION
Year of Production: 2016
Title Copyright: © 2016 Cosmos Filmed Entertainment Pty Ltd. All Rights Reserved.
Type: Theatrical Release
Rating: R for Intense Prolonged Realistically Graphic Sequences of War Violence Including Grisly Bloody Images
Genre: Action, War, Drama
Closed Captioned:  N/A
Subtitles: Spanish, English SDH
Feature Run Time: 139 minutes
4K UHD Format: 2160p Ultra High Definition 16x9 Widescreen (2.40:1)
BD Format: 1080p High Definition 16x9 Widescreen (2.40:1)
DVD Format: 16x9 Widescreen (2.40:1)
4K UHD Audio: English Dolby Atmos, Spanish 5.1 Dolby Digital Audio, English 2.0 Dolby Digital Audio Optimized for Late-Night Listening
BD Audio: English Dolby Atmos, Spanish 5.1 Dolby Digital Audio, English 2.0 Dolby Digital Audio Optimized for Late-Night Listening, English Descriptive Audio
DVD Audio: English 5.1 Dolby Digital Audio, Spanish 5.1 Dolby Digital Audio, English Descriptive Audio

ABOUT DOLBY ATMOS
Dolby Atmos delivers moving audio — sound that can be precisely placed and moved anywhere in three-dimensional space, including overhead. It brings entertainment alive all around the audience in a powerfully immersive and emotive experience. To learn more about Dolby Atmos, visit dolby.com/Atmos.

ABOUT LIONSGATE
Lionsgate (NYSE: LGF.A, LGF.B) is a vertically integrated next generation global content leader with a diversified presence in motion picture production and distribution, television programming and syndication, premium pay television networks, home entertainment, global distribution and sales, interactive ventures and games and location-based entertainment.

With the acquisition of Starz, Lionsgate adds to its portfolio of businesses the flagship STARZ premium pay network serving nearly 25 million subscribers and the STARZ ENCORE platform with over 31 million subscribers.  The combined company will operate five over-the-top (OTT) streaming services and the Starz app delivering content directly to consumers.

The Company’s feature film business spans eight labels and includes the blockbuster Hunger Games franchise, the Now You See Me and John Wick series, the Golden Globe-nominated La La Land, Hacksaw Ridge and Hell or High Water (in partnership with CBS Films),  Tyler Perry’s Boo! A Madea Halloween, Roadside Attractions' critically-acclaimed Manchester by the Sea, Codeblack Films’ concert film Kevin Hart: Let Me Explain and Pantelion Films’ Instructions Not Included, the highest-grossing Spanish-language film ever released in the U.S.

One of the largest independent television businesses in the world, Lionsgate’s slate of premium quality series encompasses nearly 90 shows on more than 40 different networks.  These include the ground-breaking Orange is the New Black, the fan favorite Nashville, the syndication success The Wendy Williams Show, the acclaimed drama The Royals, the acclaimed Casual, the breakout success Greenleaf and hit Starz series including Outlander, Black Sails, Survivor’s Remorse and Power, the second highest-rated premium pay television series of 2016.

Lionsgate's home entertainment business is an industry leader in box office-to-DVD and box office-to-VOD revenue conversion rates.  Lionsgate handles a prestigious and prolific library of more than 16,000 motion picture and television titles that is an important source of recurring revenue and serves as a foundation for the growth of the Company's core businesses. The Lionsgate, Summit Entertainment and Starz brands are synonymous with original, daring, quality entertainment in markets around the world. www.lionsgate.com



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Thursday, February 9, 2017

Legendary Pictures and Universal Pictures' "THE GREAT WALL" In Theaters Feb. 17



Between courage and fear.  Between monsters and men.  A wall stands that must never fall. 

Academy Award® winner MATT DAMON (The Martian, The Bourne franchise) leads humanity’s greatest fight for survival in The Great Wall, from Legendary and Universal Pictures. 


When a mercenary warrior (Damon) is imprisoned within The Great Wall, he discovers the mystery behind one of the greatest wonders of our world.   As wave after wave of marauding beasts, intent on devouring the world, besiege the massive structure, his quest for fortune turns into a journey toward heroism as he joins a huge army of elite warriors to confront this unimaginable and seemingly unstoppable force.

Directed by one of the most breathtaking visual stylists of our time, ZHANG YIMOU (Raise the Red Lantern, Hero, House of Flying Daggers), the action-fantasy marks his first English-language production and the largest film ever shot entirely in China.  To create The Great Wall, Yimou has assembled a formidable cast and filmmaking team that represents the best of East and West in a unique global production that delivers unmissable spectacle on the grandest scale.   



The thrilling adventure comes from an original screenplay by the writing duo CARLO BERNARD & DOUG MIRO (Prince of Persia, The Sorcerer’s Apprentice) and TONY GILROY (Michael Clayton, The Bourne Legacy).  It is based on a story by MAX BROOKS (World War Z) and EDWARD ZWICK & MARSHALL HERSKOVITZ (The Last Samurai, Love & Other Drugs).  The film is produced by Legendary CEO THOMAS TULL (Godzilla, Jurassic World), CHARLES ROVEN (American Hustle, Christopher Nolan’s The Dark Knight trilogy), JON JASHNI (Pacific Rim, Warcraft) and Legendary East CEO PETER LOEHR (Shower, The Children of Huangshi).  

The quartet guided the production along with executive producers including Legendary’s JILLIAN SHARE (Pacific Rim, Warcraft), longtime Roven associate ALEX GARTNER (Warcraft, Get Smart), E. BENNETT WALSH (The Kite Runner, Kill Bill series), LA PEIKANG (Warcraft) and ZHANG ZHAO (Paths of the Soul).  Co-producers on the project are veteran Chinese filmmaker ZHANG “ER YONG” WANG (The Children of Huangshi, The Postmodern Life of My Aunt), ERIC HEDAYAT (Date Night) and ALEX HEDLUND (As Above, So Below).   

In The Great Wall, Damon stars as William Garin, a battle-scarred mercenary and master archer taken captive by a secret army of elite warriors known as The Nameless Order.  In a vast military outpost called the Fortress City, they fight to protect humanity from supernatural forces upon one of the greatest defensive structures ever built: The Great Wall. 



On his journey, Garin is joined by PEDRO PASCAL (Netflix’s Narcos, HBO’s Game of Thrones) as his sword-wielding sidekick, Pero Tovar, a tough, wise-cracking Spaniard who has become a brother-in-arms to William; and two-time Oscar®-nominee WILLEM DAFOE (Platoon, Shadow of the Vampire, The Grand Budapest Hotel) as Ballard, a shadowy prisoner inside the fortress who plans his escape from his longtime captors while hoping to pilfer their greatest weapon during his getaway.
 
Toplining the production’s esteemed, superstar Chinese cast are a widely celebrated Asian industry veteran and one of its rising new stars.  The renowned Hong Kong actor ANDY LAU (House of Flying Daggers, Running Out of Time, Infernal Affairs) reunites with director Zhang as Strategist Wang, the sage alchemist inside the fortress…whose clever inventions help its inhabitants keep the monstrous forces at bay. 

He is joined by breakout actress JING TIAN (Special ID, Police Story 2013, The Man from Macau) as Lin Mae, the fearless fighter and leader of the fortress’ balletic, gravity-defying aerial warriors, the allfemale Crane Corps.  In turn, she ultimately rises to command the outpost’s entire military faction, The Nameless Order, against the creature attacks.
 

The film also features a supporting cast of seasoned Chinese talent that includes veteran actor HANYU ZHANG (Assembly, The Taking of Tiger Mountain) as General Shao, the patriarch who passes his command of the fortress’ troops to Lin Mae; LIN GENGXIN (Bubu jingxin, The Taking of Tiger Mountain) as Commander Chen, the leader of the Eagle Corps, the crossbow marksmen who skillfully brandish the weapon with deadly accuracy; EDDIE PENG YU-YEN (Jump Ashin!, Rise of the Legend) as Commander Wu, who leads the Tiger Corps, the fortress’ engineering and artillery forces, against the supernatural enemy; XUAN HUANG (Breaking the Waves, The Golden Era) as Commander Deng, leader of the fortress’ cavalry, the Deer Corps; ZHENG KAI (China’s TV hit Running Man) as Shen, Strategist Wang’s imperial liaison whose political agenda conflicts with The Nameless Order’s mission; and CHEN XUEDONG (the Tiny Times 1.0 trilogy) as one of the fortress’ Imperial Guards who will readily sacrifice himself to save the empire’s royalty. 

