The New Vanguard
Is It Jazz? Improvisation? Tyshawn Sorey Is Obliterating the Lines
Mr. Sorey, a composer, multi-instrumentalist and soon-to-be professor, is about to release “Verisimilitude,” a remarkable album.
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Mr. Sorey, a composer, multi-instrumentalist and soon-to-be professor, is about to release “Verisimilitude,” a remarkable album.
By GIOVANNI RUSSONELLO
The platform offered a public space with monetization as an afterthought. Now it could simply be deleted.
By JENNA WORTHAM
This jovially surreal new production by Barrie Kosky, the festival’s first Jewish director in 141 years, unfolds in a Germany that combines the 16th, 19th and 20th centuries.
By ZACHARY WOOLFE
In just his second concert in the United States in three years, Mr. Ocean seemed determined to hold the Panorama festival crowd’s attention in the most quiet way possible.
By JON CARAMANICA
The conductor Leon Botstein, a champion of overlooked works, brings Dvorak’s seldom-performed “Dimitrij” to Bard SummerScape.
By ANTHONY TOMMASINI
Mr. Jordan, the respected Swiss conductor, will take one of the most prestigious — but historically most tumultuous — podiums in the opera world.
By MICHAEL COOPER
When the president bragged about the superiority of Western culture in a speech in Warsaw, he pressed a sore spot for our chief classical critic.
By ANTHONY TOMMASINI
The pianist Conrad Tao, Gershwin's "Porgy and Bess" and Wagner are among the highlights.
The Glimmerglass Festival performed excerpts from Gershwin’s “Porgy and Bess” for inmates and guards at one of New York’s most notorious destinations.
By MICHAEL COOPER