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- Music, Artist on Artist Apr 8, 2014
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Artist on Artist: Justin Broadrick of Godflesh talks to producer Sanford Parker
"Big Black's drum machine was fucking awesome, but we wanted something much closer to Run-D.M.C."
- By Luca Cimarusti
- Tags: Artist on Artist, interviews, Justin Broadrick, Napalm Death, Head of David, Godflesh, drum machines, grindcore, industrial metal, Final, electronic music, Jesu, postmetal, G.C. Green, Metro, Wales, Abergele, Sanford Parker, Buried at Sea, Minsk, Corrections House, Twilight, Nachtmystium, Altered States, studios, Logic, Proo Tools, Alesis HR-16, layering, sound production, drum sound, kick drums, TL Audio, TLA, audio consoles, mixing boards, multi-channel recording, multi-track recording, preamps, Avalon, Avalon Vacuum Tube 737, sound processing, Eventide H3500, Skinny Puppy, Divid Ogilvie, live sound, Columbia Records, records, albums, Eventide, Purple Audio, limiters, SSL XLogic, channel strips, Neve, APIs, AnaMod ATS-1, AnaMod, equalization, Foel Studio, RADAR, digital recording, analog recording, analog tape, Digidesign, Session 8, Cubase, audio sequencing, beats, samplers, drummers, hip-hop, Big Black, Public Enemy, Eric B. & Rakim, Run-D.M.C., 1980s, 1970s, punk, Throbbing Gristle, Cabaret Voltaire, Whitehouse, industrial music, postpunk music, Crass, Discharge, Killing Joke, The Stranglers, riffs, noise, Swans, Celtic Frost, Video