The Great Wall also welcomes to its cast a pair of China’s pop-music sensations—LU HAN (the band EXO) as Peng Yong, a soldier struggling under the command of the Bear Corps’ Gen. Shao who must overcome his fear and prove himself heroic during the creature onslaught; and JUNKAI WANG (frontman for China’s TFBOYS), who makes his professional acting debut as The Emperor, the 17-year-old royal ruler tested before his time. 

They are joined by a pair of young Chinese actresses who portray lieutenants in Lin Mae’s Crane Corps—YU XINTIAN (Death Is Here 3 & 4) and LIU QIONG, a student at Beijing’s Central Academy of Drama who, like Junkai Wang, makes her professional acting debut in the film.  

For the epic fantasy-adventure, Zhang has assembled a topnotch technical team behind the cameras.  This includes two-time Academy Award®winning production designer JOHN MYHRE (Chicago, Memoirs of a Geisha);costume designer MAYES C. RUBEO (Warcraft, Avatar); editors MARY JO MARKEY (Star Wars: The Force Awakens, Star Trek) and CRAIG D. WOOD (Pirates of the Caribbean trilogy, Rango); and cinematographers STUART DRYBURGH (The Piano, Once Were Warriors, HBO’s Boardwalk Empire) and ZHAO XIAODING (his 10th collaboration with ZHANG YIMOU, one that began with House of Flying Daggers), who utilized for the first time the Aeroflex Alexa 65 camera, capturing the fantasy in grand 6K resolution while bringing a new level of visual fidelity to the big screen. 



Joining this team are five-time Oscar® winner RICHARD TAYLOR (The Lord of the Rings trilogy), whose WETA Workshop designed the film’s vast arsenal of weaponry; and visual effects supervisor PHIL BRENNAN (Snow White and the Huntsmen, The Wolverine), who teams up with ILM Far East VFX supervisor SAMIR HOON (Star Trek Into Darkness, Hitman Agent 47) to create the story’s predatory Tao Tei creatures. 

Collectively, the film’s cast and technical crew celebrate 25 Academy Awards® with 43 additional nominations.  The Great Wall filmed entirely on location in China, the largest Hollywood co-production ever mounted in the world’s fourth-largest country.  With the exception of China, Universal Pictures will distribute the film globally.  China Film Co., Ltd, along with Le Vision Pictures, Legendary East and Wuzhou Distribution will oversee the Chinese release.

Release date: February 17, 2017

Genre: 3D Action-Thriller

Cast: Matt Damon, Jing Tian, Pedro Pascal, Willem Dafoe, Hanyu Zhang, Eddie Peng, Lu Han, Kenny Lin, Junkai Wang, Zheng Kai, Cheney Chen, Xuan Huang and Andy Lau
Directed by: Zhang Yimou

Story by: Max Brooks and Edward Zwick & Marshall Herskovitz

Screenplay by: Carlo Bernard & Doug Miro and Tony Gilroy

Produced by: Thomas Tull, Charles Roven, Jon Jashni, Peter Loehr

Executive Producers: Jillian Share, Alex Gartner, La Peikang, Zhang Zhao, E. Bennett Walsh

Co-Producers: Eric Hedayat, Er Young, Alex Hedlund

Starring global superstar Matt Damon and directed by one of the most breathtaking visual stylists of our time, Zhang Yimou (Hero, House of Flying Daggers), Legendary's The Great Wall tells the story of an elite force making a valiant stand for humanity on the world's most iconic structure. The first English-language production for Yimou is the largest film ever shot entirely in China. The Great Wall also stars Jing Tian, Pedro Pascal, Willem Dafoe and Andy Lau.

The film will be released in 3D by Universal Pictures.


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Monday, February 6, 2017

"THE PASSION OF THE CHRIST" Arrives on Blu-ray and DVD February 7



FROM Oscar® WINNING DIRECTOR MEL GIBSON*
For The First Time Ever in English and Spanish the Powerful Epic

THE PASSION OF THE CHRIST

Arrives on Digital HD, Blu-ray and DVD February 7


From ACADEMY AWARD®-winning director Mel Gibson*, comes one of cinema’s most uniquely powerful films – the profoundly moving, uncompromising story about the final twelve hours in the life of Jesus Christ.  A filmmaking triumph, THE PASSION OF THE CHRIST was nominated for three OSCARS®**, including cinematography. 

The film begins in the Garden of Olives where Jesus has gone to pray after the Last Supper. Jesus must resist the temptations of Satan. Betrayed by Judas Iscariot, Jesus is then arrested and taken within the city walls of Jerusalem where leaders of the Pharisees confront him with accusations of blasphemy and his trial results in a condemnation to death.

With inspiring performances from Jim Caviezel as Jesus and Monica Bellucci as Mary Magdalen, this new edition of THE PASSION OF THE CHRIST features English, Spanish and Portuguese language dubbed audio for the first time ever.

*1995: Directing, Best Picture (Mel Gibson, Alan Ladd, Jr. and Bruce Davey, Producers), Braveheart
**2004: Cinematography, Music (Original Score), Makeup

Blu-ray & DVD Special Features:

⦁    NEW English, Spanish and Portuguese Language Dub
⦁    Includes Original Theatrical and Recut Version Edited for Graphic Depictions
⦁    Audio Commentaries (Original Version) with Mel Gibson, Filmmakers and Theologians
⦁    Biblical Footnotes (Original Version)
⦁    Music Commentary (Selected Scenes, Original Version)


THE PASSION OF THE CHRIST Disc Specs:
Street Date:         February 7, 2017
Screen Format:     Widescreen 2.40:1
Audio (Blu-ray):     Aramaic, Latin, Hebrew DTS-HD Master Audio 5.1
    English Dolby Digital 5.1 / English Descriptive Audio 2.0
    Spanish Dolby Digital 5.1
Audio (DVD):    Aramaic, Latin, Hebrew Dolby Digital 5.1
    English Dolby Digital 5.1 / English Descriptive Audio 2.0
    Spanish Surround Dolby Digital 2.0
Subtitles:     English SDH / Spanish (Blu-ray & DVD)
Total Run Time:     Approximately 126 minutes
U.S. Rating:         R
Closed Captioned:     Yes

About Twentieth Century Fox Home Entertainment
Twentieth Century Fox Home Entertainment, LLC (TCFHE) is a recognized global industry leader and a subsidiary of Twentieth Century Fox Film. TCFHE is the worldwide marketing, sales and distribution company for all Fox film and television programming, acquisitions and original productions as well as all third party distribution partners on DVD, Blu-ray™, 4K Ultra HD, Digital HD, and VOD (video-on-demand). Each year TCFHE introduces hundreds of new and newly enhanced products, which it services to retail outlets and digital stores throughout the world.

© 2004 Icon Distribution, Inc. All Rights Reserved.
© 2017 Twentieth Century Home Entertainment LLC. All Rights Reserved



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Sunday, February 5, 2017

LOVING -- Blu-ray/DVD/Digital HD Review by Porfle



Subtlety is hardly the hallmark of your usual racially-charged potboiler about injustice in the late 1950s-early 1960s American South.  Which is why LOVING (2016), the fact-based account of a black woman and a white man arrested in the state of Virginia in 1958 for the crime of being married, is such a rare experience. 

As the title proclaims, it's a love story, although the love between Richard and Mildred Loving is one they have to fight for.

The trouble is, these simple country people aren't warriors.  Richard is a bricklayer, quiet and unassuming.  Mildred, homemaker and soon-to-be mother, shares these qualities.  They just want to live their lives together and raise a family in the place where they themselves were born. 


