Abbas Kiarostami
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Michael Haneke’s Happy End leads the charge for this year’s Palme d’Or, but there are tasty spectacles on the Croisette wherever you look
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The official selection has been announced for the 70th Cannes film festival in May 2017. Here are all the titles screening
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The late Iranian director has been commemorated in the Academy Awards’ In Memoriam montage
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Iranian film-maker had undergone four operations but did not know severity of his illness until shortly before he died in Paris
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Iranian director whose enigmatic approach enabled him to sidestep censorship
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Peter Bradshaw recommends the Iranian film Willow and Wind, directed by Mohammad-Ali Talebi
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Liberace's glitter is only slightly dimmed by DVD, while Mubi's curatorial brand of streaming is a treat for cinephiles, says Guy Lodge
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Cancer, arrests and exile from Tehran haven't stopped Mania Akbari from making her politicised, potent films. Tom Seymour meets Iran's iron lady
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Abbas Kiarostami's modern Tokyo story is a typically elliptical affair, writes Mark Kermode
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Xan Brooks, Peter Bradshaw and Catherine Shoard review Like Someone in Love
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Xan Brooks, Catherine Shoard and Peter Bradshaw review Before Midnight, World War Z, Like Someone in Love and Spike Island
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Abbas Kiarostami's Tokyo-set Like Someone in Love is a strange, unfinished spectacle – a minor work but well acted and made with eerily deliberate poise, says Peter Bradshaw
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Unable to film in his native Iran, Abbas Kiarostami now has to shoot his enigmatic films abroad. Does it matter that Cannes audiences found his new work exasperating? Not at all, he tells Xan Brooks
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Abbas Kiarostami's Tokyo-set drama is beautifully shot and acted, but the curtain comes crashing down too abruptly, writes Peter Bradshaw
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Peter Bradshaw: With new offerings from Audiard, Haneke and Loach, this year's festival will be another feast of quality film-making. Could have done with a few more women directors, mind
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Abbas Kiarostami's new movie is a stylish and mysterious study of relationships, with powerful central performances, writes Phillip French
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Juliette Binoche stars in the first film Abbas Kiarostami has made outside Iran. Peter Bradshaw finds it very odd indeed
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Oscar-winning French actor Juliette Binoche might have settled for Hollywood stardom. Instead, she is putting the spotlight on human rights injustices in Iran, writes Andrew Anthony
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Juliette Binoche and opera singer-turned-actor William Shimell star in Abbas Kiarostami's tale of two strangers who pretend to be a married couple
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Peter Bradshaw: The consensus seems to be that Cannes 2010 was far from a stellar year. But the competition produced a bewitching Palme d'Or winner, there were frequent gems elsewhere, and flashes of real social engagement from the likes of Jean-Luc Godard and Lucy Walker
• Peter Bradshaw's full review of Uncle Boonmee Who Can Recall His Past Lives
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It took 79-year-old Jean-Luc Godard to shine out amid the festival's glut of unwatchable art-house films, writes Jason Solomons
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Onboard Film Weekly's second Cannes film festival special are the cream of British acting talent from Mike Leigh's Another Year; Tournée's Mathieu Amalric and Chinese director Wang Xiaoshuai. Plus, a punt on who will take the Palme d'Or home on Sunday
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It is Day 8 at the 63rd Cannes film festival, and 12 out of the 19 films in competition for the Palme d'Or have had their premieres. But there is still much, much more to come
Notebook What’s the scariest tune at the Cannes festival? (Clue: it’s all around us)