After a Virginia court forces them out of the state lest they go to prison on felony charges, the two take up residence in Washington, D.C., but their hearts yearn for home and family.  This gets them into trouble when they return in order for Richard's mother, a professional midwife, to deliver Mildred's first child. 

In a film with no broad, melodramatic strokes, there's a day-to-day realism that gently draws us in and lead performances which are quietly effective.  Joel Edgerton (REVENGE OF THE SITH, THE GIFT, OPEN WINDOW) plays Richard as utterly well-meaning, taciturn almost to a fault, and dedicated to nothing more than providing for his family.

Physically, Edgerton, with his blonde buzzcut and guileless face, reminds me of a cross between Dennis Quaid and the kid who played "Phil" in the "Mr. Bungle" educational film that Pee Wee Herman used to show.  He's often similarly childlike and naive, and doesn't understand why the state of Virginia can't just leave him and his wife in peace.


As Mildred, Ruth Negga ("Agents of S.H.I.E.L.D.", WORLD WAR Z) shares this reserved disposition until the burgeoning civil rights struggle of the early 60s compels her character to replace passivity with a growing resolve.  It begins with a letter to Bobby Kennedy, who passes it along to a zealous young ACLU lawyer named Bernie Cohen (Nick Kroll) with an eye toward taking the case to the Supreme Court and, just maybe, changing the Constitution.

But LOVING isn't a courtroom drama, and most of the legal matters occur in the periphery as Richard and Mildred continue trying to make the best of things, secretly taking up residence close to their birthplace in Virginia where they dream of finally settling down.

Constantly, the specter of intolerance hangs over them as in the person of a cold, unyielding sheriff (Marton Csokas, LORD OF THE RINGS, ROMULUS MY FATHER, JACK BROWN GENIUS) and various other potentially threatening townspeople. 



Despite the film's stately pace and lack of sensationalism, we're kept on edge with the knowledge that the idyllic existence the Lovings so desperately desire is susceptible to violent attack at any moment. 

Still, we're spared most of the dreadful, lurid excesses of so many other films of this nature, allowing writer/director Jeff Nichols (MIDNIGHT SPECIAL) to indulge himself and us in a sweetly and deeply emotional exploration of the symbiotic relationship between the two main characters--Mildred, quietly supportive but increasingly assertive in the face of adversity, and Richard, who defers to her as long as he can simply continue to lead his life as a good husband and father. 

Much of the backdrop for this story consists of actual locations and the period atmosphere is impeccably rendered.  (Classic car lovers will have a field day.)  The film is pictorially rich, and Nichols directs with a skill and restraint that always best serve the story without calling attention to his craft. 


The 2-disc set from Universal Pictures Home Entertainment contains Blu-ray and DVD versions of the film as well as instructions for downloading a digital HD copy.  Soundtracks and subtitles are available in English, Spanish, and French.  Bonus features include a thoughtful director's commentary as well as the following featurettes: "Making Loving", "A Loving Ensemble", "Loving v. Virginia", and "Virginia: A Loving Backdrop."

The historical importance of this story, of course, is legendary, yet LOVING is the kind of heartfelt personal drama that works its magic with a slow, deceptive subtlety whose cumulative impact is only realized in its final moments.  Indeed, it wasn't until the epilogue, when I felt tears rolling down my cheeks, that I suddenly realized just how effective LOVING really is.  

Buy it at Amazon.com:
Blu-ray
DVD

This title will be released on February 7, 2017.


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Wednesday, January 18, 2017

THE ROAD TO GUANTANAMO -- Movie Review by Porfle



 (This review originally appeared online at Bumscorner.com in 2006.)

The prolonged imprisonment without trial of suspected Islamic terrorists within the U.S. military base at Guantanamo, Cuba remains a source of heated controversy, and the same can most likely be said of THE ROAD TO GUANTANAMO (2006), Michael Winterbottom's award-winning docudrama about three British Muslims, known as "The Tipton Three", who ended up there for over two years before finally being released without charge.

 We are first introduced to the real Asif Iqbal in a close-up shot as he speaks into the camera and begins his story of the day he left England in September, 2001 to return to his native Pakistan in order to take part in a pre-arranged wedding, with his friends Ruhel, Shafiq, and Monir along for the ride. (Ruhel and Shafig will also appear in such interview segments throughout the film.)

Intercut with these shots is a documentary-style reenactment with actors portraying the actual people. We see them travel to Pakistan, where Asif meets his intended bride. By night they sleep in a mosque to avoid hotel charges, and by day they wander the city reacquainting themselves with their homeland.

 Then the four young men, along with Shafig's cousin Zahid, decide to take a long bus ride into Afghanistan just as it is coming under attack by the U.S. military shortly after 9-11. (Their intention, ostensibly, is to "help out", but why four young sightseers from Tipton suddenly want to travel into the heart of a heavily-bombed war zone is beyond me.) Conditions steadily worsen along the way, and one of them becomes gravely ill--he dreams of eating gooey pizza back home with his friends as they flirt with the girls in the next booth--as the bombing and subsequent chaos around them intensify.

After days of lying around a mosque in Kabul doing nothing, they become disenchanted with their mission and arrange for transport back to Pakistan. This ill-fated journey takes them through scenes of death, destruction, and horror that are presented largely as though filmed through the lens of a news camera, complete with night-vision shots of people huddled in a ditch for cover, their eyes eerily aglow. Indeed, much of it is interspersed with actual news footage whenever possible, and it's sometimes hard to tell where the reality ends and the reenactment begins.

 Seemingly unaware that they are being taken away from the Pakistani border and into the war zone, they soon find themselves captured near Konduz by the Northern Alliance while in the company of armed Taliban and al-Qaeda fighters and are eventually flown to the U.S. base at Guantanamo, where they will be held for the next two-and-a-half years as suspected terrorists. (The fourth member of the party, Monir, disappeared while in Afghanistan and was never heard from again.)

It's at this point that THE ROAD TO GUANTANAMO began to remind me a bit of Alan Parker's 1978 film MIDNIGHT EXPRESS, based on Billy Hayes' account of his ordeal in a Turkish prison replete with brutal guards and frequent torture. Just as damning and one-sided as that story was against the Turks, here we find the Americans depicted as sadistic, almost soulless tormentors subjecting our heroes to endless bouts of cruelty and relentless interrogation.

Although Billy Hayes portrayed himself as the good guy in his story, which seemed amplified even more so by Parker, he was still admittedly guilty of drug smuggling--here, the "Tipton Three" are portrayed with as much wide-eyed innocence as director Michael Winterbottom and their own first-hand accounts can muster, and it's appalling to see what they are subjected to during their stay in Guantanamo until their final release.

 But how much of what we are seeing is the truth? Even if one accepts the conditions at Guantanamo to be accurately depicted, there's still the problem of just what these guys were doing in Afghanistan at the time, and whether or not they're telling us the whole truth and nothing but. Shooting a fact-based film to look like a documentary doesn't make it any more of one than, say, THE FRENCH CONNECTION (or even THIS IS SPINAL TAP!), regardless of how much the viewer may be lulled into thinking so by a realistic visual style coupled with the filmmakers' point of view.

As a film, it's pretty involving and generally well-done, although the latter half tends to drag at times. But a brief look at some of the information relating to this story on the Internet yields a few nagging questions about the history of "The Tipton Three" and their possible motives. Some of it may be true, some may not be--but you'd never know from watching THE ROAD TO GUANTANAMO that there was ever any question as to the veracity of any part of this story, and thus it fails to present it in anything other than a single, biased point of view that can hardly be taken as the final word on the subject.




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Thursday, January 5, 2017

BATTLE FOR INCHEON: OPERATION CHROMITE -- DVD Review by Porfle



It has one of those annoying double titles separated by a colon, as though they couldn't make up their minds, and a cover that more than whispers "direct to DVD junk."  But make no mistake--BATTLE FOR INCHEON: OPERATION CHROMITE (2016) is the real thing: a lavish, impressively-produced Korean War film that begins with a suspenseful espionage mission and ends with a full-scale invasion.

Based on true events, the story concerns a group of South Korean soldiers led by special forces captain Jang Hak-soo (Lee Jung-jae) who pose as a North Korean inspection unit in order to try and locate the placement of mines in Incheon Harbor before the invasion which is to be led by General Douglas MacArthur (Liam Neeson).

Their chief obstacle in this attempt is Commander Lim Gye-jin (Lee Beom-soo), a protege' of supreme leader Kim Il-sung who's in charge of fortifying the harbor against an impending attack.  Not only is Lim Gye-jin tight-lipped about where those mines are, but he's also one of those arrogant, sadistic, and supremely suspicious little bastards who always sizes you up with a sideways leer and a hand poised over his holster. 


Few situations are more suspenseful than an undercover mission in which the good guys have to maintain their false identities amidst constant scrutiny by a ruthless enemy.  (It's an atmosphere of constant fear and paranoia in which even civilians have to keep their sh** wired tight at all times.)  Naturally, Lim Gye-jin and his men eventually must resort to the most desperate measures imaginable to try and procure a map of those mines, leading to their discovery. 

Their attempt to escape is the first blazing action setpiece of several during this film, each of which is masterfully shot and edited.  Director John H. Lee has a smoothly competent visual style complimented by some expert rapid-fire editing that crackles like a live wire without ever becoming cluttered or confusing.  In other words, this is red meat for action junkies.

A furious shootout in a hospital (during which an emotionally-conflicted young nurse must decide whether or not to abandon her current life and join the opposition) and other heated gun battles throughout the film are comparable to those in James Bond films or the works of John Woo.  And giving the story added depth is its attention to the combatants as human beings with their own dreams of freedom and yearning to return home to their loved ones. 


While all of this is going on, of course, there's Liam Neeson all made up as General Douglas MacArthur, complete with corncob pipe and shades, trying to add a new dimension to his career as an older character actor.  Once we stop thinking of him as Liam Neeson, his MacArthur is sufficiently convincing. Actually, I never stopped thinking of him as Liam Neeson, but I enjoyed watching him play the character anyway.

Lee Jung-jae makes a sturdy, likable good guy as Jang Hak-soo--he's the opposite of the usual soulless action hero and we're always aware of the depth of his feelings throughout the mission.  As Lim Gye-jin, Lee Beom-soo is a delight, albeit a perverse one since his character is such a smoothly evil little monster.  The rest of the cast are uniformly on point, making us feel each tragic and heartrending detail of their emotional turmoil when the mission begins to go all to hell.

With all this going on, BATTLE FOR INCHEON: OPERATION CHROMITE would've been enough with just the undercover mission alone.  But damned if it doesn't end with nothing less than the full-scale invasion of Incheon, with MacArthur leading a fleet of ships cutting through the churning waves and what's left of Jang Hak-soo and his men battling for their lives on the shore along with hundreds of other clashing warriors. 


I don't know how jaded the average young movie watcher is these days, but I think the generous amounts of CGI used to give the sequence added scope and big-budget appeal are rather impeccably rendered and eye-pleasing.  I mean, to me the battle scenes just look really well-done.  Others may disagree.

The DVD from CJ Entertainment is in 16x9 widescreen with Dolby 5.1 and 2.0 sound which you can watch in either dubbed English or the original Korean with subtitles.  Extras consist of a brief making-of featurette and trailers for this and other CJ Entertainment releases.

I had low hopes for BATTLE FOR INCHEON: OPERATION CHROMITE going in--from the looks of it, I was expecting something along the same cheapo lines as THE LAST DROP or something similarly horrible.  I love it when my first bad impressions of a film are proven wrong, and I end up having a great time watching what turns out to be a surprisingly well-crafted and entertaining film.


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Wednesday, December 28, 2016

"BATTLE FOR INCHEON: OPERATION CHROMITE" Hits DVD & Blu-ray Jan. 24



CJ ENTERTAINMENT
Proudly Presents

"Battle for Incheon: Operation Chromite"

The Odds Were 5000 to 1 … One was all They Needed.

Starring Liam Neeson, Lee Jung-jae and Lee Bum-soo & Directed by John H. Lee

Based on the Heart-Stopping, True Story of the Korean War’s Unsung Heroes Releases Digitally Jan. 10th and on DVD/Blu-ray Jan. 24th



LOS ANGELES — Jan. 1, 2017 — For Immediate Release — The adrenaline-fueled, true story of a squad of unsung heroes sacrificed to turn the tide of the Korean War during its darkest days, the epic war drama Battle for Incheon: Operation Chromite explodes on digital download Jan. 10 and DVD/Blu-ray Jan. 24 from CJ Entertainment.

One of South Korea’s largest summer blockbusters with over 7 million admissions, this inspiring and heart-warming, action film was also released in theaters across the U.S. with more than $1 million in domestic box office sales.

Battle for Incheon: Operation Chromite will release on iTunes, Sony PlayStation, Amazon Digital and GooglePlay Jan. 10 and DVD/Blu-ray Jan. 24 at all major retailers, including Walmart and Best Buy.



                          Watch the Trailer


About Battle for Incheon: Operation Chromite …

In this suspenseful, action-packed, military adventure based on death-defying, real-life events, U.S. Army General Douglas MacArthur (Liam Neeson, the Taken trilogy, The Dark Knight Rises, Star Wars: Episode I, Batman Begins, Schindler’s List) is appointed head of the United Nations Command at the height of the Korean War.

As the conflict’s darkest days drag on and beleaguered U.S. and South Korean forces become disheartened, MacArthur dispatches eight elite, South Korean military men on a suicide mission code-named Operation Chromite, a covert operation to infiltrate North Korean headquarters far behind enemy lines.

Led by Navy Lieutenant Jang Hak-soo (Lee Jung-jae, Assassination, New World, The Thieves, The Housemaid), the courageous “X-Ray” intelligence unit finds themselves pitted against not only ruthless North Korean commander Lim Gye-jin (Lee Bum-soo, The Divine Move, IRIS: New Generation, The City of Violence) and his men, but the Russian and Chinese troops supporting them.

Now they must stay alive long enough to achieve the impossible … Sabotage the North to clear the way for the naval incursion which finally turns the tide—MacArthur’s daring, surprise attack by sea, the decisive, 1950 Invasion of Incheon by 75,000 U.N. troops and 261 warships.

Also starring Jin Se-Yun as Han Chae-sun (Enemies In-Law, Doctor Stranger), Battle for Incheon: Operation Chromite is directed by John H. Lee (The Third Way of Love, The Last Stand, Into the Fire, Sayonara Itsuka, A Moment to Remember) and produced by Chung Tae-Won (the upcoming Mulgae, The Triangle, 71: Into the Fire, IRIS).



About CJ Entertainment:
Launched in 1995, Korea’s #1 film studio, CJ Entertainment, is the film division of CJ Entertainment and Media (CJ E&M) which produces award winning content across an array of genres for theatrical and non-theatrical distribution, television broadcasts, digital download, and interactive gaming portals. To grow its presence in the film industry, CJ Entertainment has aggressively invested, developed, and distributed motion pictures both domestically and abroad. To date, CJ Entertainment has released over 505 titles and three of those titles, The Admiral (2014), Ode to My Father (2014), and Veteran (2015), respectively, have gone on to become the top- three, highest-grossing films in Korean history. Moving into the future, CJ Entertainment seeks to create and popularize original, award-winning, Korean content across the globe. To that end it has created successful global productions including, 2013’s A Wedding Invitation in China; Bong Joon-ho’s Snowpiercer (2013), starring Chris Evans and Tilda Swinton; and 2014’s Let Hoi Decide, which became Vietnam’s highest grossing film of all time. Visit us online at:  http://www.cj-entertainment.com/

Battle for Incheon: Operation Chromite
CJ Entertainment
Genre:  Action
Language:  Korean (5.1) With English Dub/Subtitles
Rated: R
Format:  DVD/Blu-ray/VOD
Feature Running Time:  Approx. 123 Minutes
Suggested Retail Price:  DVD: $17.99 / Blu-ray: $19.99
Digital Street Date:  January 10, 2017
DVD & Blu-ray Street Date:  January 24, 2017
Presented In: 16x9 widescreen format
Catalog #:  DVD: 457CJ / Blu-ray: 458CJ
UPC Code:  DVD: 851339004579 / Blu-ray: 851339004586


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Tuesday, December 13, 2016

BEN-HUR -- Blu-ray/DVD Review by Porfle



First things first--there's this Best Picture-winning classic from 1959 called BEN-HUR, and any remake of it is likely to suffer in comparison.  As will anyone else who plays the title role besides the great Charlton Heston, or anyone else who plays Judah Ben-Hur's adoptive brother Messala besides Stephen Boyd, or any other spectacular climactic chariot race that isn't the original spectacular climactic chariot race.

If, however, you can manage to get past all that (which I myself eventually managed to do to one degree or another), while remembering that the 1959 version is itself a remake of the equally spectacular silent version with Ramon Navarro and Francis X. Bushman, then the 2016 remake of BEN-HUR (Paramount Home Media Distribution) can be a rewarding as well as delightfully entertaining experience.

Based on General Lew Wallace's wildly-successful 1880 novel "Ben-Hur: A Tale of the Christ", the story takes place in A.D.33 Jerusalem and is all about the loving yet highly competitive relationship between Judah Ben-Hur (Jack Huston, SHROOMS), a Jew, and his adoptive brother Messala (Toby Kebbell, WILDERNESS), a Roman, during a time when the Roman occupation is becoming ever more oppressive.


Complications ensue when Judah and his family are blamed for an attempt on the life of Pontius Pilate (Pilou Asbæk, LUCY), and Messala, now an officer in the Roman army, is forced to take sides against them.  With the brothers now mortal enemies, Judah's family disappears into captivity while he himself begins the drudgery-filled dead-end life of a galley slave. 

But a twist of fate allows Judah to escape during a sea battle against the Greeks, whereupon he is taken in by African entrepreneur Ilderim (Morgan Freeman, THE DARK KNIGHT, THE SHAWSHANK REDEMPTION) and allowed to enter the man's chariot in a thrilling race which will pit him against his brother Messala, the Roman champion. 

If that chariot race is the main thing you're curious about, you're not the only one.  I was chomping at the bit throughout the entire film leading up to it, and when it finally got under way, it proved to be exceptionally well-done and exciting.


The oval track itself was built on the CinecittĂ  Studios lot in Rome (much of the rest of the film was done at CinecittĂ  as well) and filled in with CGI to create a suitably majestic backdrop for this breathtaking sequence.  Jerusalem itself is an actual city in Italy that serves as a stunning representation of the ancient setting.

As always, the use of digital effects detracts from the kind of real-world splendor and excitement we got in the pre-CGI days, but here, the effects are integrated well enough into the live footage to augment it very well. 

As for the stunts, the sequence is loaded with visceral thrills that make it, if not superior to previous versions, at least worthy to stand alongside them. Younger viewers unfamiliar with the story will no doubt see here the inspiration for the podrace sequence in THE PHANTOM MENACE.


The film boasts other notable action scenes as well.  Earlier in the story, we see glimpses of furious battles during which Messala rises within the ranks of the Roman military.  Later comes the spectacular sea battle, most of which we see from Judah's limited point of view as the galley slaves, toiling at the oars, experience a grueling ordeal of terror and death while unseen carnage rages around them.  Again, the CGI in this sequence is superb. 

There's a modicum of romance, mainly between Judah and his great love Esther (Nazanin Boniadi, IRON MAN), the daughter of a slave.  Most of the film's true sentiment, however, is focused upon the relationship between the two brothers, Judah's attempts to locate his missing mother and sister, and, most importantly, his spiritual awakening. 

Here, his life intersects poignantly at key points with that of a humble, peace-loving carpenter named Jesus Christ, whose eventual crucifixion as an enemy of Rome gives the film one of its most heartrending sequences.


As Judah, Huston is no Heston, but for this more modest version of BEN-HUR--relatively speaking--it makes sense to have more of a smaller-than-life hero.  Morgan Freeman plays his usual "sage old mentor" character while looking a bit like a cross between Whoopi Goldberg and the alien from PREDATOR.  The rest of the cast perform adequately. 

Direction by Timur Bekmambetov (ABRAHAM LINCOLN: VAMPIRE HUNTER) is good although I would've preferred less "jittery-cam" and more traditional camerawork.  As mentioned before, the Italian locations are stunning, and well-served by their digital augmentations.  There are some amusing anachronisms in the dialogue, as when Judah cries out during some early horseplay, "ARE WE HAVING FUN NOW, BROTHER?" and later when a dazzled Messala exclaims "Wow!"

The Blu-ray/DVD combo pack from Paramount Home Media Distribution contains a Blu-ray disc with special features, a DVD disc with the film by itself, and access to a Digital HD version of the film.  The Blu-ray is presented in 1080p high definition with English 7.1 DTS-HD Master Audio, French 5.1 Dolby Digital, Spanish 5.1 Dolby Digital, Portuguese 5.1 Dolby Digital and English Audio Description and English, English SDH, French, Spanish and Portuguese subtitles.  The DVD in the combo pack is presented in widescreen enhanced for 16:9 TVs with English 5.1 Dolby Digital, French 5.1 Dolby Digital, Spanish 5.1 Dolby Digital and English Audio Description and English, French, Spanish and Portuguese subtitles.

Extras consist of the featurettes "Ben-Hur: The Legacy", "The Epic Cast", "A Tale for Our Times", and "The Chariot Race", along with deleted & extended scenes and related music videos.

While seldom on the same epic scale as its predecessors, this latest retelling of BEN-HUR does benefit from an earnest sincerity in its dramatic scenes, even when they don't quite move us to the degree intended.  And--most importantly, of course--the action scenes deliver exactly what we're looking for when we watch a movie like this, and plenty of it.

Buy it at Amazon.com:
Blu-ray/DVD Combo
DVD



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Thursday, December 8, 2016

"Ben-Hur" - Now Available on Digital HD and Blu-ray Combo Pack



Epic and awe-inspiring” — Mark S. Allen, ABC
An exhilarating must see” —Emily Engberg, KSTP-TV (ABC)

FATE AND ADVENTURE COLLIDE IN AN  ACTION-PACKED JOURNEY FROM REVENGE TO REDEMPTION

Epic Drama Arrives on Blu-ray™ Combo Pack and DVD December 13
Get it on Digital HD November 29


HOLLYWOOD, Calif.  – Hailed as “a glorious epic adventure” (Bonnie Laufer, Sirius XM Radio) and “a powerful story of forgiveness” (Michael Foust, Christian Examiner), Paramount Pictures’ and Metro-Goldwyn-Mayer Pictures’ breathtaking action-adventure BEN-HUR arrives on Blu-ray Combo Pack and DVD December 13, 2016 from Paramount Home Media Distribution. 

The film arrives two weeks early on Digital HD November 29. BEN-HUR is the epic story of Judah Ben-Hur (Jack Huston), a prince falsely accused of treason by his adopted brother Messala (Toby Kebbell), an officer in the Roman army. Stripped of his title, separated from his family and the woman he loves (Nazanin Boniadi), Judah is forced into slavery.

After years at sea, Judah returns to his homeland to seek revenge, but finds redemption. Based on Lew Wallace’s timeless novel Ben-Hur: A Tale of the Christ, the film also stars Rodrigo Santoro, Ayelet Zurer, Pilou Asbaek, Sofia Black D’Elia and Academy Award® winner* Morgan Freeman. 

The BEN-HUR Blu-ray Combo Pack with Digital HD features over an hour of bonus content including an in-depth look at the creation of the film’s spectacular chariot race, an exploration of the story’s legacy and enduring relevance, behind-the-scenes interviews with the cast, deleted and extended scenes, music videos from Andra Day, For King and Country and Mary Mary, and more. In addition, for a limited time, the Blu-ray Combo Pack will include a $10 movie card that can be applied to the purchase of a ticket for any movie in theaters. 

                            CHARIOT RACE STUNT PREVIEW
video

BEN-HUR Blu-ray Combo Pack 
The BEN-HUR Blu-ray is presented in 1080p high definition with English 7.1 DTS-HD Master Audio, French 5.1 Dolby Digital, Spanish 5.1 Dolby Digital, Portuguese 5.1 Dolby Digital and English Audio Description and English, English SDH, French, Spanish and Portuguese subtitles.  The DVD in the combo pack is presented in widescreen enhanced for 16:9 TVs with English 5.1 Dolby Digital, French 5.1 Dolby Digital, Spanish 5.1 Dolby Digital and English Audio Description and English, French, Spanish and Portuguese subtitles.  The combo pack includes access to a Digital HD copy of the film as well as the following: Blu-ray • Feature film in high definition • Ben-Hur: The Legacy • The Epic Cast • A Tale for Our Times • The Chariot Race • Deleted & Extended Scenes • Music Videos

DVD • Feature film in standard definition

The Blu-ray Combo Pack available for purchase includes a Digital HD version of the film that can be accessed through UltraViolet™, a way to collect, access and enjoy movies.  With UltraViolet, consumers can add movies to their digital collection in the cloud, and then stream or download them—reliably and securely—to a variety of devices.    

BEN-HUR Single-Disc DVD The single-disc DVD is presented in widescreen enhanced for 16:9 TVs with English 5.1 Dolby Digital, French 5.1 Dolby Digital, Spanish 5.1 Dolby Digital and English Audio Description and English, French, Spanish and Portuguese subtitles.  The disc includes the feature film in standard definition.

http://www.BenHurMovie.com/
Facebook: https://www.Facebook.com/BenHurFilm
Twitter: https://Twitter.com/BenHurMovie
Instagram: https://www.Instagram.com/BenHurMovie
Amazon: http://j.mp/OwnBenHur
iTunes: http://j.mp/BenHurWebsite
Vudu: http://bit.ly/GetBenHurVUDU

Paramount Pictures and Metro-Goldwyn-Mayer Pictures present a Sean Daniel production, in association with LightWorkers Media, a Timur Bekmambetov film: “Ben-Hur.”  Starring Jack Huston, Toby Kebbell, Rodrigo Santoro, Nazanin Boniadi, Ayelet Zurer and Morgan Freeman.  Visual effects supervisor Jim Rygiel.  Music by Marco Beltrami.  Costume designer Varya Avdyushko.  Editor Dody Dorn, ACE.  Production designer Naomi Shohan.  Director of photography Oliver Wood.  Executive producers Mark Burnett, Roma Downey, Keith Clarke, John Ridley, and Jason F. Brown.  Produced by Sean Daniel, p.g.a., Joni Levin, p.g.a. and Duncan Henderson, p.g.a.  Screenplay by Keith Clarke and John Ridley.  Directed by Timur Bekmambetov.

About Paramount Home Media Distribution  
Paramount Home Media Distribution (PHMD) is part of Paramount Pictures Corporation (PPC), a global producer and distributor of filmed entertainment.  PPC is a unit of Viacom (NASDAQ: VIAB, VIA), home to premier media brands that create television programs, motion pictures, consumer products, and digital content for audiences in 180 countries and territories.  The PHMD division oversees PPC’s home entertainment and transactional digital distribution activities worldwide. The division is responsible for the sales, marketing and distribution of home entertainment content on behalf of Paramount Pictures, Paramount Animation, Paramount Vantage, Paramount Classics, MTV, Nickelodeon, Comedy Central and CBS and applicable licensing and servicing of certain DreamWorks Animation titles.  PHMD additionally manages global licensing of studio content and transactional distribution across worldwide digital distribution platforms including online, mobile and portable devices and emerging technologies.  

About Metro-Goldwyn-Mayer
Metro-Goldwyn-Mayer is a leading entertainment company focused on the production and global distribution of film and television content across all platforms. The company owns one of the world’s deepest libraries of premium film and television content.  In addition, MGM has investments in domestic and international television channels.  For more information, visit www.mgm.com.

BEN-HUR
Street Date:     November 29, 2016 (Digital HD)   
December 13, 2016 (Blu-ray, DVD, and On Demand) 
U.S. Rating:    PG-13 for sequences of violence and disturbing images
Canadian Rating: PG for violence and mature theme



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Saturday, November 9, 2013

LION OF THE DESERT -- Blu-ray review by porfle


For many of us, the name "Moustapha Akkad" is a long-familiar one--it's the first name you see at the beginning of the credits for HALLOWEEN. But the Syrian-born producer of John Carpenter's classic fright-fest (killed in Jordan in 2005 along with his daughter during an al-Qaeda bombing) was also an accomplished director,  and in 1981 he came up with something rather epic--a sweeping saga of Muslim desert fighters fending off Mussolini's invading military forces in 1929 Libya, and particularly their wise and brave leader Omar Mukhtar, known as LION OF THE DESERT. 

Anthony Quinn plays the grizzled old teacher-turned-warrior as you might expect, as a warm, conscientious sage of deepest humanity and highest principle whose every statement resonates like a carefully-considered quotation. 

It's less a performance than it is Quinn posing for a portrait of Omar Mukhtar as reverentially painted by Akkad. 


In contrast, Oliver Reed gets to indulge his broader acting impulses as General Rodolfo Graziani, sent to Libya by Il Duce to solve the Mukhtar problem which, as the film begins, is now in its twentieth year. 

Graziani is a brash, temperamental primadonna who loves being a soldier and fighting one-sided battles that allow him to demolish his opponent and be recognized as a brilliant strategist.

Reed plays the part like a passionate musician--I love to watch him act.  When he's agitated he always seems on the verge of turning into a werewolf as he did in the Hammer classic CURSE OF THE WEREWOLF. 

But here, he eventually reels himself in and in doing so becomes even more fascinating to watch, whether gloating over a victory or, later, savoring each nuance in a one-on-one philosophical exchange with the captured Mukhtar.  

And he's a model of restraint compared to Rod Steiger as Mussolini, who gets to stomp around like a big baby and yell his head off to his heart's content in big, echo-y rooms (the sets in his headquarters in Rome are stunning). 


However, the role of Il Duce seems to lend itself to this style of boisterous overacting--in fact, in a couple of pre-WWII comedy shorts he was portrayed by none other than superstooge Curly Howard!

The film itself qualifies as a bonafide epic thanks to some scenes of genuine visual sweep and grandeur.  This is evident mostly during the many spectacular battles but also in the sprawling concentration camp scenes as well, which feature some  emotionally-charged moments such as a young woman bravely facing the gallows as her mother (Irene Papas) hides her son's face from the sight,  or a conscience-stricken young Italian officer risking court-martial and execution himself for refusing to hang civilians.

To my delight, Gastone Moschin, the guy who played Fanucci ("The Black Hand") in THE GODFATHER PART II, gets two of the most powerful scenes--one in which he leads an invading force into an unsuspecting village with devastating results, and another in which the Bedouin defenders launch a surprise retaliation. 

Raf Vallone, who was Cardinal Lamberto in THE GODFATHER PART III, is quietly effective as an Italian colonel who actually admires Omar Mukhtar and wishes to sit down and reason with him on friendly terms--as long as that reason involves his eventual concession to Italy's invasion of his country.  Also in the cast are John Gielgud and Andrew Keir.


Despite all of its good points, however, it took me a few sittings to get through LION OF THE DESERT because a lot of it isn't exactly edge-of-your-seat entertainment.  The thrilling action sequences hit fast and hard, sometimes grandly staged and with some startling stuntwork (although, unfortunately, an abundance of horse tripping).  But the story advances in fits and starts, with static dialogue scenes jumping abruptly into blazing battle sequences without warning and then back again. 

Much of the first half of the film is slow and dry, at least until we become accustomed to its particular style of storytelling.  Fortunately,  I was able to gear down and begin to appreciate the subtleties of the performances and Akkad's understated but assured direction.

As for Anchor Bay's new Blu-ray release of the film, I noticed right off the bat that the opening titles were slightly compressed, which means that the 1.78:1image is, to some extant, cropped from its original aspect ratio.  This doesn't bother me all that much, but those looking for a definitive version of the film will be disappointed.  There are also no extras and no subtitles, the latter being of special interest to me since I've become a bit hard of hearing over the years (although this is such a visual movie that the dialogue doesn't really matter all that much anyway.)  Maurice Jarre's musical score is expansive and often overpowering.

The final ten minutes or so, depicting the captured Omar Mukhtar's eventual fate at the hands of General Graziani, are most unusual for an epic movie filled with such intense battle scenes and shocking violence.  The whole thing plays out slowly, deliberately, and in almost total silence.  I was captivated and deeply moved, and I found myself mulling it over long after the closing credits began.  Whatever its faults, LION OF THE DESERT has an understated emotional power that resonates. 

Buy it at Amazon.com



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Friday, September 2, 2011

THE SWORD WITH NO NAME -- DVD review by porfle


A tragic love story set in 19th-century Korea, director Kim Yong-gyun's THE SWORD WITH NO NAME (2009) goes for a combination of historical epic, action flick, and tearjerker, with fairly successful results.

The production values are lush, giving us all the pomp and opulence we expect from such royal goings-on.  A beautiful young noblewoman named Ja-young (Su-Ae) is due to marry the king but first becomes friends with roguish swordsman Moo-myoung (Seung-woo Cho), who is hopelessly smitten and swears that he will devote his life to protecting her.  With a new husband who regards her as merely a trophy, she is drawn to Moo-myoung and welcomes his devotion.

Using his wits, Moo-myoung manages to become one of Ja-young's royal guards and leaps into action when political complications--mainly the result of her dealings with both Westerners and the Japanese, which greatly displease her isolationist father-in-law--result in her attempted assassination.



With the young lovers' "meet cute" on a beach and a couple of goofy comedy companions for Moo-myoung, THE SWORD WITH NO NAME takes awhile getting down to serious business.  When it does, though, it gets pretty grim as peripheral characters start getting offed left and right, and various factions begin to move against Ja-young.  While I didn't totally follow all the political details, which are based, I understand, on historical fact, that aspect of the story is well-done and fairly intriguing.

Action-wise, the film features several thrilling setpieces involving both guns and swords.  A couple of major, highly-stylized fight sequences pit Moo-myoung against Korea's greatest swordsman, Lee Noi-jeon (Jae-woong Choi), who is also Ja-young's chief guard.  These are reminiscent of similar scenes in THE MATRIX with CGI succeeding wirework as the hit-and-miss special effect of choice, plus lots of frenetic direction, dizzying camerawork, and rapid-fire editing.  We also get a couple of those big fantasy battle scenes with Moo-myoung taking on dozens of swordsmen singlehanded or with Noi-jeon by his side.
 


As for the love story, Moo-myoung and Ja-young are an attractive pair but I never really connected with them on an emotional level.  Much of their interplay is by-the-numbers and compares poorly to similar relationships better portrayed in other films, particularly the Japanese film GOEMON from the same year.  While Su-Ae is a good actress who can really turn on the waterworks (she's known in Korea as the "Queen of Tears"), and Seung-woo Cho does manic, selfless devotion like nobody's business, their scenes together finally reach a climax that borders on the maudlin. 

The DVD from Funimation is in 16:9 widescreen with English 5.1 surround and Korean stereo with English subtitles.  Extras include a ten-minute "making of" featurette, cast interviews, teaser and main trailers, and trailers from other Funimation releases.  While I reviewed only the DVD, the combo pack also includes the Blu-Ray version of the film.

Falling somewhat short of the heights reached by other historical films in this vein, THE SWORD WITH NO NAME nevertheless manages to impress and often dazzle with its royal spectacle, political intrigue, and well-staged action sequences.  The fact that it doesn't quite come together as well as one might expect didn't keep me from appreciating the effort that was put into it.


Buy it at Amazon.com:
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Blu-Ray/DVD Combo
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Saturday, August 27, 2011

CAMELOT: THE COMPLETE FIRST SEASON -- DVD review by porfle


One of these days I'm going to sit down and read the original legend of King Arthur just so I'll be able to sort out all the differing cinematic versions of the tale.  It certainly inspires filmmakers to come up with their own interpretations, as we've seen in everything from John Boorman's stunning EXCALIBUR (still my favorite King Arthur movie) to the recent TV series "Merlin."  I guess the good thing about this is that instead of getting the same old rehash every time, with all the elements dutifully falling into place as expected, we're treated to some surprising retellings each with its own unique spin.  "Camelot", a Starz original series, is one of the latest and most interesting of these.

During the ten-episode saga of the DVD set CAMELOT: THE COMPLETE FIRST SEASON (2011) we see an origin story stripped of much of the usual pomp and wizardry, grounded in the grimy, oppressive atmopshere of a Dark Ages-era England struggling to climb out of destitution and disarray.  The murder of King Uther Pendragon prompts the wizard Merlin (Joseph Fiennes, SHAKESPEARE IN LOVE) to reveal the existence of Uther's bastard son, Arthur, who has been raised by foster parents since being taken from his mother Queen Igraine (Claire Forlani) at birth.  Now barely out of his teens, Arthur (Jamie Campbell Bower of the "Twilight" and "Harry Potter" films) is suddenly informed that his destiny is to rule England as heir to the Pendragon throne, with Merlin as his manipulative mentor.

Complicating things is Arthur's half-sister Morgan Pendragon, who believes herself the rightful heir to the crown and will stop at nothing to get it.  With her piercing eyes and haughty, intimidating presence, CASINO ROYALE's Eva Green steals the show as Morgan and is without a doubt its most watchable asset.  She plays the role with such intensity and obvious relish that we almost sympathize with the evil Morgan as she plots against Arthur within the walls of Pendragon castle and conspires to turn his subjects against him.
   


No gleaming fortress of silver and gold, the Camelot in which Arthur and his men take up residence is a crumbling, overgrown ruin overlooking the sea.  Everything we take for granted in an Arthurian film is developed from the ground up here, including Arthur himself.  As played by Bower, he initially has more in common with Jeff Spicoli than a royal personage and comes off as the sort of arrogant horndog that you might have hated in high school.  It's a long, tough character arc for this callow Arthur before he begins to gain our respect (roughly around the last couple of episodes), especially when he can't keep his hands, among other things, off the bride-to-be of his most gallant warrior, Leontes (Philip Winchester).  The lady in question, of course, is Guinevere (Tamsin Egerton), burdened by guilt after a wedding-day roll on the beach with Arthur.

Playing the role of Merlin even more offbeat than EXCALIBUR's Nicole Williamson, a bald and beardless Joseph Fiennes surprises by being smaller-than-life and eschewing sorcery.  The dark arts, we find, are both addictive and hazardous to one's health, forcing Merlin to rely on his wits more than we're used to.  Fiennes' interpretation of the character takes some getting used to but he began to grow on me after a few episodes.  His counterpart in sorcery, the scheming Morgan, uses her powers with much less restraint and, while suffering the consequences, manages to create a good deal of havoc in Camelot. 

"Camelot" is in no hurry to plunk all the pieces of the story as we know it into place or to reveal them in ways we expect.  Rather than portraying a legend, it depicts gritty, realistic events that will become legend in the retelling.  This is particularly true when we see how the tales of the sword in the stone and the lady of the lake are handled, with Merlin often twisting the facts and making up future history as he goes along. 

With verdant Irish locations, plus great sets and production design, the series looks fantastic.  It does, however, resemble the sort of semi-juvenile television fare seen so often in recent years, yet with occasional attempts at a more adult sensibility that are often jarring.  While most of the episodes would be suitable viewing for kids, there are several softcore sex scenes which seem out of place, especially when, during their romantic beach rendezvous, Arthur drops his pants and starts humping Guinevere like a dog.  And while I must admit finding it quite nice to finally get a look at Eva Green's outstanding assets, it really isn't necessary for "Camelot" to try and come off as adult-oriented entertainment along the lines of the recent "Spartacus" series and indeed sacrifices some of its sense of wonder because of this.



A definite plus is the lack of moronic comedy relief or bad-CGI monsters, with the supernatural elements kept to a more believable minimum and no hinky-looking dragons popping up to pad out the scripts.  Dialogue is modern-sounding but rarely overly so.  The stories are a bit episodic but the overall story arc is enough to bind them together. 

Supporting characters are finely cast, with SinĂ©ad Cusack a standout as Morgan's devious cohort, Sybil, an evil nun riding the aspiring Queen's coattails to the throne, and Claire Forlani as Arthur's true mother, Igraine.  Forlani has a field day in the episode in which Morgan takes on Igraine's physical appearance to cause unrest in Camelot.  Guest stars include Sean Pertwee as Arthur's foster father Ector and James Purefoy as one of Morgan's early allies against Arthur.

While there isn't an abundance of action, "Camelot" does have a number of exciting sword battles that are well-executed.  The season finale, "Reckoning", features a vastly outnumbered Arthur and his men desperately fighting off Morgan's soldiers even as, back in Camelot, she is on the verge of ascending the throne.  Major characters die, and there are enticing hints of what's to come including a foreshadowing of the imminent appearance of Lancelot (who, as we already know, will give Arthur a taste of his own medicine in the heartbreak department). 

There are few nagging cliffhangers as such (I hate season cliffhangers), but one of the most intriguing events in the Arthurian saga is wonderfully and surprisingly depicted in the last scene, setting us up for season two with keen anticipation.  We're also left with the initial core of Arthur's brave knights along with the first wedge of the fabled round table.

The three-disc set from Anchor Bay and Starz is in 1.78:1 anamorphic widescreen with Dolby 5.1 sound and subtitles in English and Spanish.  Extras consist of eight featurettes including behind-the-scenes, character profiles, scene breakdowns, and bloopers. 

As an addition to the host of King Arthur movies and TV series, CAMELOT: THE COMPLETE FIRST SEASON holds its own while not quite slashing its way to the front of the pack.  Fans of the legend will definitely want to give it a look.


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Friday, August 26, 2011

SPARTACUS: GODS OF THE ARENA -- DVD review by porfle


With the bloody slave revolt and slaughter of their Roman masters which ended SPARTACUS: BLOOD AND SAND with such a resounding bang, it was hard to imagine that a prequel about earlier events not even involving the title hero would amount to much.  SPARTACUS: GODS OF THE ARENA (2011), however, proves a worthy follow-up that almost matches its predecessor.

Not only do we already know that Batiatus (John Hannah), who runs a gladiator-training school (or "ludus"), and his equally scheming and ambitious wife Lucretia (Lucy Lawless), are dead, but we're shown how it happened in a brief recap of the earlier season finale.  Next thing we know, it's years earlier, and Batiatus has just begun his quest to become top dog in his chosen field amidst a host of more powerful and influential men (including Jeffrey Thomas as his own domineering father, Titus, who will make a highly unwelcome return from exile to take over).

Hannah and Lawless delight in playing this scheming couple united in their lust for power and social status, and we find ourselves rooting for them since they're often the lesser of many evils.  These include Tullius (Stephen Lovatt) and his young toady Vettius (a wonderfully supercilious Gareth Williams), vile competitors who pull the city's strings and run their business like an ancient version of the Mafia.  In fact, much of the brutal retribution, terror tactics, and ruthless strategies that result from Batiatus' rivalry with them are reminiscent of THE GODFATHER and GOODFELLAS, and often result in the unexpected and violent deaths of major characters.



As in "Upstairs, Downstairs", the activities of the privileged class are contrasted with the trials of their indentured inferiors--in this case, the gladiators and other household slaves.  Chief among these is Gannicus (Dustin Clare), greatest of all gladiators despite his cavalier attitude.  Much of the series involves a tug-o-war over him by Batiatus and Tullius, each of whom want him as their prized gladiator in the grand new arena that's under construction.  A somewhat superficial character at first, Gannicus soon reveals a depth that makes his story the most compelling one of all and leads to the season's emotional climax.

Back from last season is Peter Mensah as Oenomaus, not yet the ludus' Doctore (head trainer) as the position is filled by an almost unrecognizable Temuera "Jango Fett" Morrison.  His beautiful wife Melitta (Marisa Ramirez) is Lucretia's personal slave and struggles against a doomed mutual attraction to Gannicus.  Barca (Antonio Te Maioha) returns along with the cowardly Ashur (Nick Tarabay), who demonstrates why he was so reviled in the previous series.  Of particular interest is the origin of Crixus (Manu Bennett), who will one day be champion but is now seen as a lowly recruit fighting to stay alive and gain stature in the eyes of his peers.

With all of this going on, there's never a dull moment in SPARTACUS: GODS OF THE ARENA.  Batiatus and Lucretia's devious machinations are an endless source of amusement, with Lucretia's recently-widowed friend Gaia (Jaime Murray) aiding their cause in hopes of landing a man with a fat purse while renewing lustful intentions toward Lucretia herself.  This leads to some of the show's many softcore sex scenes, which erupt with such eye-popping regularity that it's like a month's worth of "Cinemax After Dark" crammed into each episode. 

While the gladiators enjoy their post-arena "rewards", jaded, repellent Romans indulge in perverse sexual scenarios with hapless slaves.  Lucy Lawless fans are apt to freak out during Lucretia's frenzied lesbian couplings with Gaia, with an enthusiastic Batiata squeezing in for the occasional threesome.



Aside from the carnal aspects of the series, however, the main attraction is what goes on in the arena.  Amidst frenzied crowd reactions (people either cheer like they're at a rock concert, flash their boobs at the gladiators, fight amongst themselves, get splattered with blood, or screw), each bone-crushing battle between these bloodthirsty behemoths is a heady concoction of wildly stylized visuals, eye-pleasing SPFX, and imaginative staging.  Slow-motion is used very well to accentuate and prolong particular moments that would normally pass too quickly to be fully savored. 

A street brawl between one of Vettius' men and a blindfolded Gannicus (the result of a poorly-worded challenge taken literally) is an early highlight.  The older, smaller fight venue provides a more intimate setting for most of the clashes seen here, with spectators being liberally doused with errant gore or even finding themselves minus a few fingers.  The inaugural games of the massive new arena end the final episode with a spectacular free-for-all pitting all of Batiatus' men against those of his two-faced friend Solonius (Craig Walsh Wrightson) in a battle royale. 

Here, as in every other episode, the gore factor is sky-high--H.G. Lewis himself never imagined the graphic carnage on display thanks to skillful use of both practical effects and CGI.  The screen is splattered with geysers of blood, severed limbs, and jaw-dropping (in one case, literally) acts of bodily harm.  Gorehounds will be in hemoglobin heaven. 

The look of the show is a non-stop wallow in lush visuals with so much detail that I often had to rewind to catch dialogue I'd missed while taking it all in.  Speaking of dialogue, these characters are such serious potty mouths--every other sentence contains the word "cock" and/or crude references to various bodily functions--that listening to them talk is consistently amusing.  In one scene, a drunken Gannicus favors us with the song "My Cock Rages On", while elsewhere the prospect of having sex with him prompts Gaia to remark, "One moistens at the very thought."  All our other favorite four-letter words are generously and creatively featured as well.

The 2-disc, six-episode set from Anchor Bay and Starz is in 1.78:1 anamorphic widescreen with Dolby 5.1 sound and subtitles in English and Spanish.  Extras consist of ten featurettes focusing on behind-the-scenes, weapons, costumes, SPFX, post-production, production design, and other aspects of the show.  Also included is a ComicCon panel session, "On Set With Lucy Lawless", and bloopers.

A must for anyone who enjoyed the earlier saga, SPARTACUS: GODS OF THE ARENA is like crack for fans of sex, violence, and gore done with impeccable production values and no-holds-barred storytelling.  Now if only Andy Whitfield can return from his unfortunate illness so we can resume the story of Spartacus himself. 


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